北京文化创意产业空间演化研究
|
摘要
文化创意产业空间集聚及其影响机制是近年来的研究热点，以经济学的新增长理论、地理学的新产业区理论和新经济地理学理论以及政治经济学和社会学的空间生产、后现代城市主义等理论为指导的相关学科都文化创意产业空间进行了大量的研究，并从规模收益递增、弹性专精分工、社会网络、路径依赖、知识外溢、资本积累、解码编码、消费社会等多方面论述了文化创意产业的空间集聚、发展机制与深刻广泛的影响。
北京市自“十一五”以来发展文化创意产业，迄今已成为我国文化创意产业全球网络的重要节点，文化创意产业也成为北京的支柱性和引领性产业，并对城市空间产生了巨大影响。本文基于这一背景对北京市文化创意产业的空间演化规律及其影响机制进行研究。
本文首先在梳理国内外文化创意产业和空间研究的基础上，整合构建文化创意产业组织演化和空间演化相互作用的理论框架，认为产业集群将决定空间集聚。产业集群的形成需要外部条件（城市利便性、相关产业基础）和内部条件（尤其是创新网络）的共同作用，形成后会进一步通过弹性专精的分工方式形成发展的路径依赖，并向规模经济和范围经济发展，最终进而增强、分化或创造性毁灭产业集群。在空间上则表现为增强集聚、蛙跳发展或分散化集中等多种空间集聚形式，空间集聚的不断自我增强最终将形成创意城市。
基于这一理论框架，本文系统梳理了北京市文化创意产业发展的内外部条件（包括政策条件），及其在此影响下的产业发展特征和空间分布特征，发现北京市文化创意产业已经形成了较为完善的文化创意产业促进政策和相关支撑产业体系，并拥有创意阶层、科教水平、研发投入等众多内生优势条件，突出呈现出文化创意与科技融合发展、大型企事业单位和众多中小企业初步形成生产者网络的发展特征。在空间分布上呈现出资源依托、圈层分布、北高南低、西密东疏的特征，其中文化艺术业主要分布于内城，设计服务业、广告会展、新闻出版和广播、电视、电影业分布于三环—四环沿线，软件、网络和计算机产业主要在四环以外，相关辅助性产业（如印刷、文化用品制造等）则位于远郊区县，西侧偏重于高技术类文化创意产业，东侧偏重于艺术传媒类文化创意产业。
在这一分析的基础上，本文通过投入产出关系研究了2002、2005、2007和2010四年北京市文创意产业三主导产业（信息传输、计算机服务和软件业，科学研究、技术服务和地质勘查业，文化、体育和娱乐业）的消耗系数和分配系数，并基于产业相关性系数矩阵，通过因子分析法识别了文化创意产业集群，明确了四年间北京市文化创意三主导产业在北京市产业网络中演化特征。研究发现北京市文化创意产业向专业化发展态势明显，产业自我关联，自我增长的趋势增强，其中信息传输、计算机服务和软件业（含软件、网络和计算机服务业）主要和信息设备、计算机及其他电子设备制造业等形成高科技产业集群；综合技术服务业（含设计服务业）主要和研究与试验发展、建筑业和相关制造业形成产业集群；文化、体育和娱乐业（含新闻出版业、广播、电视、电影业、文化艺术业等）与主要的服务业部门形成产业集群，文化创意三主导产业集群间主要通过租赁和商务服务业等进行联系。
在产业网络演化的驱动下，北京市文化创意产业空间演化也表现出自我集聚增强的特征，以在原地增加密度和小幅周边拓展为主，基于就业的空间基尼系数小幅上升；信息传输、计算机服务和软件业与综合技术服务业空间相关性增强，并与文化、体育和娱乐业的空间分布开始分异；三产业均与租赁和商务服务业及相关服务业空间有一定程度的相关性，但与租赁和商务服务业，以及北京市的总就业空间、第三产业就业空间相关性有所下降，从空间上也印证了文化创意产业的专业化发展的趋势。
随后本文选取了13个文化创意产业发展的影响因素，以北京市16区县为分析对象，运用2006-2010年的面板数据进行回归分析，并结合典型文化创意产业地区的案例研究，探讨了文化创意产业空间区位选择和演化发展的影响因素。数据分析发现公共图书馆总流通人次（可表示知识创造、交流和外溢，以及政府公共财政支出对于文化设施的支持水平）是影响文化创意产业最重要的正向指标，其他重要的影响因素还包括除文化创意产业以外的第三产业增加值等；案例研究还进一步证明了偶然性、核心人物（和产业）的社会网络（生产性网络）在产业集群的形成中发挥了巨大的作用，而政府主导的文化创意产业集聚区政策对于产业的空间集中和发展并没有发挥预期的作用。
文章最后对北京市文化创意产业空间演化规律进行了理论回归，认为北京案例符合产业与空间相互影响演化的理论模型，并简要建议了北京市文化创意产业空间政策的调整方向和和进一步的研究方向，以期对北京和国内其他城市打造创意城市、培育文化创意产业集群和园区提供空间发展和管治的指导。
The spatial concentration of cultural and creative industries and its impact mechanisms is aresearch hotspot in recent years. The new growth theory in economics, the new industrial districtstheory in geography, the production of space, post-modern urbanism theory of new economicgeography theory and political economics and sociology, have made a lot of research on the spaceof cultural and creative industries. And discuss spatial concentration of cultural and creativeindustries, development mechanism and profound and widespread impact on various areas such as:increasing returns to scale, flexible specialization division of labor, social networking, pathdependence, knowledge spillovers, capital accumulation, decoding, encoding and consumersociety.
Beijing has developed cultural and creative industries since the "Eleventh Five-Year". It hasbecome an important node of the global network of cultural and creative industries. Cultural andcreative industry has become a pillar and leading industry in Beijing, and has had a tremendousimpact on urban space. Based on this background, this paper studies the evolution of the space ofthe cultural and creative industries in Beijing and its impact mechanisms.
Based on the studies on domestic and international cultural and creative industries and spaceresearch, the paper integrates the theoretical framework of the interaction of microstructureevolution and spatial evolution. The paper presents the idea that industry cluster will determine thespatial concentration. Industry cluster formation requires external conditions (convenience of thecity and the related industrial base) and internal conditions (especially the innovation network).After the formation of industry cluster, it will form the path of dependence through elasticspecialized division of labor, and then moving towards economies of scale and scope of economicdevelopment. Ultimately will further enhance differentiate, or creatively destruct industrialclusters. In space, it shows a variety of forms of spatial concentration such as enhanced gathering,leapfrog development or decentralized concentration. Spatial agglomeration of constantlyself-reinforcing will eventually form a creative city.
Based on this theoretical framework, this paper systematically combined the internal andexternal conditions (Including policy conditions) of Beijing to develop cultural and creative industries, industrial development characteristics and spatial distribution characteristics under itsinfluence. The paper finds that Beijing has formed a more perfect promote policy and supportindustrial systems to develop cultural and creative industries. And Beijing has many endogenousadvantages such as creative class, education level, R&D investment. It shows the developmentcharacteristics such as the integration of cultural and creative development and technology, andthe initial formation of producer networks in large enterprises and many small and mediumenterprises. It shows the special feature of resources relying, layer distribution, advanced in northand less advanced in south, higher density in west and lower density in east. Among which Cultureand art tends to be distributed in the inner city, while design services, advertising, exhibition, press,publishing, radio and television film industry locate in the third–fourth Ring Road; and software,network and computer industries tends to locate outside the Fourth Ring. Ancillary industries(such as printing, stationery, manufacturing, et al.), is located in the outer suburbs. West side of thecity emphasizes on cultural and creative industries in the technology sector, while east sideemphasizes on the creative industries in art media.
