论宋代渔父词
摘要
目前的学术界对渔父词的研究,关注的是:或者立足于渔父形象的原型与演变、或者探讨渔父形象的隐逸意味、或者关注渔父词的影响与传播……总体来说,数量很少,且不够深入全面,没有对渔父词进行全面深入的研究。
本文就一代文学宋词中的渔父词展开论述,论文不再沿用以前研究者常用的几个论点,即渔父词的原型、渔父形象的影响、某个作家的渔父词创作,而是选择渔父词产生的历史、社会、文化背景,梳理脉络,阐释渔父词两个重要特色——闲适境界和渔父形象的自由象征。
第一部分绪论,主要讲述本文写作的几点问题:渔父词课题的研究现状、本文的研究内容、研究思路等等。
第二部分谈渔父词的产生原因。第一节讲政治环境因素,指外族入侵、内部党争这样一个内忧外患的环境。第二节讲社会风气,表现为尊隐、崇隐的风气。这既有对前人风气的继承,也有宋代自己的特色。第三节讲文人心态因素。论述文人由积极参与政治到畏祸避难这一心理的发展。第四节讲文化传统,即儒家、道家、佛家关于隐逸的论说。
第三部分论述渔父词的发展脉络,分为两节。第一节谈唐宋以前渔父词的发展。这主要指唐五代渔父词,它以张志和的《渔父》为开端,后人继作不断。虽然宋代之前渔父词的成就不高,但是它对宋代渔父词的创作产生了很大的影响。第二节谈宋代渔父词的发展历程。这分四个阶段来细说。第一,北宋前期的创作。这是宋代渔父词的萌芽期,是创作的开始。第二,北宋中后期的创作。它以苏轼为代表,表现一种超然脱俗的隐逸。第三,谈南渡时期的创作。这又分为两个迥然不同的方面:隐逸词人的尘外之音和爱国词人的愤慨之音。前一类以朱敦儒为代表。他的渔父词表达了一种清新绝尘的隐逸风范。后一类的代表是陆游、张元干等一批爱国词人。他们的隐逸词饱含着忧国忧民之情和郁郁不平之气。第四,南宋灭亡后的渔父词创作。这已经是渔父词的衰落期。词人以创作来寄托哀思,悲伤有余而气力不足。这一时期以张炎等人为代表。
第四部分论渔父词的闲适境界。第一节论述闲适的心理。闲适的精义就是自由。中国传统文化中,闲适就是顺其自然的自由状态。第二节论述“优游”的人生体现出的宋代士人心态。渔父词中词人对山水的审美感受、主客体之间的默契交流,很大程度上是受到庄子“游”的精神的影响。既不出世,也不入世,而是审美的艺术与审美的人生的结合。从人生角度看,这是一种成熟的心态;从艺术角度看,是一种成熟的艺术,是有萧散、淡远之美的艺术。第三节论述闲适境界反映出的宋代士人的理想人格。渔父词中总有一位清高脱俗的人物挺立其中。宋代文人不仅创造了一代灿烂的文化,还将历代文人的生存智慧发挥到了几乎完善的极致。这是一种成熟老练的标志,也是文人最高水平的处世之道。
第五部分谈渔父系列形象的自由象征。第一节论渔父形象,他是摆脱尘俗的象征。渔父是隐逸系列中占首要位置的形象。词人借助渔父形象表达理想中的自由境界。渔父是词人精神自由的外化。第二节论垂钓。它是寻觅自由的象征。垂钓是和渔父形象密不可分的一个动作意象。垂钓关注的不是得失,而是等待自由这一过程。第三节论扁舟形象。它是身心载体的象征。其一,舟载身,是从它的实用功能出发。尽管所载的人不同,但是向往自由境界的心情是一样的。其二,舟就是身。这时的扁舟已经不是渔父的载体,而是有独立意识、有人格魅力的自由生命。其三,舟就是家。舟寄托了词人向往的精神自由,给人的是回归家园的精神体验。第四节论湖海形象。它既是渔父活动的空间背景,也是自由空间的象征。词人对山水的审美与感悟,也是他对生命审美化的一个重要方面。
第六部分文章结论。既回顾了传统的出与处的矛盾,又结合宋代特定的历史环境,说明渔父词的产生是有必然性的。并且再次论述了渔父词的两大特色,闲适与自由。
Fisherman current academic term studies, of concern are: either based on the Fisherman and the evolution of the prototype image, or to explore the image of the Hermit Fisherman mean, orconcerned about the impact of the image of Fisherman and Communication......Generally speaking,Quantity is very little and not enough depth and comprehensive, there is no word on Fisherman comprehensive and in-depth research. Fisherman term studies and few, not many researchers, the study of a dynasty with the Fisherman's book fewer words.
