用户名: 密码: 验证码:
创意产业“五位一体”的成长路径研究
详细信息    本馆镜像全文|  推荐本文 |  |   获取CNKI官网全文
摘要
创意产业是在经济全球化背景下崛起的跨行业、渗透性强的知识密集型产业,处于价值链、产业链的高端,正逐步成为社会和经济发展的重要引擎。其发展规模和水平已作为衡量一个国家(区域)综合竞争力高低的主要标志之一。在知识经济浪潮和全球倡导可持续发展的基本趋向下,产业发展取向由制造思维转向创造思维乃大势所趋。
     2008年、2010年联合国贸发会议等五部门联合两次发布全球《创意经济报告》。创意经济报告对世界创意产业兴起与创意经济浪潮进行了研究。2010年的创意经济报告指出:“创意经济为全球金融危机后的经济复苏提供了一种切实可行的发展选择”,“创意产业正在成为经济高速发展的引擎,以创意为资本的经济形态开始成为后工业社会的发展方式”。基于此,英国、美国、澳大利亚、韩国、新加坡、日本等经济发展比较迅速的国家都在大力发展创意产业。
     本论文在分析创意产业内涵、特征的基础上,运用技术路线图、创新网络理论、竞争情报理论等研究了创意产业“五位一体”的成长路径。在宏观层面上,从政策支持视角探究创意产业的成长和发展问题;在中观层面上,从市场视角上探究创意产业的成长和发展;在微观层面上,从产品、技术、组织视角探究创意产业的成长和发展。通过宏观、中观、微观三者结合探寻出创意产业成长与发展独有的路径,期望为创意产业的健康发展提供理论依据,为创意产业发展中的问题解决提供方法参考。
     全文共分四部分(十章)。
     第一部分(第一章)为绪论,分析本文的研究背景和意义、国内外研究现状以及研究方案和创新点。
     第二部分(第二章)创意产业内涵和特征
     综合国内外创意产业、文化产业、内容产业、版权产业的研究成果,界定创意产业的内涵、种类和基本特征。
     第三部分(第三章至第八章)创意产业“五位一体”的成长路径分析
     创意产业“五位一体”成长路径指在创意产业政策支持下,创意产业的思想路径、市场路径、产品路径、技术路径、组织路径五大成长路径。思想路径是一系列思想或概念的构造集合,组织路径是一系列功能的构造集合,技术路径、产品路径和市场路径是一系列关联活动的构造集合。思想路径和组织路径是引领和支撑创意产业发展而精心设计的抽象系统和支持系统,技术路径、产品路径和市场路径是产业表达自我创新行为的活动系统。
     第四部分(第九章至第十章)基于创意产业成长路径的相关政策研究及展望
     创意正成为全球化进程中推动经济发展的强大驱动力。且对贸易和经济发展产生了深远的影响。伴随技术的发展,知识和创意为发达和发展中国家的财富和就业机会创造提供了无限可能性。对于意识到创意发展潜力的国家来说,政府有必要从国家和区域层面采取战略行为并制订具体政策来提高创意水平。本部分探讨了创意产业政策的内涵、作用和制定流程,重点分析并总结了美国、英国、韩国创意产业发展的政策经验,分别就创意产业组织层面、市场层面、产品层面提出了相关的政策措施。
     世界发展史表明,当人均GDP超过1000美元后,人民对物质以外的精神将提出更高的需求。国际货币基金组织数据显示:中国人均GDP从2001年的1042美元升至2011年的5432美元。中国创意产业快速发展迹象渐趋明显。2006年《国家“十一五”时期文化发展规划纲要》首次将“创意产业”写入其中。2012年2月《国家“十二五”时期文化改革发展规划纲要》提出加快发展文化产业,逐步使文化产业成为国家支柱性产业。2012年6月《国家文化科技创新工程纲要》指明了科技与文化创意的渗透交融已成为文化创意产业发展的核心支撑和重要引擎。2012年11月十八大明确提出让文化产业成为国民经济支柱性产业。2013年11月十八届三中全会提出:建立健全现代文化市场体系,提高文化开放水平。2013年中央财政已累计安排142亿元创意产业发展专项资金,有力地支持了创意产业发展。创意产业发展对于优化我国产业结构、建设华夏文明传承创新区、提升产业发展水平起着引领和推动作用。
Rising under the background of globalization, creative industry is a knowledge intensive industry, whose characteristics are cross-industry and strong-permeability. High on value chain and industry chain, creative industry has gradually become an important engine of social and economic development. The scale and level of development of creative industry have become one of the important symbols of measuring national or regional comprehensive competitiveness. With the wave of knowledge economy and global advocacy of sustainable development, industrial development from manufacture thinking to creative thinking is irreversible.
     In2008and2010, UNCTAD and other five departments jointly released Creative Economy Report. Creative Economic Report studied the rising and waving of creative industry in the world.2010report pointed out creative economy provided a practical and feasible development choice for the global economic recovery after the financial crisis; The economy form with creativity as the capital started to become the development mode of the post-industrial society. Based on this, some developed countries, such as the United Kingdom, the United States, Australia, South Korea, Singapore, Japan etc, are vigorously developing creative industry.
     By analyzing the connotation and characteristics of the creative industry, this paper studies the "five-in-one" growing path of creative industry with some theories, such as the technology roadmap, innovation network theory, the competitive intelligence theory etc. At the macro level, the growth and development of creative industry are explored from the perspective of policy support. At the meso level, the growth and development of creative industry are explored from the perspective of the market. At the micro level, the growth and development of creative are explored from the perspective of products, technology and organization. This paper explores the unique growth and development path of creative industry respectively at the macro, meso and micro level, providing theoretical basis for the healthy development of creative industry, and also reference for the practical problem resolution.