On the basis of this analysis, the paper studies on the consumption coefficient and partitioncoefficient of the three major cultural and creative industries(including Information Transmission,Computer Services and Software Industry, Scientific Research, Technical Services and GeologicalProspecting Industry, and Culture, Sports and Entertainment Industry) in the year of2002、2005、2007and2010by the input-output relationship. And based on industry correlation coefficientmatrix, identify the cultural and creative industries cluster by factor analysis, then makes sure ofevolution characteristics of cultural and creative industries in the industrial network in Beijing.The study finds that cultural and creative industries in Beijing are obvious to the professionaldevelopment trend, self-association and self-growth trend of industry has increased. Amongwhich the high-tech industrial clusters are formed by information transmission, computerservices and software industry (Including software, network and computer services) andinformation equipment, computers and other electronic equipment manufacturing; integratedtechnical services (Including design of services), and Comprehensive technical services (includingdesign services) forms industrial clusters with research and experimental development,construction and related manufacturing. Culture, sports and entertainment (including the news andpublishing, radio and television film industry, culture and arts) forms industrial clusters with themajor service sectors. The three leading industry clusters in cultural and creative industries contacteach other mainly through leasing and business services.
Driven by the evolution in industrial networks, the spatial evolution of cultural and creativeindustries in Beijing has shown an enhanced Self–gathering. It mainly increases the density at thesame place and does small peripheral expansion. Based on slightly growth of Special Ginicoefficient of employment, the special correlation of information transmission, computer services, software industry and integrated technical services has enhanced. And it begins to differ from thespecial distribution of culture, sports and entertainment space. All the three industries of culturaland creative industries has a certain degree of correlation with the leasing and business servicesand related services space, and distribution space begin to differentiate in culture, sports andentertainment. All the three industries of cultural and creative industries have a certain degree ofcorrelation with the space of leasing and business services and related services. However thedegree of correlation with Beijing's total employment space as well as Beijing's tertiary industryemployment space has declined. And it also confirms the trend of the professional development ofthe cultural and creative industries from space.
Subsequently the paper selects13factors affecting the development of cultural and creativeindustries. The paper takes13districts and counties of Beijing as analyzing object, uses the paneldata of2006-2010to make a regression analysis, and it combines the case studies of typicalcultural and creative industries areas to the influencing factors of the spatial selection of culturaland creative industries and its development. Data analysis shows that the public librarycirculation(which shows knowledge creation, exchange and spillover, and the level of support ofthe Government's public finance spending for cultural facilities) is a most important positiveindicator of the cultural and creative industries, other important factors includes the add-valued ofthe servers industries except cultural and creative industries. The case study further shows thehuge role such as contingency, central figure (and industrial) and social networks (Productivenetwork) have played in the formation of Industrial clustering. However cultural and creativeindustries concentrated area policy dominated by the government has not played anticipated rolein the concentration and development of industrial space.
Finally, the paper concludes some theories on the space evolution of Beijing cultural andcreative industries. The paper finds that the Beijing case conforms with the mutual influence ofindustry and space, and briefly suggested the adjusting direction and further research direction ofBeijing cultural and creative industries. It hopes to give some guidance to Beijing and other citiesto build creative cities and cultivate the cultural and creative industries clusters and park on spacedevelopment and regulation.
北京市自“十一五”以来发展文化创意产业，迄今已成为我国文化创意产业全球网络的重要节点，文化创意产业也成为北京的支柱性和引领性产业，并对城市空间产生了巨大影响。本文基于这一背景对北京市文化创意产业的空间演化规律及其影响机制进行研究。
本文首先在梳理国内外文化创意产业和空间研究的基础上，整合构建文化创意产业组织演化和空间演化相互作用的理论框架，认为产业集群将决定空间集聚。产业集群的形成需要外部条件（城市利便性、相关产业基础）和内部条件（尤其是创新网络）的共同作用，形成后会进一步通过弹性专精的分工方式形成发展的路径依赖，并向规模经济和范围经济发展，最终进而增强、分化或创造性毁灭产业集群。在空间上则表现为增强集聚、蛙跳发展或分散化集中等多种空间集聚形式，空间集聚的不断自我增强最终将形成创意城市。
基于这一理论框架，本文系统梳理了北京市文化创意产业发展的内外部条件（包括政策条件），及其在此影响下的产业发展特征和空间分布特征，发现北京市文化创意产业已经形成了较为完善的文化创意产业促进政策和相关支撑产业体系，并拥有创意阶层、科教水平、研发投入等众多内生优势条件，突出呈现出文化创意与科技融合发展、大型企事业单位和众多中小企业初步形成生产者网络的发展特征。在空间分布上呈现出资源依托、圈层分布、北高南低、西密东疏的特征，其中文化艺术业主要分布于内城，设计服务业、广告会展、新闻出版和广播、电视、电影业分布于三环—四环沿线，软件、网络和计算机产业主要在四环以外，相关辅助性产业（如印刷、文化用品制造等）则位于远郊区县，西侧偏重于高技术类文化创意产业，东侧偏重于艺术传媒类文化创意产业。
在这一分析的基础上，本文通过投入产出关系研究了2002、2005、2007和2010四年北京市文创意产业三主导产业（信息传输、计算机服务和软件业，科学研究、技术服务和地质勘查业，文化、体育和娱乐业）的消耗系数和分配系数，并基于产业相关性系数矩阵，通过因子分析法识别了文化创意产业集群，明确了四年间北京市文化创意三主导产业在北京市产业网络中演化特征。研究发现北京市文化创意产业向专业化发展态势明显，产业自我关联，自我增长的趋势增强，其中信息传输、计算机服务和软件业（含软件、网络和计算机服务业）主要和信息设备、计算机及其他电子设备制造业等形成高科技产业集群；综合技术服务业（含设计服务业）主要和研究与试验发展、建筑业和相关制造业形成产业集群；文化、体育和娱乐业（含新闻出版业、广播、电视、电影业、文化艺术业等）与主要的服务业部门形成产业集群，文化创意三主导产业集群间主要通过租赁和商务服务业等进行联系。
在产业网络演化的驱动下，北京市文化创意产业空间演化也表现出自我集聚增强的特征，以在原地增加密度和小幅周边拓展为主，基于就业的空间基尼系数小幅上升；信息传输、计算机服务和软件业与综合技术服务业空间相关性增强，并与文化、体育和娱乐业的空间分布开始分异；三产业均与租赁和商务服务业及相关服务业空间有一定程度的相关性，但与租赁和商务服务业，以及北京市的总就业空间、第三产业就业空间相关性有所下降，从空间上也印证了文化创意产业的专业化发展的趋势。
随后本文选取了13个文化创意产业发展的影响因素，以北京市16区县为分析对象，运用2006-2010年的面板数据进行回归分析，并结合典型文化创意产业地区的案例研究，探讨了文化创意产业空间区位选择和演化发展的影响因素。数据分析发现公共图书馆总流通人次（可表示知识创造、交流和外溢，以及政府公共财政支出对于文化设施的支持水平）是影响文化创意产业最重要的正向指标，其他重要的影响因素还包括除文化创意产业以外的第三产业增加值等；案例研究还进一步证明了偶然性、核心人物（和产业）的社会网络（生产性网络）在产业集群的形成中发挥了巨大的作用，而政府主导的文化创意产业集聚区政策对于产业的空间集中和发展并没有发挥预期的作用。
文章最后对北京市文化创意产业空间演化规律进行了理论回归，认为北京案例符合产业与空间相互影响演化的理论模型，并简要建议了北京市文化创意产业空间政策的调整方向和和进一步的研究方向，以期对北京和国内其他城市打造创意城市、培育文化创意产业集群和园区提供空间发展和管治的指导。
The spatial concentration of cultural and creative industries and its impact mechanisms is aresearch hotspot in recent years. The new growth theory in economics, the new industrial districtstheory in geography, the production of space, post-modern urbanism theory of new economicgeography theory and political economics and sociology, have made a lot of research on the spaceof cultural and creative industries. And discuss spatial concentration of cultural and creativeindustries, development mechanism and profound and widespread impact on various areas such as:increasing returns to scale, flexible specialization division of labor, social networking, pathdependence, knowledge spillovers, capital accumulation, decoding, encoding and consumersociety.