In this paper, literature on the generation and Song of the Fisherman word to start discussion researchers to adopt the old thesis is no longer commonly used in some argument that the word Fisherman prototype, Fisherman image of the impact of a Fisherman Lyrics Writer, and Fisherman word selection are the historical, social and cultural background, carding context to explain the word Fisherman have two important characteristics - leisure realm and Fisherman's image a symbol of Freedom.
This paper is divided into four parts, Fisherman term causes of the development of Fisherman term context word leisurely Fisherman Fisherman Series realm, as well as the image of a symbol of Freedom.
Chapter Fisherman words are the cause. Section I is the political environment factors, referring to the foreign invasion, internal party struggles such an internal and external environment. Section II of the social atmosphere, performance-friendly implicit, Tsung implicit in our community. This trend of both the inheritance of their predecessors, but also has its own characteristics in the Song Dynasty. Section III factors are the literati mentality. Scholars have discussed the active participation in politics to fear harm the development of this mental asylum. Section IV is a cultural tradition, that is, Confucianism, Taoism, Buddhism about the discourse Seclusion.
Fisherman chapter are the development of word context is divided into two. Section I is the Tang and Five Fisherman term development. Tang and Five Fisherman word to Zhang and the "Fisherman" as the start and for future generations following the constant. Although the achievements of the Five Fisherman word is not high, but he was the creative word Fisherman Song Dynasty had a great impact. Section II Fisherman Song words are the course of development. This points to elaborate on 5:00. The first point is that the early Northern Song Dynasty creation. Fisherman Song This is the word embryonic period is the beginning of creation. The second point is the mid-and late Northern Song Dynasty creation. It is represented by Su Shi, a transcendent performance of the Hermit refined. The third point is the early Southern Song Dynasty creation. To Zhu Dunru isherman his words expressed the speed of a fresh style of Seclusion. Fourthly are the late Southern Song Dynasty creation. The representative of this period are Lu You, ZHANG Yuan-do people, such as a group of patriotic word. Seclusion their words full of love and the care for a patchwork of further acts of injustice gas. The fifth point is the Late Song Dynasty poetess creation. This is the decline of the word Fisherman period. Word to people to create sustenance grief, sadness and more than enough gas.
ChapterⅢFisherman words are leisurely realm. Section I are leisurely psychological. The essence of leisure is freedom. Traditional Chinese culture, leisure is the freedom to go with the flow status. Section II are reflected in the realm of leisure "Leisure" life experience. Fisherman word in the word of people feel the aesthetic landscape, a tacit agreement between subject and object communicate, to a large extent by the Zhuangzi are "open" the impact of the spirit. Section III leisurely realm are reflected in the Song Dynasty scholar-officials of the ideal personality. Fisherman word has a lofty total refined one of the characters stand. Song writers not only create a generation of brilliant culture, but also the survival of successive civilian intelligence to exert almost complete extreme. This is a sign of a mature sophisticated, but also the highest level of civilian life skills.
ChapterⅣFisherman Series are the image of a symbol of Freedom. Fisherman in section I are the image of him is to get rid of the symbol of mortal life. Fisherman Recluse series are the most important position in representing the image. Fisherman words people use to express the image of the ideal realm of freedom. Fisherman words people are outside the spirit of freedom. Section II are fishing. It is looking for a symbol of Freedom. Fisherman fishing and image are inextricably linked to an action. Angling is not concerned about the gains and losses, but Wait for Freedom in the process. Section III is the boat image. It is a symbol of physical and mental vector. Zhou containing body, are from its practical function of departure. Even though the different people, but the feelings of longing for Freedom realm are the same. Zhou is the body. At this time the boat is not the Fisherman of the vector, but there is an independent consciousness, there is the charisma of life freely. Boat is at home. Zhou sustenance of the people longing for the spirit of the word freedom, it gives others are returning to their homes in the spirit of experience. Lakes are the image of the fourth quarter. It is a Fisherman's space background activity, but also a symbol of free space. Word of the people on the landscape aesthetics and perception, but also their aesthetic life of an important aspect.