     The whole paper is divided into four parts (1Ochapters).
     Partl (chapter1) is the introduction, analyzing the background and meaning of this paper, and presenting research status at home and abroad, research approach and innovations of this research.
     Part2(chapter2) is about the connotation and characteristics of creative industry. Based on the researches of creative industry, cultural industry, content industry and copyright industry at home and abroad, this paper defines the connotation, classification and basic characteristics of the creative industry.
     Part3(chapter3to chapter8) analyzes the "five-in-one" growth path of creative industry, which refers to the five growth paths supported by creative industry policy, including ideological path, marketable path, technological path, organizational path and the path of product. Ideological path consists of a series of ideas or concepts. Organizational path is a collection of functions. Marketable path, technological path, and the path of product is a series of related activities. Ideological path and organizational path are abstract system and support system, leading and supporting the development of creative industry. Marketable path, technological path and the path of product is the activity system of industry's expressing self-innovation behavior.
     Part4(chapter9to chapter10) is about the research and outlook of the relative policies> which is based on the path of the creative industry.
     Creativity is becoming powerful driving force which pushes economic development in the globalization process and has a significant impact on trade and economic development. With the development of technology, knowledge and creativity give developed and developing countries the unlimited possibilities to accumulate wealth and create jobs. It is necessary for the countries who have realized development potential of creativity to take strategic actions and make specific policies from national and regional level. This chapter explores the connotation, function and process of the creative industry policy, analyzes and sums up the experiences of United States, Britain, South Korea, providing related policies and measures of the creative industry from the organization level, market level and product level.
     Historical development of world shows that people will seek to achieve nonmaterial or spiritual goals more than material wants when per-capita GDP surpasses US$1.000. IMF data shows that China's per-capita GDP rose from$1042in2001to$5432in2011. The sign of rapid development of China's creative industry is gradually obvious. In2006, Creative Industry was firstly ranked in Outline of the Eleventh State Five-Year Plan for Construction of Culture. In February,2012, it was put forward in Outline of the State Twelfth Five-Year Plan for Reform and Construction of Culture to speed up the development of cultural industry and gradually make it the national backbone industry. In June,2012, Outline of National Culture and Science and Technology Innovation Project pointed out the infiltration and integration of science and technology and the cultural creativity had become the core support and important engine of the development of creative industry. In November,2012, the Eighteenth National Congress of the Communist Party of China made it clear to let culture industry be a pillar industry of national economy. In November,2013, the Third Plenary Session of the18th Central Committee of the Communist proposed that modern cultural market system should be established and the standards of cultural open should be raised. In2013, central government put special funds which added up to14.2billion Yuan in creative industry, strongly supporting its development. The development of creative industry plays a leading role in optimizing industrial structural of our country, constructing Chinese civilization inheritance creative district and elevating the level of industrial development.
引文
① JohnHowkins.TheCreativeEconomy:HowPeoPlemakemoneyfromIdeas[M].London:AllenLane,2001.5
    ② UNCTAD..Creative Economy Report 2010.[R],2010.12
    ③ 邱均平.知识管理学.[M].武汉:科学技术文献出版社,2005.8
    ① 上海市经济和信息化委员会、上海科学技术情报研究所.2010世界服务业重点行业发展动态.[M].上海:上海科学技术文献出版社,2011.4
    ① DICS. Creative Indurstries Economic Estimates.[R],2011.12
    ② 彭红英.中美创意产业发展比较研究[D].华中师范大学,2008.6
    ① Stephen.E.Siwek.CopyrightIndustriesintheU.S.Economy:The2011Report.[R].IIPA,2012.
    ② Stephen.E.Siwek.CopyrightIndustriesintheU.S.Economy:The2009Report.[R].IIPA,2009.
    ③ 唐向红.日本文化与日本经济发展关系研究.[M].大连:东北财经大学出版社,2012.5
    ① 郑雄伟.全球文化产业发展报告.[R].2012.2
    ② 张京成.中国创意产业发展报告(2012).[M].北京:中国经济出版社,2013.3
    ① 中共中央办公厅.国务院办公厅.国家“十二五”时期文化改革发展规划纲要.[R].2012.2
    ② 柳斌杰.中国版权相关产业的经济贡献.[M]:北京:中国书籍出版社,2010
    ① Florid.TheRiseoftheCreativeClass[M].NewyorkBasieBooks,2002.5.
    ① JohnHartley.CreativeIndustries[M].BlackPublishingLtd,2005.5.
    ② LandryCharles.TheCreativeCity[M].London:Earthscan.2000.5
    ① Creative Industries Task Force.Creative Industries Mapping Documents[R],1998
    ② John Howkins.The Creativ eEconomy:How PeoPle make money from Ideas[M].London:AllenLane,2001.5
    ③ Richarde·Caves.Creative Indurstries-Contracts Between Art and Commence.[M].Boston: Harvard University Press,2001.4
    ① (美)理查德·E·凯夫斯.创意产业经济学.[M].北京:新华社出版社,2004.5
    ② Stuart Cunningham.From Cultural to Creative Industries:Theory Industry and Policy Implications..[DB/OL]. http://doc.mbalib.com/view/829d91a326127521785f5dc2d44b5cef.html
    ③ 斯图亚特·坎宁安.从文化产业到创意产业:理论、产业和政策的涵义[M].社会科学文献出版社,2004.