Beijing has developed cultural and creative industries since the "Eleventh Five-Year". It hasbecome an important node of the global network of cultural and creative industries. Cultural andcreative industry has become a pillar and leading industry in Beijing, and has had a tremendousimpact on urban space. Based on this background, this paper studies the evolution of the space ofthe cultural and creative industries in Beijing and its impact mechanisms.
Based on the studies on domestic and international cultural and creative industries and spaceresearch, the paper integrates the theoretical framework of the interaction of microstructureevolution and spatial evolution. The paper presents the idea that industry cluster will determine thespatial concentration. Industry cluster formation requires external conditions (convenience of thecity and the related industrial base) and internal conditions (especially the innovation network).After the formation of industry cluster, it will form the path of dependence through elasticspecialized division of labor, and then moving towards economies of scale and scope of economicdevelopment. Ultimately will further enhance differentiate, or creatively destruct industrialclusters. In space, it shows a variety of forms of spatial concentration such as enhanced gathering,leapfrog development or decentralized concentration. Spatial agglomeration of constantlyself-reinforcing will eventually form a creative city.
Based on this theoretical framework, this paper systematically combined the internal andexternal conditions (Including policy conditions) of Beijing to develop cultural and creative industries, industrial development characteristics and spatial distribution characteristics under itsinfluence. The paper finds that Beijing has formed a more perfect promote policy and supportindustrial systems to develop cultural and creative industries. And Beijing has many endogenousadvantages such as creative class, education level, R&D investment. It shows the developmentcharacteristics such as the integration of cultural and creative development and technology, andthe initial formation of producer networks in large enterprises and many small and mediumenterprises. It shows the special feature of resources relying, layer distribution, advanced in northand less advanced in south, higher density in west and lower density in east. Among which Cultureand art tends to be distributed in the inner city, while design services, advertising, exhibition, press,publishing, radio and television film industry locate in the third–fourth Ring Road; and software,network and computer industries tends to locate outside the Fourth Ring. Ancillary industries(such as printing, stationery, manufacturing, et al.), is located in the outer suburbs. West side of thecity emphasizes on cultural and creative industries in the technology sector, while east sideemphasizes on the creative industries in art media.
On the basis of this analysis, the paper studies on the consumption coefficient and partitioncoefficient of the three major cultural and creative industries(including Information Transmission,Computer Services and Software Industry, Scientific Research, Technical Services and GeologicalProspecting Industry, and Culture, Sports and Entertainment Industry) in the year of2002、2005、2007and2010by the input-output relationship. And based on industry correlation coefficientmatrix, identify the cultural and creative industries cluster by factor analysis, then makes sure ofevolution characteristics of cultural and creative industries in the industrial network in Beijing.The study finds that cultural and creative industries in Beijing are obvious to the professionaldevelopment trend, self-association and self-growth trend of industry has increased. Amongwhich the high-tech industrial clusters are formed by information transmission, computerservices and software industry (Including software, network and computer services) andinformation equipment, computers and other electronic equipment manufacturing; integratedtechnical services (Including design of services), and Comprehensive technical services (includingdesign services) forms industrial clusters with research and experimental development,construction and related manufacturing. Culture, sports and entertainment (including the news andpublishing, radio and television film industry, culture and arts) forms industrial clusters with themajor service sectors. The three leading industry clusters in cultural and creative industries contacteach other mainly through leasing and business services.
Driven by the evolution in industrial networks, the spatial evolution of cultural and creativeindustries in Beijing has shown an enhanced Self–gathering. It mainly increases the density at thesame place and does small peripheral expansion. Based on slightly growth of Special Ginicoefficient of employment, the special correlation of information transmission, computer services, software industry and integrated technical services has enhanced. And it begins to differ from thespecial distribution of culture, sports and entertainment space. All the three industries of culturaland creative industries has a certain degree of correlation with the leasing and business servicesand related services space, and distribution space begin to differentiate in culture, sports andentertainment. All the three industries of cultural and creative industries have a certain degree ofcorrelation with the space of leasing and business services and related services. However thedegree of correlation with Beijing's total employment space as well as Beijing's tertiary industryemployment space has declined. And it also confirms the trend of the professional development ofthe cultural and creative industries from space.
Subsequently the paper selects13factors affecting the development of cultural and creativeindustries. The paper takes13districts and counties of Beijing as analyzing object, uses the paneldata of2006-2010to make a regression analysis, and it combines the case studies of typicalcultural and creative industries areas to the influencing factors of the spatial selection of culturaland creative industries and its development. Data analysis shows that the public librarycirculation(which shows knowledge creation, exchange and spillover, and the level of support ofthe Government's public finance spending for cultural facilities) is a most important positiveindicator of the cultural and creative industries, other important factors includes the add-valued ofthe servers industries except cultural and creative industries. The case study further shows thehuge role such as contingency, central figure (and industrial) and social networks (Productivenetwork) have played in the formation of Industrial clustering. However cultural and creativeindustries concentrated area policy dominated by the government has not played anticipated rolein the concentration and development of industrial space.
Finally, the paper concludes some theories on the space evolution of Beijing cultural andcreative industries. The paper finds that the Beijing case conforms with the mutual influence ofindustry and space, and briefly suggested the adjusting direction and further research direction ofBeijing cultural and creative industries. It hopes to give some guidance to Beijing and other citiesto build creative cities and cultivate the cultural and creative industries clusters and park on spacedevelopment and regulation.
引文
[1]不同国家和地区或称之为文化产业、创意产业、版权产业、内容产业等，分类也各不相同，后文中将会详述。本文在引用原著时使用原著称谓，在统称中均称之为“文化创意产业”。
[2]各国的统计口径不一样，不具备可比性。资料来源：《创意产业经济估算统计公报》（DCMS，2004）、《美国经济中的版权产业：2004年报告》等。DCMS（Department of Culture, Media&Sport）是指英国的文化媒体和体育部，以下皆适用这一简称。
[3]UNCTAD, UNDP. Creative Economy Report2008。
[4]我国文化产业的统计口径见2004年国家统计局出台的《文化及相关产业分类》，包括核心层、外围层、相关层三个层次数十个中类和若干中类的部分小类。并纳入到2004年第一次全国经济普查。
[5]资料来源：国家统计局《2008年我国文化产业发展情况的报告（摘要）》，2010。
[6]北京的文化创意产业分类国家统计局分类略有不同，包含软件网络计算机等13个统计门类。
[15]资料来源：2011年北京市统计年鉴
[16]资料来源：北京市发改委等，“十二五”期间北京市文化创意产业发展的目标、思路及措施研究，2009.
[17]资料来源：2011年北京市统计年鉴
[48]资料来源：东城区规划局，2003年3月。
[49]资料来源：北京大学城市规划设计中心，《交道口街道胡同区居民状况调查》，2006.
[50]资料来源：北京大学城市设计中心，《<交道口街道社区发展规划（2006-2020）>及<南锣鼓巷保护与发展规划（2006-2020）>近期（2006-2010）评估报告》，2010.
Allen J. Scott,著,汤茂林,译.(2007).创意城市：概念问题和政策审视.现代城市研究,2:66-77.
Edward W. Soja,著,包亚明,编,李钧,等,译.(2006).后大都市：城市与区域的批判性研究.上海:上海教育出版社.
Edward W. Soja,著,包亚明,编,陆扬,等,译.(2005).第三空间去往洛杉矶和其他真实和想象地方的旅程.上海:上海教育出版社，.
Michael J. Dear,包亚明,编,李小科,等,译.(2004).后现代都市状况.上海:上海教育出版社.
艾伦·J·斯科特,著,董树宝,张宁,译.(2010).城市文化经济学.北京:中国人民大学出版社.
爱德华·W.苏贾,王文斌,译,周宪,许均,编.(2004).后现代地理学重申批判社会理论中的空间.北京:商务印书馆.
包亚明.(1997).文化资本与社会炼金术布尔迪厄访谈录.上海:上海人民出版社.
北京大学城市规划设计中心.(2010).《交道口街道社区发展规划（2006-2020）》及《南锣鼓巷保护与发展规划（2006-2020）》近期（2006-2010）评估报告.