本文就一代文学宋词中的渔父词展开论述,论文不再沿用以前研究者常用的几个论点,即渔父词的原型、渔父形象的影响、某个作家的渔父词创作,而是选择渔父词产生的历史、社会、文化背景,梳理脉络,阐释渔父词两个重要特色——闲适境界和渔父形象的自由象征。
第一部分绪论,主要讲述本文写作的几点问题:渔父词课题的研究现状、本文的研究内容、研究思路等等。
第二部分谈渔父词的产生原因。第一节讲政治环境因素,指外族入侵、内部党争这样一个内忧外患的环境。第二节讲社会风气,表现为尊隐、崇隐的风气。这既有对前人风气的继承,也有宋代自己的特色。第三节讲文人心态因素。论述文人由积极参与政治到畏祸避难这一心理的发展。第四节讲文化传统,即儒家、道家、佛家关于隐逸的论说。
第三部分论述渔父词的发展脉络,分为两节。第一节谈唐宋以前渔父词的发展。这主要指唐五代渔父词,它以张志和的《渔父》为开端,后人继作不断。虽然宋代之前渔父词的成就不高,但是它对宋代渔父词的创作产生了很大的影响。第二节谈宋代渔父词的发展历程。这分四个阶段来细说。第一,北宋前期的创作。这是宋代渔父词的萌芽期,是创作的开始。第二,北宋中后期的创作。它以苏轼为代表,表现一种超然脱俗的隐逸。第三,谈南渡时期的创作。这又分为两个迥然不同的方面:隐逸词人的尘外之音和爱国词人的愤慨之音。前一类以朱敦儒为代表。他的渔父词表达了一种清新绝尘的隐逸风范。后一类的代表是陆游、张元干等一批爱国词人。他们的隐逸词饱含着忧国忧民之情和郁郁不平之气。第四,南宋灭亡后的渔父词创作。这已经是渔父词的衰落期。词人以创作来寄托哀思,悲伤有余而气力不足。这一时期以张炎等人为代表。
第四部分论渔父词的闲适境界。第一节论述闲适的心理。闲适的精义就是自由。中国传统文化中,闲适就是顺其自然的自由状态。第二节论述“优游”的人生体现出的宋代士人心态。渔父词中词人对山水的审美感受、主客体之间的默契交流,很大程度上是受到庄子“游”的精神的影响。既不出世,也不入世,而是审美的艺术与审美的人生的结合。从人生角度看,这是一种成熟的心态;从艺术角度看,是一种成熟的艺术,是有萧散、淡远之美的艺术。第三节论述闲适境界反映出的宋代士人的理想人格。渔父词中总有一位清高脱俗的人物挺立其中。宋代文人不仅创造了一代灿烂的文化,还将历代文人的生存智慧发挥到了几乎完善的极致。这是一种成熟老练的标志,也是文人最高水平的处世之道。
第五部分谈渔父系列形象的自由象征。第一节论渔父形象,他是摆脱尘俗的象征。渔父是隐逸系列中占首要位置的形象。词人借助渔父形象表达理想中的自由境界。渔父是词人精神自由的外化。第二节论垂钓。它是寻觅自由的象征。垂钓是和渔父形象密不可分的一个动作意象。垂钓关注的不是得失,而是等待自由这一过程。第三节论扁舟形象。它是身心载体的象征。其一,舟载身,是从它的实用功能出发。尽管所载的人不同,但是向往自由境界的心情是一样的。其二,舟就是身。这时的扁舟已经不是渔父的载体,而是有独立意识、有人格魅力的自由生命。其三,舟就是家。舟寄托了词人向往的精神自由,给人的是回归家园的精神体验。第四节论湖海形象。它既是渔父活动的空间背景,也是自由空间的象征。词人对山水的审美与感悟,也是他对生命审美化的一个重要方面。
第六部分文章结论。既回顾了传统的出与处的矛盾,又结合宋代特定的历史环境,说明渔父词的产生是有必然性的。并且再次论述了渔父词的两大特色,闲适与自由。
Fisherman current academic term studies, of concern are: either based on the Fisherman and the evolution of the prototype image, or to explore the image of the Hermit Fisherman mean, orconcerned about the impact of the image of Fisherman and Communication......Generally speaking,Quantity is very little and not enough depth and comprehensive, there is no word on Fisherman comprehensive and in-depth research. Fisherman term studies and few, not many researchers, the study of a dynasty with the Fisherman's book fewer words.