    ④ 厉无畏.创意产业导论.[M].学林出版社,2006.6
    ⑤ 彭红英.中美创意产业发展比较研究[D].华中师范大学,2008.6
    ⑥ orkheimer·Max, Adorno·Theodor Wiesengrund. Dialectic of Enlightenment: Philosophical Fragments.[M].California.Stanford University Press,2002.8
    ⑦ 霍克海默尔、阿多诺.渠敬东译.启蒙辩证法.[M].上海:上海人民出版社,2006.4
    ⑧ ritz Machlup. The Production and Distribution of Knowledge in the United States. [M].Princeton:Princeton University Press,1973.1
    ① UNESCO.[DB/OL]. http://www.unescO.Org/culture/industries
    ② ustin·Oconno.Cultural industries and cultural policy in Europe [EB/OL]. http:/www. mmu. ac.uk/h-ss/mipc/iciss/reports/.
    ③ 林拓等.世界文化产业发展前沿报告(2003-2004)[M].北京:社会科学文献出版社,2004.
    ④ 苑捷.当代西方文化产业理论研究概述[J].马克思主义与现实,2004,(1).
    ③ avid Throsby.Economics and Culture[M].CambridgeUniversity Press,2001.7
    ⑤ 李晓玲、李会明.内容产业的产生及其影响.[J].现代国际关系,2003(5)
    ① 黎苑楚.信息产业演进规律与发展模式研究——基于产业经济学的分析.[D].武汉大学,2005.6
    ② 邱均平.知识管理学.[M].武汉:科学技术文献出版社,2005.8
    ① UNCTAD. creative economy report 2010.[R].2010.11
    ① Eurostat,Cultural Statistics in the EU—inal Report of the Leadship Group on Cultural Statistics.[R],Luxembourg 2000
    ② 张京成.中国创意产业发展报告2007[M],中国经济出版社,2007.3.
    ② P.Romer.Increasing Returns and Long Run Growth[J]Journal of Political Economy,1986.10
    ① IPO.Guide on Surveying the EconomicContribution of the Copyright-Based Industries[R],2003.5
    ① Stephen.E.Siwek.Copyright Industries in the US Economy:The 2011 Report[R].IIPA,2011.12
    ② rtsusa. [DB/OL].http://www.artsusa.org
    ③ IIPA. [DB/OL].http://www.iiPa.com
    ④ Stephen.E.Siwek.Copyright Industries in the U S Economy:The 2013 Report.[R].IIPA,2013.12
    ① Creative industry economic statistical bulletin. [DB/OL].http://www.gov.uk/government/organisations/ department-for-culture-media-sport
    ② CMS.Creative Industries Economic EstimatesTechnical Note.[R].2011.12
    ③ 柳斌杰.中国版权相关产业的经济贡献(2004-2006).[M]:北京:中国书籍出版社,2010
    ④ 柳斌杰.中国版权相关产业的经济贡献(2007-2008年).[M]:北京:中国书籍出版社,2012.6
    ⑤ 中国新闻出版研究院.中国版权相关产业的经济贡献(2010年).[R].2013.5
    ① 黎苑楚.信息产业演进规律与发展模式研究——基于产业经济学的分析.[D].武汉大学,2005.6
    ② 恩格斯,中共中央马恩列斯著作编译局.家庭私有制和国家的起源.[M].人民出版社,2003.5
    ① Howkins (2001). The Creative Economy. How People Make Money from Ideas.[M]: Allen Lane, the Penguin Press
    ① UNCTAD.Creative Economy Report 2010.[R],2010.12
    ② UNCTAD.Creative Economy Report 2010.[R],2010.12
    ③ Virpi.Haavisto.Towards a Creative Society: Embracing the Diversity of Creativity.[T].The Finnish Economy and Society,2008(3)
    ① Hartley,ohn.The Evolution of Creative Industries-Creative clusters,creative citizens and social network markets[R].Berlin:Creative Indrstries Conference,Asia-Oacific Weeks,2007
    ② 厉无畏.创意改变中国.[M].北京:新华出版社,2009.6
    ③ 郭梅君.创意转型—创意产业发展与中国经济转型的互动研究.[M].北京:中国经济出版社,2011.11
    ② Richard Florida and Irene Tinagli.Executive Summary.Europe in the Creative Age.[R],2004. http://www.doc88.com/p-706555477784.html
    ① 杨永忠.创业产业经济学.[M].福州:福建人民出版社,2009.5
    ① 具体行业及代码意义请详细参考2011年国家统计局公布的《国民经济行业分类》(GB/T 4754-2011)
    ① 国家版权局.中国版权相关产业的经济贡献研究报告(2007-2009).[R],2013.5
    ② 国家版权局.中国版权相关产业经济贡献研究报告(2010).[R],2013.5
    ① (美)凡勃伦著.钱厚默译.有闲阶级论.[M].海南:南海出版公司,2007.11
    ② 蔡尚伟,温洪泉等,文化产业导论[M].上海:复旦大学出版社,2007
    ③ 高长春.时尚产业经济学导论.[M].北京:经济管理出版社,2011.5
    ① Mukka.ira.what'sCrackalackin?Hip-Hop Culture in the U S and Finland." [J].University of Tampere.13 September zuuo.
    ① http://unitus.org/FULL/BostonCreativeEconomy.pdf.
    ② This model was developed by a research team at the Centre for Cultural Policy Research, University of Hong Kong, led by Prof. Desmond Hui. See A Study on Creativity Index (2005). http://www.hab.gov.hk/en/publications_and_press_releases/reports.htm.
    ① J. A. SCHUMPETER. TheTheory of economic development[M].Cambridge, Mass:Harvard University Press,1934.