北京市发展和改革委员会,北京大学首都发展研究院.(2010).十二五期间北京市文化创意产业发展的目标、思路及措施研究.
波特.(2002).国家竞争优势.北京:华夏出版社.
查尔斯·兰德里,著,杨幼兰,译.(2009).创意城市：如何打造都市创意生活圈.北京:清华大学出版社.
陈家泽.(2006).政府作用与文化产业政策设计.西南交通大学学报（社会科学版）,7,5:86-92.
陈建军,陈国亮.(2009).集聚视角下的服务业发展与区位选择：一个最新研究综述.浙江大学学报（人文社会科学版）,39,5: l29-137.
陈建军，葛宝琴.(2008).文化创意产业的集聚效应及影响因素分析.当代经济管理,9:71-75.
陈柳钦.(2006).新型区域发展理论：产业集群.中国石油大学学报,22,4:19-24．
陈倩倩,王缉慈.(2005).论创意产业及其集群的发展环境——以音乐产业为例.地域研究与开发,24,5:5-8.
陈旭,谭婧.(2009).关于创意城市的研究综述.经济论坛,5:26-29.
陈颖.(2010).创意产业集聚区环境对创意企业竞争优势的作用机制研究.上海:东华大学博士学位论文.
楚波,金凤君.(2007).产业集群辨识方法综述.经济地理,27,5:708-713.
褚劲风,高峰.(2011).上海苏州河沿岸创意活动的地理空间及其集聚研究.经济地理,31,10:1674-1679.
褚劲风.(2009).创意产业集聚空间组织研究.上海:上海人民出版社:95-161.
褚劲风.(2009).上海创意产业空间集聚的影响因素分析.经济地理, l:102-107.
大卫哈维.(2008).新帝国主义.北京：社会科学文献出版社.
代明,王颖贤.(2009).创新型城市研究综述.城市问题,1:94-98.
戴钰.(2011).湖南省文化产业投入产出分析.经济研究导刊,26:66-68.
单世联.(2009).本自同根生相煎何太急——关于“文化产业”与“创意产业”的一点思考.学术探索,10:31-32.
范霞.(2006).上海创意产业及其集聚发展研究.上海:华东师范大学硕士学位论文.
冯艳.(2009).创意产业要素支撑体系研究一一以宁波为例.科技管理研究,7:295-297.
傅钧文.(2003).日本产业竞争力与竞争优势分析.日本学刊,5:55-66.
盖文启,朱华晟.(2002).产业的柔性集聚及其区域竞争力.经济理论与经济管理,10:25-30.
高宏宇.(2007).文化及创意产业与城市发展以上海为例.上海:同济大学博士论文.
耿斌.(2007).上海创意产业集聚区开发特征及规划对策研究.上海:同济大学硕士学位论文.
顾江.(2007).文化产业经济学.南京:南京大学出版社.
顾新,郭耀煌,李久平.(2003).社会资本及其在知识链中的作用.科研管理,24,5:44-48.
郭俊华，郭珉媛.(2006).关于天津经济发展中的创意产业的思考.环渤海经济瞭望,9:7-9.
郭振东.(2010).制度转向下上海市静安区动漫产业空间演变与分异规律.上海:上海师范大学硕士学位论文.
贺灿飞,梁进社,张华.(2005).区域制造业集群的辨识：以北京市制造业为例.地理科学,25,5:521-528.
贺灿飞,刘洋.(2006).产业地理集中研究进展.地理科学进展,2:59-69.
贺灿飞,潘峰华.(2007).产业地理集中、产业集聚与产业集群：测量与辨识.地理科学进展,26,2:1-13.
洪进,余文涛,杨凤丽.(2011).人力资本、创意阶层及其区域空间分布研究.经济学家,9:28-35.
侯艳红.(2008).文化产业投入绩效评价研究.天津:天津工业大学硕士学位论文.
胡晓鹏.(2006).基于资本属性的文化创意产业研究.中国工业经济,12:5-12.
花建,巫志南,郭洁娟,等.(2005).文化魔戒：文化产业竞争力的奥秘.台北:帝国文化.
黄斌.(2010).北京文化创意产业集聚区对城市空间的影响.2010年中国城市规划年会论文集.
黄鹭新,胡天新,杜澍,等.(2007).艺术创意人才空间集聚的初步研究——以北京的艺术家集聚现象为主要研究案例.2007中国城市规划年会论文集：1610-1616.
黄小军,张仁寿,王朋.(2011).从投入产出分析文化产业对经济增长的影响——以广东为例.广州大学学报（社会科学版）,10,7:47-53.
黄永兴,徐鹏.(2011).经济地理、新经济地理、产业政策与文化产业集聚：基于省级空间面板模型的分析.经济经纬,6:47-51.
贾传亮,胡发胜,孙颖.(2006).主成分分析法在产业关联度研究中的应用.运筹与管理,15,2:73-76.
姜曙.(2009).文化产业发展的公共财政扶持政策研究.上海:复旦大学硕士学位论文.
蒋慧.(2009).城市创意产业发展及其空间特征研究以西安为例.西安:西北大学硕士学位论文.
蒋萍,王勇.(2011).全口径中国文化产业投入产出效率研究——基于三阶段DEA模型和超效率DEA模型的分析.数量经济技术经济研究,12:69-81.
蒋三庚,王晓红.(2006).文化创意产业研究.北京:首都经济贸易大学出版社.
蒋三庚,张杰,王晓红.(2010).文化创意产业集群研究.北京:首都经济贸易大学出版社.
蒋三庚.(2009).中央商务区文化创意产业集群发展类型与特点.经济管理与研究,3:83-86.
康小明,向勇.(2005).产业集群与文化产业竞争力的提升.北京大学学报（哲学社会科学版）,2:33-36.
孔建华.(2008).十年来北京文化经济政策的演变.新视野,4:46-49.
孔建华.(2009).文化经济的融合兴起与北京想象——基于北京文化创意产业集聚区发展的再研究.艺术与投资,2:69-79.
兰建平,傅正.(2008).创意产业、文化产业和文化创意产业.浙江经济,4:40-41.
雷宏振,潘龙梅,雷蕾.(2012).中国文化产业空间集聚水平测度及影响因素研究——基于省际面板数据的分析.经济问题探索,2:35-41.
李川.(2009).我国创意产业政策有效性评价研究.成都:成都电子科技大学博士学位论文.
李殿伟,王宏达.(2009).创意产业知识产权保护的内在机理与对策.科技进步与对策,8:54-56.
李广志,李同升,孙文文,等.(2007).产业集群的识别与选择分析——基于陕西省产业集群的研究.人文地理,6:57-60.
李华敏,王花毅.(2010).我国文化产业的关联性研究.西部商学评论,8:128-141.
李江帆.(1990).第三产业经济学.广州:广东人民出版社.
李洁,彭家虹.(2009).动漫创意产业人才培养的探讨.电影评介,14:72.
李来儿.(2000).论知识产业.经济问题,8:7-10.
李蕾蕾,张晓东,胡灵玲.(2005).城市广告业集群分布模式——以深圳为例.地理学报,60,2:257-265.
李文秀,谭力文.(2008).服务业集聚的二维评价模型及实证研究——以美国服务业为例.中国工业经济,4:55-63.
李学鑫,陈世强,薛诺稳.(2010).中国农区文化创意产业集群形成演化的影响因素研究——以河南民权“画虎村”为例.地域研究与开发,29,2:16-21.
李崟,潘瑾.(2008).基于知识溢出的创意产业集群效率影响因素实证研究.江淮论坛,2:13-16,38.
厉无畏,于雪梅.(2007).中国和欧洲城市创意产业发展的比较研究.世界经济研究,2:51-56.
厉无畏.(2006).创意产业导论.上海:学林出版社.
栗宪庭,刘淳.(2000).回顾中国前卫艺术.天涯,4:115-120.
梁进社,贺灿飞,张华.(2005).近10年北京经济职能的发展变化.地理学报,60,4:577-586.
梁琦.(2003).中国工业的区位基尼系数——兼论外商直接投资对制造业集聚的影响.统计研究,9:21-25.