In this paper, literature on the generation and Song of the Fisherman word to start discussion researchers to adopt the old thesis is no longer commonly used in some argument that the word Fisherman prototype, Fisherman image of the impact of a Fisherman Lyrics Writer, and Fisherman word selection are the historical, social and cultural background, carding context to explain the word Fisherman have two important characteristics - leisure realm and Fisherman's image a symbol of Freedom.
This paper is divided into four parts, Fisherman term causes of the development of Fisherman term context word leisurely Fisherman Fisherman Series realm, as well as the image of a symbol of Freedom.
Chapter Fisherman words are the cause. Section I is the political environment factors, referring to the foreign invasion, internal party struggles such an internal and external environment. Section II of the social atmosphere, performance-friendly implicit, Tsung implicit in our community. This trend of both the inheritance of their predecessors, but also has its own characteristics in the Song Dynasty. Section III factors are the literati mentality. Scholars have discussed the active participation in politics to fear harm the development of this mental asylum. Section IV is a cultural tradition, that is, Confucianism, Taoism, Buddhism about the discourse Seclusion.
Fisherman chapter are the development of word context is divided into two. Section I is the Tang and Five Fisherman term development. Tang and Five Fisherman word to Zhang and the "Fisherman" as the start and for future generations following the constant. Although the achievements of the Five Fisherman word is not high, but he was the creative word Fisherman Song Dynasty had a great impact. Section II Fisherman Song words are the course of development. This points to elaborate on 5:00. The first point is that the early Northern Song Dynasty creation. Fisherman Song This is the word embryonic period is the beginning of creation. The second point is the mid-and late Northern Song Dynasty creation. It is represented by Su Shi, a transcendent performance of the Hermit refined. The third point is the early Southern Song Dynasty creation. To Zhu Dunru isherman his words expressed the speed of a fresh style of Seclusion. Fourthly are the late Southern Song Dynasty creation. The representative of this period are Lu You, ZHANG Yuan-do people, such as a group of patriotic word. Seclusion their words full of love and the care for a patchwork of further acts of injustice gas. The fifth point is the Late Song Dynasty poetess creation. This is the decline of the word Fisherman period. Word to people to create sustenance grief, sadness and more than enough gas.
ChapterⅢFisherman words are leisurely realm. Section I are leisurely psychological. The essence of leisure is freedom. Traditional Chinese culture, leisure is the freedom to go with the flow status. Section II are reflected in the realm of leisure "Leisure" life experience. Fisherman word in the word of people feel the aesthetic landscape, a tacit agreement between subject and object communicate, to a large extent by the Zhuangzi are "open" the impact of the spirit. Section III leisurely realm are reflected in the Song Dynasty scholar-officials of the ideal personality. Fisherman word has a lofty total refined one of the characters stand. Song writers not only create a generation of brilliant culture, but also the survival of successive civilian intelligence to exert almost complete extreme. This is a sign of a mature sophisticated, but also the highest level of civilian life skills.
ChapterⅣFisherman Series are the image of a symbol of Freedom. Fisherman in section I are the image of him is to get rid of the symbol of mortal life. Fisherman Recluse series are the most important position in representing the image. Fisherman words people use to express the image of the ideal realm of freedom. Fisherman words people are outside the spirit of freedom. Section II are fishing. It is looking for a symbol of Freedom. Fisherman fishing and image are inextricably linked to an action. Angling is not concerned about the gains and losses, but Wait for Freedom in the process. Section III is the boat image. It is a symbol of physical and mental vector. Zhou containing body, are from its practical function of departure. Even though the different people, but the feelings of longing for Freedom realm are the same. Zhou is the body. At this time the boat is not the Fisherman of the vector, but there is an independent consciousness, there is the charisma of life freely. Boat is at home. Zhou sustenance of the people longing for the spirit of the word freedom, it gives others are returning to their homes in the spirit of experience. Lakes are the image of the fourth quarter. It is a Fisherman's space background activity, but also a symbol of free space. Word of the people on the landscape aesthetics and perception, but also their aesthetic life of an important aspect.
