文学的生成与土壤——贾平凹与陈思和、孙周兴对谈录
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摘要
对谈认为:作家的出生地与其创作有着密切的联系,贾平凹的文学创作有着西北山区文化的烙印;文学艺术在很大程度上就是要"装神弄鬼",如果文学艺术失去了对幽暗之物、奇异之物、神秘领域的创造、描写、呈现,那就缺失了根本性的意义;我们生活的世界在不断变化,认知和经验结构也在不断变动,小说的叙事手法自然也在不断变化;小说《山本》以琐碎的日常生活以及"仿自然"的方式来表现重大的事件,是一种新的写作手法的尝试。
The dialogue expresses that: the author's birthplace is closely related to his literary creation, and Jia Pingwa's literary creation is imprinted with the mountain culture in northwest China. Literary art, to a large extent, is to purposely make a mystery, because it will lose its fundamental significance if there is no creation, description and presentation of dark things, strange things and mysterious fields in literary works. The world we live in is in constant change, so are the cognitive and experiential structures as well as the narrative techniques of the novel. In the novel Shan Ben, the writer attempts to present important events in a trivial daily life with the means of "imitating the nature".
The dialogue expresses that: the author's birthplace is closely related to his literary creation, and Jia Pingwa's literary creation is imprinted with the mountain culture in northwest China. Literary art, to a large extent, is to purposely make a mystery, because it will lose its fundamental significance if there is no creation, description and presentation of dark things, strange things and mysterious fields in literary works. The world we live in is in constant change, so are the cognitive and experiential structures as well as the narrative techniques of the novel. In the novel Shan Ben, the writer attempts to present important events in a trivial daily life with the means of "imitating the nature".
引文
*2018年10月8日,中国作协副主席贾平凹先生、复旦大学图书馆馆长陈思和教授以及同济大学人文学院孙周兴教授三位文化大家在同济大学逸夫楼一楼报告厅一起谈文学、谈创作。活动由同济大学中文系主任朱静宇教授主持,副校长雷星晖教授致欢迎词,人文学院院长刘日明教授和全校500多位师生共同分享了这次精彩的即兴文化对谈。
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