林政逸,辛晚教.(2007).创新、能力与文化产业群聚的演化：台北市音乐产业个案研究.地理学报,50:23-45.
零点公司.(2006).北京文化创意产业研究报告.
刘建一.(2006).北京CBD及周边地区发展广告产业分析研究.首都经济贸易大学学报,2:51-54.
刘卷.(2009).基于创意产业的艺术设计专业创新型人才培养研究.艺术与设计(理论),9:193-194.
刘强.(2007).城市更新背景下的大学周边创意产业集群发展研究以同济大学周边设计创意产业集群为例.上海:同济大学博士学位论文.
刘寿吉,戴伟辉,周缨.(2009).创意产业的生态群落模式及专业性公共服务平台研究.科技进步与对策,9:49-53.
刘伟.(2002).经济学导论.北京:中国发展出版社.
刘彦君.(2007).中国戏剧文化产业发展中的转型现象.//陈忱，主编.影响中国文化产业发展的重要报告.北京:群言出版社:149-154.
刘艳红,韩国春,罗晓蓉,等.（2006）.对中国文化产业政策的探讨.云南师范大学学报（哲学社会科学版）,38,5:15-19.
刘展展.(2009).深圳市文化产业空间布局及区位因素研究.特区经济,3:39-41.
刘志高,尹贻梅.(2006).演化经济地理学：当代西方经济地理学发展的新方向.国外社会科学,1:34-39.
马克斯霍克海默,西奥多·阿道尔诺,著,渠敬东,曹卫东,译.(2003).启蒙辩证法：哲学片段.上海:上海人民出版社:134-180.
马敏,傅才武.(2009).新时期深化文化体制改革中的文化政策问题.中国地质大学学报（社会科学版）,9,5:1-6.
马仁峰.(2011).创意产业区演化与大都市空间重构机理研究.上海:华东师范大学博士论文.
马萱,郑世林.(2010).中国区域文化产业效率研究综述与展望.经济学动态,3:83-86.
迈克戴维斯,著,林鹤,译.(2010).水晶之城：窥视洛杉矶的未来.上海:上海人民出版社.
毛磊.(2010).基于生命周期理论的文化创意产业集群演化分析.科技管理研究,20:174-178.
毛丽青.(2007).创意产业区发展的区域创新网络机制研究以上海市泰康路田子坊和莫干山路50号为例.上海:同济大学硕士学位论文.
毛艳华,李华.(2009).区域制造业集群的结构特征与发展策略——基于广东省投入产出数据的实证分析.产业经济评论,8,4:126-138.
苗长虹,崔立华.(2003).产业集聚：地理学与经济学主流观点的对比.人文地理,18,3:42-46.
苗长虹.(2007).欧美经济地理学的三个发展方向.地理科学,27,5:617-623.
倪鹏飞,彼得·卡尔·克拉索.(2008).全球城市竞争力报告（2007-2008）.北京:社会科学文献出版社.
倪卫红,董敏,胡汉辉.(2003).对区域性高新技术产业集聚规律的理论分析.中国软科学,11:140-144.
牛维麟,彭翊.(2009).北京市文化创意产业集聚区发展研究报告.北京:中国人民大学出版社:73-104
潘瑾,陈晓春.(2006).基于价值链分析的创意产业知识产权保护方法与途径探讨.知识产权,2:30-33.
潘小玲.(2008).传媒产业集群发展研究.长沙:湖南大学硕士学位论文.
祁述裕.(2009).文化产业,还是文化创意产业?.学术探索,10:29-30.
钱紫华,闫小培,王爱民.(2007).西方国家文化产业的就业特点.城市问题,9:89-94.
钱紫华,闫小培.(2008).文化/创意产业、创意城市等相关概念辨析.世界地理研究,17,2:95-101.
清华大学建筑学院建筑与城市研究所.(2006).北京文化创意产业发展及空间布局研究.
让-波德里亚,著,刘成富,全志刚,译.(2001).消费社会.南京:南京大学出版社.
任雪飞.(2005).创造阶级的崛起与城市发展的便利性——评理查德·佛罗里达的《创造阶级的兴起》.城市规划学刊,1:99-102.
任英华,邱碧槐.(2010).现代服务业空间集聚特征分析——以湖南省为例.经济地理,30,3:54-59.
日下公人,著,范作申,译.(1989).新文化产业论.北京:东方出版社,7:123.
阮仪三,张松.(2004).产业遗产保护推动都市文化产业发展——上海文化产业区面临的困境与机遇.城市规划汇刊,4:53-57.
阮仪三.(2005).论文化创意产业的城市基础.同济大学学报(社会科学版),16,1:39-41.
盛磊,杜德斌.(2006).创意城市：创意经济时代城市发展的新取向.经济前沿,6:21-25.
施惟达.(2009).从文化产业到创意产业.学术探索,5:25-26.
斯图亚特·坎宁安.(2004).从文化产业到创意产业：理论、产业和政策的涵义//林拓.世界文化产业发展前沿报告（2003-2004）.北京:社会科学文献出版社:134-144.
宋萌萌.(2010).北京文化创意产业集聚发展研究.北京:中国石油大学硕士学位论文.
孙福良,张迈英.(2008).中国创意经济比较研究.上海:学林出版社.
孙萌.(2009).后工业时代城市空间的生产：西方后现代马克思主义空间分析方法解读中国城市艺术区发展和规划.国际城市规划,24,6:60-65.
汤培源,顾朝林.(2007).创意城市综述.城市规划学刊,3:14-19.
藤田昌久,保罗·克鲁格曼,安东尼·J·维纳布尔斯,著,梁琦,主译.(2005).空间经济学城市、区域与国际贸易.北京:中国人民大学出版社.
瓦尔特本雅明,著,李伟,郭东,译.(2006).机械复制时代的艺术.重庆:重庆出版社:10.
万陶.(2007).基于复杂性理论的创意产业集群动力研究.北京:北京交通大学硕士学位论文.
汪毅,徐旳,朱喜钢.(2010).南京创意产业集聚区分布特征及空间效应研究.热带地理,30,1:79-83.
王飞鹏.(2009).文化创意产业发展与创意人才开发研究.未来与发展,7:19-22.
王花毅.(2010).文化产业聚集中的产业链关联性研究.西安:陕西师范大学硕士学位论文.
王华,李艾芳,孙颖.(2009).改革开放30年：北京十大文化创意产业集聚区发展模式的演进.北京规划建设,1:60-63.
王缉慈,宋向辉,李光宇.(1996).北京中关村高新技术企业的集聚与扩散.地理学报,51,6:481-488.
王辑慈,等.(2001).创新的空间一一企业集群与区域发展.北京:北京大学出版社.
王家庭，张容.(2009).基于三阶段DEA模型的中国31省市文化产业投入产出效率研究.中国软科学,9:75-82.
王家庭,张容.(2010).我国文化产业发展影响因素及提升路径的区域分析.统计与决策,2:79-81.
王洁.(2007).产业集聚理论与应用的研究创意产业集聚影响因素的研究.上海:同济大学博士学位论文.
王丽君.(2007).创意产业集群的形成因素研究.北京:北京交通大学硕士学位论文.
王茂军,杨雪春.(2011).四川省制造产业关联网络的结构特征分析.地理学报,66,2:212-222.
王书瑶.(1992).无形价值论.北京:东方出版社.
王谡萍.(2010).基于社会资本的创意产业集群治理研究.上海:东华大学硕士学位论文.
王伟年,张平宇.(2006).创意产业与城市再生.城市规划学刊,2:22-27.
王伟年.(2007).城市文化产业区位因素集聚与组织研究.长春:东北师范大学博士论文.
王宇红,张晓玲.(2009).陕西文化创意产业知识产权保护现状、问题和对策研究.科技管理研究,8:555-558.
王玉,吴勇.(2011).浙江省文化产业的投入产出分析.浙江师范大学学报（自然科学版）,34,4:469-473.
王志成,陈继祥,姜晖.(2008).基于特征分析的城市创意经济发展支点研究.财经研究,34,6:4-15.