引文
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[3]杨海明.唐宋词与人生[M].河北:河北人民出版社,2002:267
[1]唐圭璋.全宋词[M].北京:中华书局,1965:第5册3520
[1]唐圭璋.全宋词[M].北京:中华书局,1965:第1册214
[2]唐圭璋.全宋词[M].北京:中华书局,1965:第1册215
[1]唐圭璋.全宋词[M].北京:中华书局,1965:第2册854
[2]唐圭璋.全宋词[M].北京:中华书局,1965:第2册1291
[3]唐圭璋.全宋词[M].北京:中华书局,1965:第4册2954
[1]唐圭璋.全宋词[M].北京:中华书局,1965:第1册215
[2]唐圭璋.全宋词[M].北京:中华书局,1965:第2册1409
[1]孙维城.宋韵--宋词人文精神与审美形态探论[M].安徽:安徽大学出版社,2002:214
[1]唐圭璋.全宋词[M].北京:中华书局,1965:第2册647
[2]唐圭璋.全宋词[M].北京:中华书局,1965:第2册1409
[1]唐圭璋.全宋词[M].北京:中华书局,1965:第3册1937
[2]唐圭璋.全宋词[M].北京:中华书局,1965:第3册1885
[1]丁纪.论语读诠[M].四川:巴蜀书社,2005:162
[2]丁纪.论语读诠[M].四川:巴蜀书社,2005:169
[1]高海天.唐宋八大家文钞[M].陕西:三秦出版社,1998:5603
[2]张晶.心灵的歌吟:宋代词人的情感世界[M].河北:河北大学出版社,2001:76
[1]中华书局编辑部点校.全唐诗[M].北京:中华书局,1999:第3册2224
[2]中华书局编辑部点校.全唐诗[M].北京:中华书局,1999:第8册6047
[1]中华书局编辑部点校.全唐诗[M].北京:中华书局,1999:第2册1338
[2]中华书局编辑部点校.全唐诗[M].北京:中华书局,1999:第3册1683
[3]中华书局编辑部点校.全唐诗[M].北京:中华书局,1999:第3册1686
[1]中华书局编辑部点校.全唐诗[M].北京:中华书局,1999:第2册1304
[2]中华书局编辑部点校.全唐诗[M].北京:中华书局,1999:第12册9545
[3]中华书局编辑部点校.全唐诗[M].北京:中华书局,1999:第9册7015
[4]中华书局编辑部点校.全唐诗[M].北京:中华书局,1999:第6册3970
[1]中华书局编辑部点校.全唐诗[M].北京:中华书局,1999:第6册3961
[2]中华书局编辑部点校.全唐诗[M].北京:中华书局,1999:第7册5254
[1]唐圭璋.全宋词[M].北京:中华书局,1965:第3册1417
[2]唐圭璋.全宋词[M].北京:中华书局,1965:第4册2310
[1]唐圭璋.全宋词[M].北京:中华书局,1965:第3册1683
[1]唐圭璋.全宋词[M].北京:中华书局,1965:第4册2608
[1]唐圭璋.全宋词[M].北京:中华书局,1965:第4册2954
[1]唐圭璋.全宋词[M].北京:中华书局,1965:第1册398
[1]唐圭璋.全宋词[M].北京:中华书局,1965
[2]中华书局编辑部点校.全唐诗[M].北京:中华书局,1999
[3]张觉.韩非子校注[M].长沙:岳麓书社,2006
[4]丁纪.论语读诠[M].四川:巴蜀书社,2005
[5]孙海通.庄子[M].北京:中华书局,2007
[6]张璋.全唐五代词[M].上海:上海古籍出版社,1986
[7]王兆鹏.唐宋词汇评[M].浙江:浙江教育出版社,2004
[8]张璋.全唐五代词[M].上海:上海古籍出版社,1986
[9]孙维城.宋韵--宋词人文精神与审美形态探论[M].安徽:安徽大学出版社,2002
[10]脱脱.宋史[M].北京:中华书局,1985
[11]刘方.宋型文化与宋代美学精神[M].四川:巴蜀书社,2004
[12]张立伟.孔子论隐逸三要素[J].孔子研究,1991
[13]张立伟.庄子论隐逸三要素[J].江汉论坛,1994
[14]张璋.历代词话[M].河南:大象出版社,2002
[15]张再林.唐宋士风与词风研究--以白居易、苏轼为中心[M].北京:人民文学出版社,2005
