摘要
中轴对称是世界各民族早期共同的建筑构图方式,它给人以整齐严肃、有条不紊的视觉感受,在中国传统建筑中,它也是礼乐制度的感性呈现。该文通过对巍宝山道教建筑平面布局以及空间形态的分析,充分论述"中轴"精神体现的"对称性"与"礼制性"等空间特性,说明了"中轴"精神不仅存在于巍宝山道教建筑的实体中,而且已形成一种深厚的建筑文化精神。
Axis symmetry is the common way of architectural composition in the early days of the world, but in traditional Chinese architecture, the concept of axis control has been emphasized, annotated and reflected perfectly. Based on the analysis of Taoist buildings layout in mountain Weibao, we fully discuss the "central axis" which reflects the spirit of the "symmetry",and "etiquette" and other spatial characteristics. Then we illustrate the "axis" spirit which not only exists in mountain Weibao Taoism construction entity, but also has formed a the deep cultural spirit in traditional religious architecture.
引文
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