王子龙,谭清美,许箫迪.(2006).产业集聚水平测度的实证研究.中国软科学,3:109-116.
魏江.(2003).产业集群创新系统与技术学习.北京:科学出版社.
吴缚龙.(2006).中国的城市化与“新”城市主义.城市规划,30,8:19-23.
吴利华,张宗扬,顾金亮.(2011).中国文化产业的特性及产业链研究——基于投入产出模型视角.软科学,12,25:29-32.
吴庆阳.(2010).文化创意产业概念辨析.经济师,8:57-58.
吴晓波,耿帅,徐松屹.(2004).基于共享性资源的集群企业竞争优势分析.研究与发展管理,4: l-7.
伍业锋.(2011).文化产业关联特征的动态分析——基于广东省2002年和2007年的投入产出数据.产经评论,2:5-14.
伍志鹏.(2007).基于涌现性的创意产业集群动力机制研究.北京:北京交通大学硕士学位论文.
徐霖恩.(2007).日本动漫产业运行模式初探.//陈忱,主编.影响中国文化产业发展的重要报告.北京:群言出版社:301-327.
晏智杰.(2001).劳动价值学说新探.北京:北京大学出版社.
杨海梅.(2008).城市创意产业及其集群化分析一一以西安市广告业为例.西安:西北大学硕士学位论文.
杨吉华.(2006).改革开放以来我国文化产业政策实践的回顾与反思.上海行政学院学报,6,7:77-81.
杨吉华.(2007).文化产业政策研究.北京:中共中央党校博士论文.
叶振艳.(2009).关于创意产业人才培养现状的思考.艺海,7:152.
尹宏.(2009).现代城市创意经济发展研究.北京:中国经济出版社.
于雪梅.(2006).在传统与时尚的交融中打造文化创意园区——以前民主德国援华项目北京798厂为例.德国研究,21,1:55-59.
俞孔坚,周年兴,李迪华.(2004).不确定目标的多解规划研究——以北京大环文化产业园的预景规划为例.城市规划,28,3:57-61.
袁海.(2010).中国省域文化产业集聚影响因素实证分析.经济经纬,3:65-67.
约·奈斯比特,帕·阿伯顿妮,著,周学恩,魏得时,童惠敏,等,译.(1990).2000年大趋势九十年代的十个新趋向.北京:东方出版社.
约翰·霍金斯,著,洪庆福,孙薇薇,刘茂玲,译.(2006).创意经济：如何点石头成金.上海:上海三联书店:12.
昝永利.(2006).部门合并对各部门产品价格的影响分析.济南:山东大学硕士学位论文.
詹姆逊.(2003).晚期资本主义的文化逻辑.北京:生活读书新知三联书店:457-489.
张京成,主编.(2010).中国创意产业发展报告（2010）.北京:中国经济出版社.
张仁寿,黄小军,王朋.(2011).基于DEA的文化产业绩效评价实证研究：以广东等13个省市2007年投入产出数据为例.中国软科学,2:183-192.
张树槐,李铁生,主编.(2006).走进南锣鼓巷.北京:北京燕山出版社.
张艳辉.(2011).价值链视角下创意产业功能演化研究.上海:华东理工大学出版社.
张一钒.(2010).北京市文化创意产业关联效应分析.北京:北京邮电大学硕士学位论文.
章建刚.(2009).文化产业，抑或创意产业？——概念与政策趋向的差异.学术探索,10:27-29.
赵红红,刘天河,阎瑾.(2008).创意产业园区空间环境设计要素探讨.城市建筑,2:17-19.
赵继敏.(2010).社会文化空间与北京艺术区区位的变迁.城市问题,5:97-102.
赵书华,王华强.(2008).北京文化产业发展影响因素的灰色关联分析.经济论坛,9:15-17.
郑国.(2010).开发区发展与城市空间重构.北京:中国建筑工业出版社.
郑克中.(2003).客观效用价值论重构政治经济学的微观基础.济南:山东人民出版社.
植草益.(1992).微观规制经济学.北京:中国发展出版社.
周福铭.(2006).积极营造推动上海创意产业发展的新环境——上海创意产业集聚区现状调研之三.上海企业,11:30-31.
周灵雁,褚劲风,李萍萍.(2006).上海创意产业空间集聚研究.现代城市研究,12:4-9.
周正兵.(2008).北京市文化创意产业的政策演变与选择——基于文化创意产业集聚区的分析.投资北京,6:91-92.
朱华晟,吴骏毅,魏佳丽,等.(2010).发达地区创意产业网络的驱动机理与创新影响——以上海创意设计业为例.地理学报,65,10:1241-1252.
朱庭逸.(2004).创意空间——开创城市新地理学.台北:典藏出版.
朱晓青.(2006).文化创意产业特点和发展条件探讨.新视野,3:23-25.
诸大建,黄晓芬.(2006).创意城市与大学在城市中的作用.城市规划学刊, l:27-31.
Abrahamson, E.,&Fombru, C. J.(1994). Macrocultures: Determinants and consequences. Academy of ManagementReview,19,4:728-755.
Amin, A.,&Thrift, N.(2002). Cities: Reimaging the Urban. Cambridge: Polity Press.
Anderson, G.(1994). Industry clustering for economic development. Economic Development Review,12:26-32.
Andersson, C., Frenken, K.,&Hellervik, A.(2006). A complex network approach to urban growth. Environmentand Planning A,38,10:1941-1964.
Arthur, W. B.(1989). Competing Technologies, Increasing Returns, and "Lock-in" by Historical Event. EconomicJournal,99:116-131.
Audretsch, D. B.,&Feldman, M. P.(1996). Innovative Clusters and the Industry Life Cycle. Review of IndustrialOrganization,11:253-273.
Bagwell, S.(2008). Creative clusters and city growth. Creative Industries Journal,1:31-46.
Barabasi, A. L.,&Albert, R.(1999). Emergence of scaling in random networks. Science,286,5439:509-512.
Bassett, K., Griffiths, R.,&Smith, I.(2002). Cultural industries, cultural clusters and the city: the example of naturalhistory film-making in Bristol. Geoforum,33:165-177.
Bathelt, H.,&Schamp, E. W.(2001). The Rise of a New Cultural Products Industry Cluster in Germany: The Caseof the Leipzig Media Industry. IWSG Working Papers.
Bell, D.,&Jayne, M.(2006). Conceptualising small cities//Bell, D., Jayne, M.(Eds). Small Cities: UrbanExperience beyond the Metropolis, Abingdon: Routledge:1-18.
Bergman, E. M.(2002). Better or Worse Than Regional Sustainability? Environment and Sustainable Developmentin the New Central Europe: Austria and Its Neighbors Industrial Cluster Sustainability at Austria's AccessionEdge:19-21.
Bianchini, F.,&Parkinson, M.(1993). Cultural Policy and Urban Regeneration: The West European Experience.New York: Martin's Press:123-201.
Bianchini, F.(1999). Cultural Planning for Urban Sustainability.In Nystrom,L.(ed.).City and Culture,CulturalProcesses and Urban Sustainability. Karlskrona Swedish Urban Environment Council.
Blair, H., Grey, S.,&Randle, K.(2001). Working in Film: Employment in a Project Based Industry. PersonnelReview,30,2: l70-185.
Boschma, R. A.,&Frenken, K.(2006a). Applications of Evolutionary Economic Geography. DRUID WorkingPaper:06-26.
Boschma, R. A.,&Frenken, K.(2003). Evolutionary economics and industry location. Review for RegionalResearch,23:183-200.
Boschma, R. A.,&Frenken, K.(2006b). Why is economic geography not an evolutionary science? Towards anevolutionary economic geography. Journal of Economic Geography,6:273-302.
Boschma, R. A.,&Fritsch, M.(2009). Creative Class and Regional Growth: Empirical Evidence from SevenEuropean Countries. Economic Geography,85,4:391-423.
Boschma, R. A.,&Martin, R.(2007). Editorial: Constructing an evolutionary economic geography. Journal ofEconomic Geography,7:537-548.