[16]朱敦儒.樵歌[M].上海:上海古籍出版社,1998
[17]杨海明.唐宋词与人生[M].河北:河北人民出版社,2002
[118]王立.文人审美心态与中国文学十大主题[M].辽宁:辽海出版社,2003
[19]沈松勤.唐宋词社会文化学研究[M].浙江:浙江大学出版社,2004
[20]杨柏岭.宋词审美文化阐释[M].合肥:黄山书社,2007
[21]蔡镇楚,宿莽.唐宋诗词文化解读[M].北京:北京图书馆出版,2004
[1]脱脱.宋史[M].北京:中华书局,1985:第10册10281
[2]脱脱.宋史[M].北京:中华书局,1985:第14册13422
[1]唐圭璋.全宋词[M].北京:中华书局,1965:904
[2]张觉.韩非子校注[M].长沙:岳麓书社,2006:36
[1]刘方.宋型文化与宋代美学精神[M].四川:巴蜀书社,2004:212
[2]丁纪.论语读诠[M].四川:巴蜀书社,2005:231
[3]丁纪.论语读诠[M].四川:巴蜀书社,2005=462
[4]孙海通.庄子[M].北京:中华书局,2007:135
[1]王兆鹏.唐宋词汇评[M].浙江:浙江教育出版社,2004:43
[2]张璋.全唐五代词[M].上海:上海古籍出版社,1986:57
[3]王兆鹏.唐宋词汇评[M].浙江:浙江教育出版社,2004:48
[1]王兆鹏.唐宋词汇评[M].浙江:浙江教育出版社,2004:45
[2]王兆鹏.唐宋词汇评[M].浙江:浙江教育出版社,2004:46
[3]王兆鹏.唐宋词汇评[M].浙江:浙江教育出版社,2004:46
[4]张璋.全唐五代词[M].上海:上海古籍出版社,1986:62
[5]张璋.全唐五代词[M].上海:上海古籍出版社,1986:772
[1]张璋.全唐五代词[M].上海:上海古籍出版社,1986:338
[2]张璋.全唐五代词[M].上海:上海古籍出版社,1986:657
[1]张璋.全唐五代词[M].上海:上海古籍出版社,1986:492
[2]唐圭璋.全宋词[M].北京:中华书局,1965:第1册5
[1]唐圭璋.全宋词[M].北京:中华书局,1965:第1册31
[2]唐圭璋.全宋词[M].北京:中华书局,1965:第1册89
[1]唐圭璋.全宋词[M].北京:中华书局,1965:第1册168
[2]唐圭璋.全宋词[M].北京:中华书局,1965:第1册209
[1]唐圭璋.全宋词[M].北京:中华书局,1965:第1册288
[2]唐圭璋.全宋词[M].北京:中华书局,1965:第1册330
[1]唐圭璋.全宋词[M].北京:中华书局,1965:第1册398
[2]唐圭璋.全宋词[M].北京:中华书局,1965:第1册458
[1]唐圭璋.全宋词[M].北京:中华书局,1965:第2册843
[2]唐圭璋.全宋词[M].北京:中华书局,1965:第2册841
[1]唐圭璋.全宋词[M].北京:中华书局,1965:第2册835
[2]唐圭璋.全宋词[M].北京:中华书局,1965:第2册852
[3]唐圭璋.全宋词[M].北京:中华书局,1965:第2册853
[1]唐圭璋.全宋词[M].北京:中华书局,1965:第2册960
[1]唐圭璋.全宋词[M].北京:中华书局,1965:第2册902
[1]唐圭璋.全宋词[M].北京:中华书局,1965:第2册2077
[2]唐圭璋.全宋词[M].北京:中华书局,1965:第2册1090
[1]唐圭璋.全宋词[M].北京:中华书局,1965:第3册1581
[2]唐圭璋.全宋词[M].北京:中华书局,1965:第3册1600
[1]唐圭璋.全宋词[M].北京:中华书局,1965:第3册1595
[2]唐圭璋.全宋词[M].北京:中华书局,1965:第3册1600
[3]杨海明.唐宋词与人生[M].河北:河北人民出版社,2002:267
[1]唐圭璋.全宋词[M].北京:中华书局,1965:第5册3520
[1]唐圭璋.全宋词[M].北京:中华书局,1965:第1册214
[2]唐圭璋.全宋词[M].北京:中华书局,1965:第1册215
[1]唐圭璋.全宋词[M].北京:中华书局,1965:第2册854