    ② UNCTAD..Creative Economy Report 2010.[R],2010.12
    ⑧ 曹如中、高长春等.创意产业价值转换机理及价值实现路径研究[J].科技进步与对策.2010.10
    ① 袁秀峰.浅析文化创意产业对民族建筑地域性和时代性的影响.[J].建筑设计研究,2011(4)
    ① CHWillyard.CWMcClees.Motorola's technology roadmapping process. [J]. Research Management,1987(9)
    ② D.Probert.M.Radnor.Technologyroadmapping.[J].ResearchTechnologyManagement,2003.46(2)
    ③ M.Rinne.Technologyroadmaps:infrastructureforinnovation.[J].TechnologicalForecasting&SocialChange,2004(71)
    ① (英)乔安·罗宾逊.不完全竞争经济学[M.北京:商务印书馆.1961
    ② (美国)爱德华·张伯仑著.周文译.垄断竞争理论[M].北京:华夏出版社,2009
    ③ 苏东水.产业经济学(第二版)[M].北京:高等教育出版社,2005.
    ① 植草益.产业组织论[M].北京:中国人民大学出版社,1988
    ② Bain.Industrial organnization.[M].Newyork: Massachusetts.Harvard University Press.1959
    ③ 植草益.日本的产业组织理论与实证的前沿.[M].北京:经济管理出版社,2000
    ① 乔.S.贝恩.新竞争者的壁垒.[M]北京:人民出版社.2012.12
    ① 斯蒂格勒著.施仁译.价格理论.[M]北京:北京经济学院出版社.1990.12
    ① 张其翔,吕廷杰.商业模式研究理论综述.[J].商业时代.2006(30)
    ② 张其翔,吕廷杰.商业模式研究理论综述.[J].商业时代.2006(30)
    ③ 艾学岐.商业模式创新打造企业核心竞争力.[J].经营与管理2010(10)
    ④ [美]伽斯柏著,程智慧译,张继松审校.开放型商业模式.[M].北京:商务印书馆2010.8
    ⑤ 孙力.商业模式设计概论.[M].北京:清华大学出版社,2011.10
    ⑥ 吴伯凡.解析成功商业模式的三个维度.[J].21世纪商业评论.2012.1。
    ⑦ [美]斯莱沃斯基等著,凌晓东等译.发现利润区.[M].北京:中信出版社2010.9
    ⑧ [瑞士]亚历山大·奥斯特瓦德,[比利时]伊夫·皮尼厄著,王帅,毛心宇,严威译.商业模式新生代.[M]机械工业出版社2011.8
    ① 张立波,陈少峰.文化产业的全产业链商业模式何以可能.[J]北京联合大学学报.2011.11。
    ② 欧阳友权.文化产业概论.[M].长沙:湖南人民出版社,2007.8
    ③ 文化部文化产业司.国家文化产业课题研究报告(2009年度).[M].昆明:云南大学出版社2010.11
    ① 周秀玲、王信东.文化创意产业发展模式研究一兼论文化创意产业促进其他产业的升级与发展.[J].当代经济.2009.11
    ① 郭惠玲,曾路,动态化整体产品概念研究及其战略意义,[J]商业研究.2002.(251)
    ② Gary Armstrong,Philip Kotler.Marketing:An Introduction.[M].an Antonio:Pearson Education,2011.3
    ① 高鸿业.经济学原理.北京:中国人民大学出版社,2013.1
    ① 高鸿业.经济学原理.北京:中国人民大学出版社,2013.1
    ① 安德森编,乔江涛,石晓燕译.长尾理论2.0.[M].北京:中信出版社2009.5
    ② Chris Anderson.The Long Tail.New York:Harper,2006.7
    ① 大卫·瑞尼著,吴金希等译.企业产品创新.[M].北京:知识产权出版社,2009.10
    ① (美)托夫勒著,黄明坚译.第三次浪潮.北京:中信出版社.2006.6
    ① 向勇.北大文化产业前沿报告[M].北京:群言出版社,2004.7
    ① 美]劳伦斯·莱斯格著,王师译.免费文化—创意产业的未来.[M]北京:中信出版社2009.10
    ① 陈劲.王方瑞.技术创新管理方法.[M].北京:清华大学出版社,2006.7
    ① 陈劲.研究与开发管理.[M].北京:清华大学出版社,2009.11
    ② Freeman.Economics of Industrial Innovation. [M].Massachusetts:The MIT Press,1982.02
    ③ Ansoff H I.Stewart JM.Strategies for a technology-based business.[J].Harward Business Reiview,1967.6
    ① 张振刚.创新型企业创新路线图制定的理论与实践.[M].广州:华南理工大学出版社,2012.5
    ② 金元浦.走向新业态:高新技术力促文化产业升级[J].中关村,2011(9)
    ③ 顾江.郭新茹.科技创新背景下我国文化产业升级路径选择[J].东岳论丛,2010(7)
    ① KEA(2006)The Economy of Culure in Europe.Report prepared for the European Commission,Directorate-General for Education and Culture,Brussels
    ① 郑雄伟.全球文化产业发展报告.[R].2012.2
    ① UNCTAD. Creative Economy Report 2010: A Feasiable Development Option.[R].UnitedNations,2010.12
    [1]徐建国.2005-2006世界服务业重点行业发展动态[M].上海:上海科学文献出版社.2005.6.
    [2]徐建国.2006-2007世界服务业重点行业发展动态[M].上海:上海科学文献出版社.2007.6.