Brennan-Horley, C.(2004). Work and play: postindustry cultural production in sydney's dance music cuclture.Unpublished BSc thesis, Urniversity of New South Wales, Sydney.
Brown, A., O' Connor, J.,&Cohen, S.(2000). Local music policies within a global music industry: cultural quartersin Manchester and Sheffield. Geoforum,31:437-451.
Brülhart, M.,&Traeger, R.(2005). An Account of Geographic Concentration patterns in Europe. Regional Scienceand Urban Economics,35,6:597-624.
Caves, R.(2004). Creative Industries: Contracts Between Art And Commerce. Harvard University Press.
Cheryl, S. F.(2010). Adapting, renewing, subverting: what place the performing arts in the creative industries? TiraiPanggung: Performing Arts Journal,10:20-45.
Christy, C., Emma, F.,&Philip, G. W.(2010). Beyond the inner city: Real and imagined places in creative placepolicy and practice. The Information Society,26,2:104-112.
Coe, N. M.(2000). The view from out West: embeddedness, inter-personal relations and the development of anindigenous film industry in Vancouver. Geoforum,31:437-451.
Coe, N. M.(2001). A Hybrid Agglomeration? The Development of a Satellite-Marshallian Industrial District inVancouver’s Film Industry. Urban Studies,38,10:1753-1775.
Cole, A.(2008). Distant Neighbours: The New Geography of Animated Film Production in Europe. RegionalStudies,42,6:891-904.
Coleman, J. S.(1988). Social Capital in the Creation of Human Capital. American Journal of Sociology, Supplement:Organizations and Institutions: Sociological and Economic Approaches to the Analysis of Social Structure,94:S95-S120.
CURDS.(2001). Culture Cluster Mapping and Analysis: A Draft Report for ONE North East.
Dear, M.(1994). Postmodern human geography: an assessment. Erdkunde,48：2～13.
Dear, M.,&Flusty, S.(1998). Postmodern Urbanism. Annals of the Association of American Geographers,88,1:50-72.
Drake, G.(2003). This Place Gives Me Space: Place and Creativity in the Creative Industries. Geoforum,34,4:511-524.
Ellison, G.,&Glaeser, E.(1997). Geographic concentration in U.S. manufacturing industries: A dartboard approach.Journal of Political Economy,105:889-927.
Enstor, J.(2001). Fostering Knowledge Management through the Creative Work Environment: A Portable Modelfrom the Advertising Industry. Journalof Information Science,27,3:147-155.
Evans, G.(2009). Creative Cities, Creative Spaces and Urban Policy. Urban Studies,46,5&6:1003-1040.
Florida, R.(2002). The Rise of the Creative Class: and How it is Transforming Working, Leisure, Community andEveryday Life, New York: Basic Books.
Frenken, K., Van Oort, F. G.,&Verburg, T.(2007). Related variety, unrelated variety and regional economicgrowth. Regional Studies,41,5:685-697.
Frost-Kumpf, H. A.(2001). Cultural Districts: Arts Management and Urban Redevelopment: a Thesis inGeography. Pennsylvania State University.
Gertler, M.(2004). Creative Cities: What Are They For, How Do They Work, And How Do We Build Them?.Ottawa: Canadian Policy Research Networks.
Gibson, C.(2002). Rural transformation and cultural industries: Popular music on the New South Wales Far NorthCoast. Australian Geographical Studies,40:336-356.
Gibson, C.,&Connell, J.(2004). Cultural industry production in remote places: indigenous popular music inAustralia//. In Power, D.&Scott, A. J., editors, The cultural industries and the production of culture, Londonand New York: Routledge:243-258.
Gibson, C.,&Klocker, N.(2003). Cultural industries and cultural policy: a critique of recent discourses in regionaleconomic development//. In Gao, J., Le Heron, R.,&Logie, J., editors. Windows on a changing world,Auckland: NZ Geographical Society Conference2003, Series No.22:131-35.
Glaeser, E. L.(2005). Review of Richard Florida's the Rise of the Creative Class. Regional Science and UrbanEconomics,35,5:593-596.
Grabher, C.(2002). Cool Projects, Boring Institutes: Temporary Collaboration in Social Context. Regional Studies,36,3:205-214.
Hall, P. G.(1998). Cities in Civilization. New York: Pantheon Books.
Hannigan, J.(1998). Fantasy city: Pleasure and profit in the postmodern metropolis. London: Routledge:3-4.
Hansen, H. K,&Niedomysl, T.(2009). Migration of the creative class: evidence from Sweden. Journal of EconomicGeography,9:191-206.
Hartley, J.(2007). The evolution of the creative industries-Creative clusters, creative citizens and social networkmarkets. Proceedings Creative Industries Conference, Asia-Pacific Weeks, Berlin.
Harvey, D.(1989). From managerialism to entrepreneurialism: The transformation in urban governance in latecapitalism. Geografiska Annaler Series B,71:3-17.
Henkel, C.(2002). From ‘lifestyle’ to industry clusters: Potential for growth of audiovisual and creative industries inthe Northern Rivers region of New South Wales. Australian and New Zealand Communications AssociationConference in Tweed Heads.
Hospers, G. J.(2003). Creative Cities: Breeding Places in the Knowledge Economy.Knowledge. Technology andpolicy,16,3:143-162.
Hutton, T. A.(2000). Reconstruction Production Landscapes in the Postmodern City: Applied Design and CreativeService in the Metropolitan Core. Urban Geography,21,4:285-317.
Hutton, T. A.(2004). The New Economy of the inner city. Cities,21,2:89-109.
Hutton, T. A.(2006). Spatiality, Built Form and Creative Industry Development in the Inner city. Environment andPlanning,38,10:1819-1841.
Jarvis, H.,&Pratt, A. C.(2006). Bringing it all back home: The extensification and ‘overflowing’ of work-the caseof San Francisco’s new media households. Geoforum,37:331-339.
Jayne, M.(2005). Creative industries: The regional dimension?. Environment and Planning C,23:537-556.
June, G.(2009). Innovation and the creative industries cluster: A case study of Singapore's creative industries.Innovation Management Policy Practice,11,2:240-252.
Keane, M.,&Hartley, J.(2001). From Ceremony to CD-ROM Indigenous Creative Industries in Brisbane. ReportPrepared for the Economic Development Branch, Brisbane City Council.
Klepper, S.(2002). The capabilities of new firms and the evolution of the U.S. automobile industry. Industrial andCorporate Change,11,4:645-666.
Knell, J.,&Oakley, K.(2007). London’s Creative Economy: An Accidental Success?(Provocation series vol3no3). London: The Work Foundation:5.
Kunzmann, K. P.(2004). Culture, creativity and spatial planning. TPR,75,4:383-404.
Lambooy, J.(2002). Knowledge and Urban Economic Develepment: An Evolution Perspective. Urban Studies,39,5/6:1019-1035.
Landry, C.(2000). The Creative City. London: Earthscan Publications Ltd.
Lazzeretti, L., Boix, R.,&Capone, F.(2009). Why Do Creative Industries Cluster? An Analysis of the Determinantsof Clustering of Creative Industries. Paper to be presented at the Summer Conference2009.
Lefebvre, H.(1992). The Production of Space. Wiley-Blackwell.
Liao, J.,&Welsch, H.(2005). Roles of Social Capital in Venture Creation: Key Dimensions and ResearchImplications. Journal of Small Business Management,43,4:345-362.
Lin, N.(1999). Social Networks and Status Attainment. Annual Review of Sociology,25:467-487.
Loasby, B.(1998). Industrial districts as knowledge communities.//Bellett, M.,&L’Harmet C (eds). Industry, Spaceand Competition, Cheltenham: Edward Elgar:70-85.
Malecki, E. J.(1987). The R&D Location Decision of the Firm and Creative Regions. Technovation,6:205-222.
Markusen, A.(2006). Urban development and the politics of a creative class: Evidence from a study of artists.Environment and Planning A,38:1921-1940.
Markusen, A.,&Schrock, G.(2006). The Artistic Dividend: Urban Artistic Specialisation and EconomicDevelopment Implications. Urban Studies,43,10:1661-1686.