[2]唐圭璋.全宋词[M].北京:中华书局,1965:第2册1291
[3]唐圭璋.全宋词[M].北京:中华书局,1965:第4册2954
[1]唐圭璋.全宋词[M].北京:中华书局,1965:第1册215
[2]唐圭璋.全宋词[M].北京:中华书局,1965:第2册1409
[1]孙维城.宋韵--宋词人文精神与审美形态探论[M].安徽:安徽大学出版社,2002:214
[1]唐圭璋.全宋词[M].北京:中华书局,1965:第2册647
[2]唐圭璋.全宋词[M].北京:中华书局,1965:第2册1409
[1]唐圭璋.全宋词[M].北京:中华书局,1965:第3册1937
[2]唐圭璋.全宋词[M].北京:中华书局,1965:第3册1885
[1]丁纪.论语读诠[M].四川:巴蜀书社,2005:162
[2]丁纪.论语读诠[M].四川:巴蜀书社,2005:169
[1]高海天.唐宋八大家文钞[M].陕西:三秦出版社,1998:5603
[2]张晶.心灵的歌吟:宋代词人的情感世界[M].河北:河北大学出版社,2001:76
[1]中华书局编辑部点校.全唐诗[M].北京:中华书局,1999:第3册2224
[2]中华书局编辑部点校.全唐诗[M].北京:中华书局,1999:第8册6047
[1]中华书局编辑部点校.全唐诗[M].北京:中华书局,1999:第2册1338
[2]中华书局编辑部点校.全唐诗[M].北京:中华书局,1999:第3册1683
[3]中华书局编辑部点校.全唐诗[M].北京:中华书局,1999:第3册1686
[1]中华书局编辑部点校.全唐诗[M].北京:中华书局,1999:第2册1304
[2]中华书局编辑部点校.全唐诗[M].北京:中华书局,1999:第12册9545
[3]中华书局编辑部点校.全唐诗[M].北京:中华书局,1999:第9册7015
[4]中华书局编辑部点校.全唐诗[M].北京:中华书局,1999:第6册3970
[1]中华书局编辑部点校.全唐诗[M].北京:中华书局,1999:第6册3961
[2]中华书局编辑部点校.全唐诗[M].北京:中华书局,1999:第7册5254
[1]唐圭璋.全宋词[M].北京:中华书局,1965:第3册1417
[2]唐圭璋.全宋词[M].北京:中华书局,1965:第4册2310
[1]唐圭璋.全宋词[M].北京:中华书局,1965:第3册1683
[1]唐圭璋.全宋词[M].北京:中华书局,1965:第4册2608
[1]唐圭璋.全宋词[M].北京:中华书局,1965:第4册2954
[1]唐圭璋.全宋词[M].北京:中华书局,1965:第1册398
[1]唐圭璋.全宋词[M].北京:中华书局,1965
[2]中华书局编辑部点校.全唐诗[M].北京:中华书局,1999
[3]张觉.韩非子校注[M].长沙:岳麓书社,2006
[4]丁纪.论语读诠[M].四川:巴蜀书社,2005
[5]孙海通.庄子[M].北京:中华书局,2007
[6]张璋.全唐五代词[M].上海:上海古籍出版社,1986
[7]王兆鹏.唐宋词汇评[M].浙江:浙江教育出版社,2004
[8]张璋.全唐五代词[M].上海:上海古籍出版社,1986
[9]孙维城.宋韵--宋词人文精神与审美形态探论[M].安徽:安徽大学出版社,2002
[10]脱脱.宋史[M].北京:中华书局,1985
[11]刘方.宋型文化与宋代美学精神[M].四川:巴蜀书社,2004
[12]张立伟.孔子论隐逸三要素[J].孔子研究,1991
[13]张立伟.庄子论隐逸三要素[J].江汉论坛,1994
[14]张璋.历代词话[M].河南:大象出版社,2002
[15]张再林.唐宋士风与词风研究--以白居易、苏轼为中心[M].北京:人民文学出版社,2005
[16]朱敦儒.樵歌[M].上海:上海古籍出版社,1998
[17]杨海明.唐宋词与人生[M].河北:河北人民出版社,2002
[118]王立.文人审美心态与中国文学十大主题[M].辽宁:辽海出版社,2003
[19]沈松勤.唐宋词社会文化学研究[M].浙江:浙江大学出版社,2004
[20]杨柏岭.宋词审美文化阐释[M].合肥:黄山书社,2007
[21]蔡镇楚,宿莽.唐宋诗词文化解读[M].北京:北京图书馆出版,2004