面向创意产业园的旧工业建筑的LOFT方式改造研究
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摘要
本论文从面向创意产业园的旧工业建筑的改造方式谈起,并选择以LOFT的方式和风格为其改造的途径。系统分析了国内外创意产业聚集区的存在形式及发展状态,并对旧工业建筑如何结合LOFT风格进行新用途的改造作了进一步详细分析。
文章从研究LOFT文化形成的渊源和历史入手,总结出LOFT风格特有的空间形态和艺术气质,并分析了LOFT风格为主导的创意产业园,不仅改变了旧工业建筑区功能滞后的局面,使其通过新形式的改造焕发活力,还通过创意产业的诸多优势拉动了区域经济发展。但是,创意产业在我国出现的时间较短,面对创意产业园的旧工业改造还极缺乏系统的理论指导。论文就以LOFT风格为主导,对旧工业建筑的立面、室内及周围景观的改造方法提出了系统的分析,系统总结了多种方式的改造理论以及构建理论的思想体系。同时,结合亲身调研的实例,通过比较研究国内外状况,查找出我国在这一领域的差距与不足,最终提出了一套从改造更新前的分析评估开始,到改造的宏观设计原则,以及随后的空间形态设计、形式风格设计、环境景观设计手法的系统化改造策略。
论文还分析了作为改造后创意产业园的使用者——广大设计师和艺术家们在改造及使用过程中所应肩负的更多的社会责任,以及政府相关政策和社会舆论对旧工业建筑改造的支持的重要性。
The paper began with the alteration method on the old industry construction in the creativity industrial park, and has chosen the LOFT style alteration technique. It has analyzed the existing form and the developing state of the Domestic and foreign creativity industry area , and has made the further particular research on the new purpose alteration of the old industry construction which combines the LOFT style.
The article started with the history of the LOFT culture, summed up the LOFT style’s space configuration and the art blood. It also analyzed the creativity industrial park, which leads by the LOFT style, not only has changed the function lag complexion of the old industrial building area, made it possible to coruscate energy through the new form, but has promoted the area economy through the superiority of the creativity industry. However, the history of the creativity industry in China is short, and lacks of the systemic theory directions which faces the old industry alteration in the creativity industrial park. The paper has given a systemic analysis, which leads by the LOFT style, on the alteration method of the old industry buildings’surfaces, inner and the surrounding sight, also has summed up the multi-methods alteration theory and the idea systems of the construction theory. At the same time, after has combined the research in person and compared with the Domestic and foreign situation, the writer has put forward a systematized alteration strategy which starts from the analysis before the alteration update, to the macro-design rules of the alteration, and the coming design of the space configuration, shape style and the surrounding sight..
The paper also analyzed the community responsibility taken by the designers and the artists who are the main users of the altered creativity industrial park during the alteration and using process, and the importance of the policy from the government and the public opinion to the old industry alteration.
文章从研究LOFT文化形成的渊源和历史入手,总结出LOFT风格特有的空间形态和艺术气质,并分析了LOFT风格为主导的创意产业园,不仅改变了旧工业建筑区功能滞后的局面,使其通过新形式的改造焕发活力,还通过创意产业的诸多优势拉动了区域经济发展。但是,创意产业在我国出现的时间较短,面对创意产业园的旧工业改造还极缺乏系统的理论指导。论文就以LOFT风格为主导,对旧工业建筑的立面、室内及周围景观的改造方法提出了系统的分析,系统总结了多种方式的改造理论以及构建理论的思想体系。同时,结合亲身调研的实例,通过比较研究国内外状况,查找出我国在这一领域的差距与不足,最终提出了一套从改造更新前的分析评估开始,到改造的宏观设计原则,以及随后的空间形态设计、形式风格设计、环境景观设计手法的系统化改造策略。
论文还分析了作为改造后创意产业园的使用者——广大设计师和艺术家们在改造及使用过程中所应肩负的更多的社会责任,以及政府相关政策和社会舆论对旧工业建筑改造的支持的重要性。
The paper began with the alteration method on the old industry construction in the creativity industrial park, and has chosen the LOFT style alteration technique. It has analyzed the existing form and the developing state of the Domestic and foreign creativity industry area , and has made the further particular research on the new purpose alteration of the old industry construction which combines the LOFT style.
The article started with the history of the LOFT culture, summed up the LOFT style’s space configuration and the art blood. It also analyzed the creativity industrial park, which leads by the LOFT style, not only has changed the function lag complexion of the old industrial building area, made it possible to coruscate energy through the new form, but has promoted the area economy through the superiority of the creativity industry. However, the history of the creativity industry in China is short, and lacks of the systemic theory directions which faces the old industry alteration in the creativity industrial park. The paper has given a systemic analysis, which leads by the LOFT style, on the alteration method of the old industry buildings’surfaces, inner and the surrounding sight, also has summed up the multi-methods alteration theory and the idea systems of the construction theory. At the same time, after has combined the research in person and compared with the Domestic and foreign situation, the writer has put forward a systematized alteration strategy which starts from the analysis before the alteration update, to the macro-design rules of the alteration, and the coming design of the space configuration, shape style and the surrounding sight..
The paper also analyzed the community responsibility taken by the designers and the artists who are the main users of the altered creativity industrial park during the alteration and using process, and the importance of the policy from the government and the public opinion to the old industry alteration.
引文
[1]王建国,现代城市设计理论与方法,东南大学出版社,2003
[2]阳建强、吴明伟,现代城市更新,东南大学出版社,1999
[3]陆地,建筑的生与死——历史性建筑再利用研究,东南大学出版社,2004,36~37
[4]韩妤齐、张松,东方的塞纳左岸――苏州河沿岸的艺术仓库,上海古藉社出版社,2004
[5]黄锐,BEIJING 798,Timezone 8+思想手,2004
[6]张永和,非常建筑,黑龙江科技出版社,1997,18
[7]张永和,平常建筑,中国建筑工业出版社,2002
[8]崔恺,工程报告,中国建筑工业出版社,2002
[9]陆蓉之,“破”后现代艺术,文汇出版社,2002
[10]罗小未,上海新天地——旧区改造的建筑历史、人文历史与开发模式的研究,东南大学出版社,2002
[11]马库斯·费尔德,李瑞君译,LOFTS风格设计,中国轻工业出版社,2006,7
[12]肯尼思·鲍威尔,于馨等译,旧建筑的改建和重建,大连理工出版社,2001,34
[13]奥里安娜·菲尔汀·班克斯,范肃宁译,lofts——空间中的生存,知识产权出版社,2002
[14]弗朗西斯科·阿森西奥·塞威尔,欧阳文译,LOFTS艺术家的藏酷空间,中国水利水电出版社,1991
[15]葛鹏仁,西方现代艺术——后现代艺术,吉林美术出版社,2006
[16]王向荣、林箐,西方现代景观设计的理论和实践,中国建筑工业出版社,2002
[17]王建国、戎俊强,城市产业类历史建筑及地段的改造再利用[J],世界建筑,2001(06)
[18]徐逸,都市工业遗产的再利用[J],建筑,2003(09)
[19]俞孔坚,中山岐江公园:一个打破常规的公园设计[J],中国园林,2003(09)
[20]张松,产业遗产:都市新话题——工业老建筑的保护和利用[J]
[21]赵亮,重赋活力——从废弃的厂房到居住社区[J],世界建筑,1999(09)
[22]张佶、泰特现代[J],世界建筑,2002(06)
[23]阮仪三、张松,产业遗产保护推动都市文化发展—上海文化产业面临的困境与机遇城市规划汇刊,2004(04)
[24]韩妤齐、徐峰、黄贻平,上海近代产业建筑的保护性利用初探—以莫干山50号为例,新建筑,2004(06)
[25]叶向东,从装置艺术的观念谈创作,文艺研究,2005(03)
[26]任风,798厂房的回音,三联生活周刊.239期,2005(03)
[27]Kirsten Jane Robinson,王洪辉译,探索中的德国鲁尔区城市生态系统:实施战略,国外城市规划,2003(06)
[28]John Caulfield,严宁译,旧酒厂区的改造和利用,国外城市规划,2005,(02)
[29]张永和、吴雪涛,远洋艺术中心[J],时代建筑,2001(04)
[30]张佶、泰特现代[J],世界建筑,2002(06)
[31]URBANUS都市实践,制造历史——旧厂房的再生,时代建筑,2006(02)
[2]阳建强、吴明伟,现代城市更新,东南大学出版社,1999
[3]陆地,建筑的生与死——历史性建筑再利用研究,东南大学出版社,2004,36~37
[4]韩妤齐、张松,东方的塞纳左岸――苏州河沿岸的艺术仓库,上海古藉社出版社,2004
[5]黄锐,BEIJING 798,Timezone 8+思想手,2004
[6]张永和,非常建筑,黑龙江科技出版社,1997,18
[7]张永和,平常建筑,中国建筑工业出版社,2002
[8]崔恺,工程报告,中国建筑工业出版社,2002
[9]陆蓉之,“破”后现代艺术,文汇出版社,2002
[10]罗小未,上海新天地——旧区改造的建筑历史、人文历史与开发模式的研究,东南大学出版社,2002
[11]马库斯·费尔德,李瑞君译,LOFTS风格设计,中国轻工业出版社,2006,7
[12]肯尼思·鲍威尔,于馨等译,旧建筑的改建和重建,大连理工出版社,2001,34
[13]奥里安娜·菲尔汀·班克斯,范肃宁译,lofts——空间中的生存,知识产权出版社,2002
[14]弗朗西斯科·阿森西奥·塞威尔,欧阳文译,LOFTS艺术家的藏酷空间,中国水利水电出版社,1991
[15]葛鹏仁,西方现代艺术——后现代艺术,吉林美术出版社,2006
[16]王向荣、林箐,西方现代景观设计的理论和实践,中国建筑工业出版社,2002
[17]王建国、戎俊强,城市产业类历史建筑及地段的改造再利用[J],世界建筑,2001(06)
[18]徐逸,都市工业遗产的再利用[J],建筑,2003(09)
[19]俞孔坚,中山岐江公园:一个打破常规的公园设计[J],中国园林,2003(09)
[20]张松,产业遗产:都市新话题——工业老建筑的保护和利用[J]
[21]赵亮,重赋活力——从废弃的厂房到居住社区[J],世界建筑,1999(09)
[22]张佶、泰特现代[J],世界建筑,2002(06)
[23]阮仪三、张松,产业遗产保护推动都市文化发展—上海文化产业面临的困境与机遇城市规划汇刊,2004(04)
[24]韩妤齐、徐峰、黄贻平,上海近代产业建筑的保护性利用初探—以莫干山50号为例,新建筑,2004(06)
[25]叶向东,从装置艺术的观念谈创作,文艺研究,2005(03)
[26]任风,798厂房的回音,三联生活周刊.239期,2005(03)
[27]Kirsten Jane Robinson,王洪辉译,探索中的德国鲁尔区城市生态系统:实施战略,国外城市规划,2003(06)
[28]John Caulfield,严宁译,旧酒厂区的改造和利用,国外城市规划,2005,(02)
[29]张永和、吴雪涛,远洋艺术中心[J],时代建筑,2001(04)
[30]张佶、泰特现代[J],世界建筑,2002(06)
[31]URBANUS都市实践,制造历史——旧厂房的再生,时代建筑,2006(02)
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