Martin, R.,&Sunley, P.(2007). Complexity thinking and evolutionary economic geography. Journal of EconomicGeography,7:573–601.
Maskell, P.(2001a). The firm in economic geography. Economic Geography,77,4:329-344.
Maskell, P.(2001b). Towards a knowledge-based theory of the geographical cluster. Industrial and CorporateChange,10:919-941.
Maurel, F.,&Sedillot, B.(1999). A measure of the geographic concentration in French manufacturing industries.Regional Science and Urban Economics,29:575-604.
McFadyen, M. A,&Cannella, A. A. Jr.(2004). Social Capital and Knowledge Creation: Diminishing Returns of theNumber and Strength of Exchange. The Academy of Management Journal,47,5:735-746.
Mommaas, H.(2004). Cultural Clusters and the Post-industrial City: Towards the Remapping of Urban CulturalPolicy. Urban Studies,41,3:507–532．
Montgomery, J.(2004). Cultural Quarters as Mechanisms for Urban Regeneration. Part2: A Review of FourCultural Quarters in the UK, Ireland and Australia. Planning Practice and Research,19,1:3-31.
Nachuma, L.,&Keeble, D.(2003). MNE linkages and localised clusters: foreign and indigenous firms in the mediacluster of Central London. Journal of International Management,9:171-192.
Nahapiet, J.,&Ghoshal, S.(1997). Social Capital, Intellectual Capital, and the Creation of Value in Firms. Academyof Management Proceedings,11,3:35-39.
Nahapiet, J.,&Ghoshal, S.(1998). Social Capital, Intellectual Capital, and the Organizational Advantage. TheAcademy of Management Review,23,2:242-266.
Nixon, S.,&Crewe, B.(2004). Pleasure at work? Gender, consumption and work-based identities in the creativeindustries. Consumption, Markets and Culture,7:129-147.
Norcliffe, G.(2003). New Geographies of Comic Book Production in North America: The New Artisan, Distancing,and the Periodic Social Economy. Economic Geography,79,3:241-263.
O’Connor, J.(2000). The Definition of the “Cultural Industries”. The European Journal of Arts Education,2,3:15-27.
O’Connor, J.(2006). Creative Cities: the Role of Creative Industries in Regeneration. Power Point Presentation,University of Leeds,.
Oakley, K.(2004). Not so cool Britannia: the role of the creative industries in economic development. InternationalJournal of Cultural Studies,7:67-77.
Oakley, K.(2006). Include us out-economic development and social policy in the creative industries. CulturalTrends,15:255-273.
OECD.(2007). Participative Web: User-Created Content. Working Party on the Information Economy.www.oecd.org/dataoecd/57/14/38393115.pdf
Paddison, R.(1993). City marketing, image reconstruction and urban regeneration. Urban Studies,30:339-349.
Paradis, T.(2000). Conceptualising small towns as urban places: The process of downtown redevelopment inGalena, Illinois. Urban Geography,21:61-82.
Patel, P.,&Pavit, K.(1991). Large Firms in the Production of the World's Technology: An Important Case of“non-globalization”. Journal of International Business Studies,22,1:1-21.
Peck, J.(2005). Struggling with the Creative Class. International Journal of Urban and Regional Research，29,4:740-770.
Philo, C.(1992). Foucault's Geography. Environment and Planning D: Society and Space,10,2:137-161.
Pinch, S., Henry, N., Jenkins, M.,&et al.(2003). From ‘Industrial districts’ to ‘knowledge clusters’: A model ofknowledge dissemination and competitive advantage industrial agglomerations. Journal of EconomicGeography,3:373-388.
Pine, J. P. II,&Gilmore, J H.(1999). The Experience Economy: Work is Theatre&Every Business a Stage. Boston,MA: Harvard Business School Press.
Porter, M. E.(2000). Location, Competition, and Economic Development: Local Clusters in a Global Economy.Economic Development Quarterly,14,1:15-34.
Portes, A.,&Landolt, P.(2000). Social Capital: Promise and Pitfalls of its Role in Development. Journal of LatinAmerican Studies,32:529-547.
Potts, J., Cunningham, S., Hartley, J.,&et al.(2008). Social network markets: A new definition of the creativeindustries. Journal of Cultural Economics,32,3:167-185.
Pratt, A. C.(1997). The cultural industries production system: a case study of employment change in Britain,1984-91. Environment and planning A,29,11:1953-1974.
Pratt, A. C.(2002). Hot jobs in cool places: The material cultures of new media product spaces: The case of theSouth of the Market, San Francisco. Information, Communication and Society,5,1:27-50.
Pratt, A. C.(2004). Creative Clusters: Towards the governance of the creative industries production system?[A].Media International Australia:50-66.
Pratt, A. C.(2008). Creative cities: the cultural industries and the creative class. Geografiska annaler: Series B-Human geography,90,2:107-117.
Pratt, A. C.(2009). Urban Regeneration: From the Arts “Feel Good” Factor to the Cultural Economy: A Case Studyof Hoxton, London. Urban Studies,46,5&6:1041-1061.
Rantisi, N. M.(2004). The Designer in the City and the City in the Designer.//Power, D.,&Scott, A. J. CulturalIndustries and the Production of Culture, London: Routledge:91-109.
Reimer, S.(2008). Geographies of production II: fashion, creativity and fragmented labour. Progress in HumanGeography,7:1-9.
Romer, P. M.(1986). Increasing Returns and Long-Run Growth. Journal of Political Economy,94,5:1002-1037.
Sassen, S.(1994). Cities in a World Economy. Pine Forge Press.
Scott, A. J.(1984). Territorial reproduction and transformation in a local labor market: The animated film workers ofLos Angeles. Environment and Planning D:Society and Space,2,3:277-307.
Scott, A. J.(1996). The craft, fashion, and cultral products industries of Los Angeles: competitive dynamics andpolicy dilemmas in a multisectoral image-producing complex. Annals of the Association of AmericanGeographers,86,2:306-323.
Scott, A. J.(1997). The Cultural Economy of Cities. International Journal of Urban and Regional Research,21,2:323-339.
Scott, A. J.(2000). The Creative Field and The Logic of Innovation in Imageproducing Complexes//. In Allen, J.Scott. The Cultural Economy of Cities. London: SAGE Publications:30-39.
Scott, A. J.(2001). Capitalism, Cities and the Production of Symbolic Forms. Transaction of the Institute of BritishGeographers,26,1:11-23.
Scott, A. J.(2002). A new map of Hollywood: the production and distribution of American motion pictures.Regional Studies,36:957-75.
Scott, A. J.(2004). Cultural-products Industries and Urban Economic Development: Prospect for Growth andMarket Contestation in Global Context. Urban Affairs Review,39,4:461-490.
Scott, A. J.(2006a). Entrepreneurship, Innovation and Industrial Development: Geography and the Creative FieldRevisited. Small Business Economics,26:1-24.
Scott, A. J.(2006b). Creative cities: Conceptual issues and policy questions. Journal of Urban Affairs,28,1:1-17.
Solomon, S., Gerard, W., de Arcangelis, L.,&et al.(2000). Social percolation models. Physica A,277:239-247.
Storper, M.,&Venables, A. J.(2004). Buzz: Face-to-face contact and the urban economy. Journal of EconomicGeography,4:351-370.
Storper, M.(1997). The Regional World: Territorial Development in a Global Economy. New York: Guilford.
Sydow, J.,&Staber, U.(2002). The Institutional Embeddedness of Project Networks: The Case of ContentProduction in German Television. Regional Studies,36,3:215-227.
Teece, D., Pisano, G.,&Shuen, A.(1997). Dynamic capabilities and strategic management. Strategic ManagementJournal,18,7:509-533.
Throsby, D.(2001). Economics and Culture. Cambridge University Press.
Tsai, W.,&Ghoshal, S.(1998). Social Capital and Value Creation: The Role of Intrafirm Networks. The Academy ofManagement Journal,41,4:464-476.
Tschang, F. T.,&Vang, J.(2008). