陈培勋广东音乐主题钢琴曲研究
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摘要
陈培勋是我国当代著名的作曲家，他的钢琴作品数量不多，但质量颇高，可谓首首精品，足以显示出其卓越的艺术才华，特别是五首根据广东音乐素材创作的钢琴曲，既保持了原曲广东音乐的精华，又运用各种多声创作手法和钢琴特有的音乐语言来表现原曲特有的内涵，并因钢琴本身诸多特性而使音乐具有了新的意蕴。在我国钢琴音乐创作中占据着重要的位置，在钢琴演奏和教学领域中也具有很高的实用价值。
本文以陈培勋根据广东音乐改编创作的五首钢琴曲《卖杂货》、《思春》、《旱天雷》、《双飞蝴蝶主题变奏曲》、《平湖秋月》为研究对象，对其创作背景、创作风格、创作技法及演奏特点等方面进行探讨分析。全文共分三节：第一节陈培勋广东音乐主题钢琴曲的创作背景介绍。这一节将对广东音乐及陈培勋五首广乐音乐主题钢琴曲进行简介。第二节陈培勋广东音乐主题钢琴曲的创作技法。这一节主要对作者的多声创作技法，包括曲式结构、和声、织体、旋律、调式等进行全面的诠释。第三节陈培勋广东音乐主题钢琴曲的演奏分析。这一节包括演奏风格及特点的总结和每首乐曲的演奏提示。
通过这三节的论述，充分显示出这几首作品既保持了原曲的广东音乐风格，具有浓郁地道的乡土气息，又恰到好处地利用钢琴这一外来多声乐器的优势，“钢琴化”特征明显，产生了很好的演奏效果。
Chen Peixun is a famous contemporary composer. Although the number of his piano compositions isn't plentiful, quality is very high. All of compositions are fine works and show his remarkable artistic talent suffiently. Especially, five piano compositions created according to the material of Guang dong Music not only retain the original songs' essence, but also apply kinds of creational skills and piano's peculiar music language to express the intension of the original songs, and make music possess new meaning because of much characteristic of piano itself. They occupy the important position in the creation of Chinese Piano Music and have very high practical value in the field of performance and teaching.
The paper argue and analyses the five piano compositions adapted by Chen Peixun according to the material of Guang dong Music - 《The Sereet Merchant》 《Longing for Love》 , 《Thunder in Dry Season》, 《The Butterfly Couple》 《Autumn Moon Over a Placid Lake》 from aspects of Creational back ground ,creational characteristic, creational skill and technique characteristic of performance. The paper has three sections. The first section is the introduction of piano compositions' creational back ground. The section introduces Guang dong Music , Chen Peixun and five piano compositions. The second section expounds five piano compositions' creational skill and technique. These skills and techniques include Music form Harmony Melody
Mode etc. The third section is the five piano compositions of performance's analysis. The section includes the summary of performance's style and characteristic and performances' prompting.
The three sections' arguments show that the compositions not only retain the original song's style of Guangdong Music sufficiently but also utilize the foreign musical instrument's superiority properly and produce very good performance's effect.
本文以陈培勋根据广东音乐改编创作的五首钢琴曲《卖杂货》、《思春》、《旱天雷》、《双飞蝴蝶主题变奏曲》、《平湖秋月》为研究对象，对其创作背景、创作风格、创作技法及演奏特点等方面进行探讨分析。全文共分三节：第一节陈培勋广东音乐主题钢琴曲的创作背景介绍。这一节将对广东音乐及陈培勋五首广乐音乐主题钢琴曲进行简介。第二节陈培勋广东音乐主题钢琴曲的创作技法。这一节主要对作者的多声创作技法，包括曲式结构、和声、织体、旋律、调式等进行全面的诠释。第三节陈培勋广东音乐主题钢琴曲的演奏分析。这一节包括演奏风格及特点的总结和每首乐曲的演奏提示。
通过这三节的论述，充分显示出这几首作品既保持了原曲的广东音乐风格，具有浓郁地道的乡土气息，又恰到好处地利用钢琴这一外来多声乐器的优势，“钢琴化”特征明显，产生了很好的演奏效果。
Chen Peixun is a famous contemporary composer. Although the number of his piano compositions isn't plentiful, quality is very high. All of compositions are fine works and show his remarkable artistic talent suffiently. Especially, five piano compositions created according to the material of Guang dong Music not only retain the original songs' essence, but also apply kinds of creational skills and piano's peculiar music language to express the intension of the original songs, and make music possess new meaning because of much characteristic of piano itself. They occupy the important position in the creation of Chinese Piano Music and have very high practical value in the field of performance and teaching.
The paper argue and analyses the five piano compositions adapted by Chen Peixun according to the material of Guang dong Music - 《The Sereet Merchant》 《Longing for Love》 , 《Thunder in Dry Season》, 《The Butterfly Couple》 《Autumn Moon Over a Placid Lake》 from aspects of Creational back ground ,creational characteristic, creational skill and technique characteristic of performance. The paper has three sections. The first section is the introduction of piano compositions' creational back ground. The section introduces Guang dong Music , Chen Peixun and five piano compositions. The second section expounds five piano compositions' creational skill and technique. These skills and techniques include Music form Harmony Melody
Mode etc. The third section is the five piano compositions of performance's analysis. The section includes the summary of performance's style and characteristic and performances' prompting.
The three sections' arguments show that the compositions not only retain the original song's style of Guangdong Music sufficiently but also utilize the foreign musical instrument's superiority properly and produce very good performance's effect.
引文
李焕之(主编) 《当代中国音乐》 当代中国出版社
卞萌 《中国钢琴文化之形成与发展》 华乐出版社
赵晓生 《钢琴演奏之道》修订本 世界图书出版公司
李民雄 《民族器乐概编》 上海音乐出版社
吴铁英 孙明珠 《简明钢琴教学法》 华乐出版社
魏廷格 《从中国钢琴曲看传统音乐与当代音乐创作的关系》 (载《中国音乐学》 (季刊)1987年第3期)
魏廷格 《我国钢琴音乐创作的发展》 (载《音乐研究》1983年第2期)
代百生 《根据传统乐曲改编的5首中国钢琴曲的艺术特色》 (载《黄钟》1999年第3期)
卞萌 《中国钢琴文化之形成与发展》 华乐出版社
赵晓生 《钢琴演奏之道》修订本 世界图书出版公司
李民雄 《民族器乐概编》 上海音乐出版社
吴铁英 孙明珠 《简明钢琴教学法》 华乐出版社
魏廷格 《从中国钢琴曲看传统音乐与当代音乐创作的关系》 (载《中国音乐学》 (季刊)1987年第3期)
魏廷格 《我国钢琴音乐创作的发展》 (载《音乐研究》1983年第2期)
代百生 《根据传统乐曲改编的5首中国钢琴曲的艺术特色》 (载《黄钟》1999年第3期)