    [3]上海市经济和信息化委员会、上海科学技术情报研究所.2009世界服务业重点行业发展动态.[M].上海:上海科学技术文献出版社,2009.10
    [4]上海市经济和信息化委员会、上海科学技术情报研究所.2010世界服务业重点行业发展动态.[M].上海:上海科学技术文献出版社,2011.4
    [5]黎苑楚.信息产业演进规律与发展模式研究——基于产业经济学的分析.[D].武汉大学,2005.6
    [6]王健聪.生物医药产业发展规律与政策研究——基于产业经济的视角.[D].华中师范大学,2011.6
    [7]彭红英.中美创意产业发展比较研究[D].华中师范大学,2008.6
    [8]皇甫晓涛.文化产业新论.[M].长沙:湖南人民出版社,2007.4
    [9]张京成.中国创意产业发展报告(2012).[M].北京:中国经济出版社,2013.3
    [10]郑雄伟.全球文化产业发展报告.[R].2012.2
    [11]柳斌杰.中国版权相关产业的经济贡献.[M]:北京:中国书籍出版社,2010
    [12]黄波,孟卫东,李宇雨.研发联盟激励机制设计.[M]:北京:科学出版社,2012.11
    [13]陈少峰,张立波.文化产业商业模式[M]:北京:北京大学出版社,2011.9
    [14]张京成,李岱松,刘利永.文化创意产业集群发展理论与实践[M]:北京:科学出版社,2011
    [15](美)克里斯·安德森著乔江涛,石晓燕译.长尾理论2.0:第2版.[M]北京:中信出版社,2009
    [16]李怀祖.管理研究方法论:第2版[M].西安:西安交通大学出版社,2004
    [17]霍金斯著,洪庆福,孙薇薇,刘茂玲译.创意经济:如何点石成金[M].上海:上海三联书店,2006
    [18](美)佛罗里达著,司徒爱勤译.创意阶层的崛起.[M].北京:中信出版社,2010.9
    [19](美)理查德·E·凯夫斯.创意产业经济学.[M].北京:新华社出版社,2004.5
    [20]斯图亚特·坎宁安.从文化产业到创意产业:理论、产业和政策的涵义.[M].社会科学文献出版社,2004.
    [21]厉无畏.创意产业导论.[M].学林出版社,2006.6
    [22]厉无畏,王如忠.创意产业—城市发展的新引擎.[M].上海社会科学院出版社,2005.6
    [23](韩)金,(美)莫博涅著,吉宓译.蓝海战略.超越产业竞争,开创全新市场.[M].上海:商务印书馆,2007.6
    [24]上海市经济和信息化委员会,上海科学技术情报研究所编丛:2011-2012世界服务业重点行业发展动态.上海.上海科学技术文献出版社.2012.4
    [25]梅述恩.嵌入全球价值链的企业集群升级机理研究[D].华中科技大学博士学位论文,2007.10
    [26]任家华.基于全球价值链理论的地方产业集群升级机理研究[D].西南交通大学博士论文,2007.4
    [27]王传宝.全球价值链视角下地方产业集群升级机理研究-以浙江产业集群升级为例[D],华中科技大学博士学位论文,2009.5
    [28]刘珂.产业集群升级的机理及路径研究—基于我国产业集群的发展实践[D].天津大学博士学位论文,2006.12
    [29]孙华平.产业转移背景下产业集群升级问题研究[D].浙江大学博士学位论文,2011.6
    [30]赵林飞.全球产业网络下企业社会责任和产业升级[D].东华大学博士学位论文,2010.10
    [31]John Howkins.The Creative Economy:How PeoPle make money from Ideas[M].London:Allen Lane,2001.5
    [32]Florid.The Rise of the Creative Class[M].New york Basie Books,2002.5.
    [33]Landry Charles.The Creative City[M].London:Earth scan.2000.5
    [34]John Hartley.Creative Industries[M].Black Publishing Ltd,2005.5.
    [35]Steven Jay Tepper.Creative assets and the changing economy [J].Journal of arts management.Law and Soeiety,2002.6
    [36]Cultrual Initiatives Silicon Valley.Creative Community Index:Measuring Progress Toward ativibrant Silicon Valley.[R].2002.7
    [37]Stephen.E.Siwek.Copyright Industries in the U.S.Economy:The 2006 Report.[R].IIPA2007.
    [38]Stephen.E.Siwek.Copyright Industries in the U.S Economy:The 2011 Report. [R].IIPA,2012.
    [39]https://www.gov.uk/government/uploads/system/uploads/attachment_data/file/191050/Classifying_and_Measuring_the_Creative_Industries_Consultation_Paper_April_2013-final.pdf
    [40]http://www.creative skill set.org/research/activity/classifications/article_9067_l.asp
    [41]http://www.creative skill set.org/uploads/pdf/asset_18298.pdf? 1
    [42]http://www.nesta.org.uk/areas_of_work/creative_economy/assets/features/a_dynamic_mapping_o f the uks creative
    [43]http://www.ons.gov.uk/ons/guide-method/classifications/current-standard-classifications/standard-industrial-classification/index.html
    [44]http://www.ons.gov.uk/ons/guide-method/classifications/current-standard-classifications/soc2010/ index.html
    [45]https://www.gov.uk/government/publications/creative-industries-economic-estimates-december-2 011
    [46]DICS.Classifying and Measuring the Creative Industries.[R],2013.4
    [47]DICS. Creative Indurstries Economic Estimates.[R],2011.12
    [48]DICS.Creative Industries Economic Estimates.[R],2010.2
    [49]DICS.Creative Industries Economic Estimates(Experimental Statistics).[R].2010.12
    [50]Stephen.E.Siwek.Copyright Industries in the U.S Economy:The 2009 Report. [R].IIPA,2010.4
    [51]http://www.chuban.cc/yw/201206/t20120625_124459.html
    [52]John Howkins.The Creative Economy:How People make money from Ideas[M].London:Allen Lane,2001.
    [53]Department for Culture Media&Sport.Creative Industries Economic Estimates Statistics Bulletin.[R],2010
    [54]Stephen.E.Siwek.Copyright Industries in the U.S Economy:The 2006 Report.[R].IIPA,2007.
    [55]Stephen.E.Siwek.Copyright Industries in the U.S Economy:The 2009 Report.[R].IIPA,2009.
    [56]Stephen.E.Siwek.Copyright Industries in the U.S Economy:The 2011 Report.[R].IIPA,2011.
    [57]FeseI.et.al.Culture and Creative Industries in Germany.[R].German Commission for UNESCO, 2007.2
    [58]Throsby.et.al.The concentric circles model of the cultural industries.[J] CulturalTrends,2008.17
    [59]Lawrence,T.B.and PhillipsN.Understanding the cultural industries.[J].Journal of Management inquiry,2002.11
    [60]Jeffcutt,Pratt.Managing creativity in the cultural industries.[J]Creativity and Innovation Management,2002.11
    [61]苑洁.文化产业行业界定的比较研究.[J].理论建设,2005.1
    [62]蒋三庚.文化创意产业研究[M].北京:首都经贸大学出版社,2006
    [63]郭惠英.中外文化产业行业界定比较研究.[R]文化产业发展论坛,2007.1
    [64]李小牧,李嘉珊.国际文化贸易:关于概念的综述和辨析.[J].国际贸易,2007,[65]国际统计信息中心课题组.国外关于文化产业统计的界定.[J].中国统计,2004.1
    [66]方忠.中韩文化创意产业经济效应比较研究.[D].福建师范大学.2010.6
    [67]韩顺法.文化创意产业对国民经济发展的影响及实证研究.[D].南京航空航天大学.2011.6
    [68]RichardE.Caves.Creative Industries:Contract Between Art&Commerce[M].Cambridge:Harvard Unversity Press,2000.6
    [69]祁述裕.文化产业还是文化创意产业[J].学术探索,2009.5
    [70]张晓明等.2005年中国文化产业发展报告.[M].北京:社会科学文献出版社,2005:26
    [71]王琳.经济增长模式的转变与发展文化创意产业的政府策略[J].国家行政学院学报.2006.5
    [72]胡晓鹏.基于资本属性的文化创意产业研究[J].中国工业经济.2006.12
    [73]金元浦.文化创意产业的多种概念辨析[J].同济大学学报(社会科学版),2009.1
    [74]邢华.文化创意产业价值链整合及其发展路径探析[J].经济管理,2009.2
    [75]冯子标.文化产品、文化产业与经济发展的关系[J].山西师大学报(社会科学版),2008.3
    [76]张艳辉.上海市创意产业关联效应的实证分析[J].中国软科学,2008.3
    [77]罗玲玲.创意产业兴起的条件及思考[J].自然辩证法研究,2008.1
    [78]熊彼特.经济发展理论[M].北京:商务印书馆,1990.3
    [79]迈克尔·波特著,李明轩译.国家竞争优势[M].北京:华夏出版社.2002.6[80]库次涅茨.各国的经济增长[M].商务印书馆.1985.8
    [81]钱纳里.工业化和经济增长的比较研究[M].上海:上海三联书店,1988.2
    [82]罗斯托.经济成长的阶段(中译本)[M].北京:商务印书馆,1985.5
    [83]杨永忠.创意产业经济学[M].福建:福建人民出版社,2009.5
    [84]罗伯特·J·巴罗.著,李剑译.经济增长的决定因素[M].北京:中国人民大学出版社,2004.3
    [85]道格拉斯·C.诺斯著.陈郁,罗华平译.经济史中的结构与变迁[M].上海:上海人民出版社,1994.12
    [86]金相郁.文化资本与区域经济发展的关系研究[J].统计研究,2009.2
    [87]野中郁次郎.和竹内弘高著.陈颖健等译.知识创造的公司.[M].北京:科学技术部国际合作司出版社,1999.9
    [88]凯夫斯著,孙绊等译.创意产业经济学—艺术的商业之道.[M].北京:新华出版社,2004.5
    [89]高鸿业.西方经济学[M].北京:中国人民大学出版社,2005.6
    [90]梁小民.高级宏观经济学[M].北京:北京大学出版社,2001.4
    [91]隋新,张永庆.创意产业研究理论述评[J].经济问题探索,2008.2
    [92]贺寿昌.创意产业增值研究.[D].上海交通大学,2006.11
    [93]邓晓辉.新工艺经济时代的文化创意产业研究.[D].复旦大学,2006.4
    [94]张廷兴、岳晓华.中国文化产业概论.[M].北京:中国广播电视出版社,2008.12
    [95]范周、吕学武.文化创意产业前沿路径:建构与超越.[M].北京:中国传媒大学出版社,2008.10
    [96]肖弦弈.中国传媒产业结构升级研究.[M].北京:中国传媒大学出版社,2010.10
    [97]乔东亮、张志林、刘益.“十五”首都出版产业发展状况研究.[M].北京:中国人民大学出版社,2007.9
    [98]冯子标、焦斌龙.文化产业结构传统产业.[M].北京:社会科学文献出版社,2006.12
    [99]牛维麟.国际文化创意产业园区发展研究报告.[M].北京:中国人民大学出版社,2007.09
    [100]苏林森.媒介消费与宏观经济的关系研究.[M].北京:中国人民大学出版社,2012.1
    [101]向勇.北大文化产业前沿报告.[M].北京:群言出版社,2004.7
    [102]刘牧雨.北京文化创意产业发展理论与实践探索.[M].北京:中国经济出版社,2007.11
    [103]范时勇.最新经典创意案例集.[M].重庆:重庆大学出版社,2009.1
    [104]喻国明、欧亚等.微博—一种新传播形态的考察影响力模型和社会性应用.[M].北京:人民日报出版社,2011.5
    [105]李开复.微博改变一切.[M].上海:上海财经大学出版社,2011.2
    [106]王则柯.何洁.信息经济学浅说.[M].北京:中国经济出版社,2001.2
    [107]马费成.信息经济学.[M].武汉:武汉大学出版社,2012.6
    [108]张向先、靖继鹏、李北伟.信息经济学.[M].武汉:科学出版社,2007.9
    [109]张维迎.博弈论与信息经济学.[M].上海:格致出版社,2012.4
    [110]乌家培、谢康、肖静华.信息经济学.[M].上海:高等教育出版社,2007.4
    [111]斯蒂格利茨(Stiglitz J.E.)著,纪沫、陈佳、刘海燕译.信息经济学:应用.[M].北京:中国金融出版社.2009.1
    [112]陈禹、王明明.信息经济学教程.[M].北京:清华大学出版社,2011.7
    [113]赖茂生、王芳.信息经济学.[M].北京:北京大学出版社,2006.6
    [114]张才明.信息技术经济学.[M].北京:商务印书馆,2012.11
    [115]Hork heimer·Max,Adorno·TheodorWiesengrund.Dialectic of Enlightenment:Philosophical Fr agments.[M].California.Stanford University Press,2002
    [116]霍克海默尔、阿多诺.渠敬东译.启蒙辩证法.[M].上海:上海人民出版社,2006.4
    [117]Richarde·Caves.Creative Indurstries-Contracts Between Art and Commence.[M].Boston: Harvard University Press,2001.4
    [118]Creative Industries Task Force.Creative Industries Mapping Documents[R],1998
    [119]林拓,等.世界文化产业发展前沿报告(2003-2004)[M].北京:社会科学文献出版社,2004.
    [120]苑捷.当代西方文化产业理论研究概述[J].马克思主义与现实,2004,(1).
    [121]David Throsby.Economics and Culture[M].CambridgeUniversity Press,2001.
    [122]彭南林.发展文化产业与构建多元化的产业主体探讨[J].中国软科学,2004,(10).
    [123]李彪.文化产业概念的演变及其基本特征分析.[J].湖南科技学院学报,2009(9)
    [123][英]贾斯廷·奥康纳.欧洲的文化产业和文化政策[EB/OL].http://www.mmu.ac.uk/h-ss/mipc/ici ss/reports/.
    [124]日本经济产业省商务情报政策局.日本文化产业的国际竞争力强化.[R].2006
    [125]唐向红.日本文化与日本经济发展关系研究.[M].大连:东北财经大学出版社,2012.5
    [126]荣跃明.超越文化产业:创意产业的本质与特征.毛泽东邓小平理论研究,2004.5
    [127]United Nations. Information Economy Report 2011:ICTs As an Enabler for Private Sector Development.[M].United Nations Publications,2011.10
    [128]United Nations. Information Economy Report 2005:E-commerce and Development[J].United Nations Publications,2005.10
    [129]郭梅君.创意转型—创意产业发展与中国经济转型的互动研究.[M].北京:中国经济出版社,2011.11
    [130]http://unctad.org/en/pages/PublicationArchive.aspx?publicationid=945
    [127]UNCTAD. Creative Economy Report 2010:A Feasiable Development Option.[R].United Nations,2010.12
    [127]UNCTAD. Creative Economy Report 2008.[R].United Nations,2010.12
    [128].邱均平.知识管理学.[M].北京:科学技术文献出版社,2005.8
    [129]Eurostat,Cultural Statistics in the EU—inal Report of the Leadship Group on Cultural Statistics.[R],Luxembourg 2000
    [130]张维迎.博弈论与信息经济学.[M].上海:上海人民出版社,2003.4http://www.imf.org/externa 1/np/sta/bop/BOPman.pdf
    [131]国家版权局.中国版权相关产业的经济贡献研究报告(2007-2009).[R],2013.5
    [132]国家版权局.中国版权相关产业经济贡献研究报告(2010).[R],2013.5
    [133](美)凡勃伦著.钱厚默译.有闲阶级论.[M].海南:南海出版公司,2007.11
    [134]蔡尚伟,温洪泉等,文化产业导论[M].上海:复旦大学出版社,2007
    [135]高长春.时尚产业经济学导论.[M].北京:经济管理出版社,2011.5
    [136]J. A. SCHUMPETER. The Theory of economic development[M].Cambridge, Mass:Harvard University Press,1934.
    [137]曹如中、高长春等.创意产业价值转换机理及价值实现路径研究[J].科技进步与对策.2010.10
    [138]向勇.北大文化产业前沿报告[M].北京:群言出版社,2004.7
    [139]Justin Ocnnor. The Cultural and creative industries:a review of the literature.[R].the univercity of Leeds,2007.11
    [140]http://doc.mbalib.com/view/193694ab907d9bd516d9088742a50e0d.html
    [141]DCMS· Creative IndustriesMapping Document 1998·2001 http://ww·culture·gov·uk·
    [142]徐迅·创意产业理论和观点综述[J].创意产业研究专刊,2006,(2)-
    [143]蔡尚伟·城市特质与创意产业路线选择[N]·光明日报2006-7-18.
    [144]Mommaas, H·Cultural clusters and the post industrial city:towards the remapping of urban cultural policy,Urban Studies,2004, (3)
    [145]Pratt, A·C·Creative Clusters:Towards thegovernance of the creative industries production system[A].Media International Australia in corporating Culture and Polic·
    [146]Florida, R-The Rise of the Creative Class[M].United States:Basic Books·2002·
    [147]UNESCO, What Are Creative Clusters[EB/OL]·http://portal.unesco.org, accessed 26th August2006
    [148]Hansen, H·K·,Vang, J·, Ashemi, B·T·The Creative Class and Regional Growth: Towards a Knowledge BasedApproach [J]·WP 2005/01·
    [149]Drake, G·This place givesme space:placeand creativity in the creative industries [J]Geoforum,2003, (34)
    [150]Yusu,f S, Nabeshmi a, K·Creative Industries in EastAsia [J]·Cities,2005, (22)
    [151]Major, S·, Connell, A From Arts Management to Creative Industries [EB/OL]·http:/ /Neumann·hec·ca, accessed 25thAugust2006-
    [152]黎苑楚等.中国区域主导产业创新系统选择与评价[J]科学学与科学技术管理,2005(4):48-50.
    [153]鲁育宗·上海创意产业发展报告[J].上海经济,2006.
    [154]徐清泉·创意产业:城市发展的又一引擎[J]社会观察,2004,(9)
    [155]阿伦·斯科特(美)·文化产业:地理分布与创意领域[M].北京:社会科学文献出版社,2004.
    [156]中国城市创意产业发展报告http://www-photo·sh/Article/Changyi/200605/1542·html·
    [157]厉无畏,王如忠,缪勇:培育与发展上海的创意产业[J].上海经济,2004专辑·
    [158]荣跃明·上海创意产业发展的现状和前景[J].毛泽东邓小平理论研究,2005,(1):70-76.
    [159]上海市经济委员会·上海创意产业中心:创意产业[M].上海科学技术文献出版社,2005.7
    [160]WIPO.Guide on Surveying the EconomicContribution of the Copyright-Based Industries[R], 2003
    [161]周秀玲、王信东.文化创意产业发展模式研究—兼论文化创意产业促进其他产业的升级与发展.[J].当代经济.2009.11
    [162]Armstrong,Philip Kotler.Marketing:An Introduction.[M].an Antonio:Pearson Education,2011.3
    [163]U.S. Department of Commerce, U.S. Census Bureau,2007 Service Annual Survey, March 2008 http://www2.census.gov/services/sas/data/Historical/sas-07.pdf.
    [164]U.S. Department of Commerce, U.S. Census Bureau,2008 Service Annual Survey, January 2010, available at http://www2.census.gov/services/sas/data/Historical/sas-08.pdf.
    [165]U.S. Department of Commerce, U.S. Census Bureau,2009 Service Annual Survey, February 2011, available at http://www2.census.gov/services/sas/data/Historical/sas-09.pdf.
    [166]Business Software Alliance and IDC Global Software, Eighth Annual BSA and IDC Global Software Piracy Study,2010, available athttp://portal.bsa.org/globalpiracy2010/.
    [167]International Federation of the Phonographic Industry (IFPI), Recording Industry in Numbers — 2011.
    [168]Information Management Driving Global Software Market, Information Age, July 5,2011, availableathttp://www.information age.com/channels/information-management/perspectives-an d-trends/1635088/information-management-driving-globalsoftware-market.thtml.
    [169]Global Software Market Will Grow by 8.2% in 2011 to Hit $267Billion,Datamonitor,June 23,2011,availableathttp://about.datamonitor.com/media/archives/5727.
    [170]Aerospace Industries Association (AIA), Aerospace Foreign Trade-Export Activity,2007,2008, 2009, and 2010.
    [171]U.S. Department of Commerce, U.S.Census Bureau, U.S.International Trade Statistics, "Censtats" Data Base.
    [172]U.S.Department of Commerce, U.S.Census Bureau, Information Sector Services (NAIC S).U.S.Bureau of Economic Analysis,GlossaryIndex,availableathttp://www.bea.gov/glossary/gl ossary.cfm.
    [173]Gilmore, T., Morgan, E. and Osborne, S., Annual Industry Accounts — Advanced Statistic s on GDP by Industry, Survey of CurrentBusiness, May 2011.
    [174]U.S. Department of Commerce, Bureau of Economic Analysis, Gross Domestic Product-b y-Industry Accounts, GDPbyInd VANAICS.
    [175]U.S. Department of Labor, Bureau of Labor Statisticsw, Subject Areas: Overview of BLS Statistics on Employment, available athttp://data.bls.gov/bls/employment.htm.
    [176]World Intellectual Property Organization, Guide on Surveying the Economic Contribution of the Copyright-Based Industries[R].WIPO Publication No.893.
    [177]马歇尔:经济学原理[M].北京:商务印书馆,1997.
    [178]亚当·斯密.国民财富的性质和原因的研究[M].北京:商务印书馆,1994:12-16
    [179]Port, M.E. Clusters and New Economics of Competition. Harvard Business Review 1998,11
    [180]W illiamson O.:Market and Hierarchies: Analysis and Anti-Trust Implications[M]. New York: Free Press,1975.
    [181]马士华,林勇等.供应链管理[M].北京:机械工业出版社,2000(6):11-25
    [182]Dijk.Enterprise clusters and networks in developing countries. EADI books series 20, London:Frand Press.1997,77-90
    [183]张耀辉.产业创新的理论探索:高新技术发展规律研究[M].北京:中国计划出版社,2002.3
    [184]冯炳英.企业要重视产业链整合[J].经济论坛,2004,8
    [185]王秀丽.生态产业链运作机制研究[D].天津大学,2007.6
    [186]许焯权·香港创意产业基线研究.[R].香港大学文化政策研究中心,2003.9

© 2004-2018 中国地质图书馆版权所有 京ICP备05064691号 京公网安备11010802017129号

地址:北京市海淀区学院路29号 邮编:100083

电话:办公室:(+86 10)66554848;文献借阅、咨询服务、科技查新:66554700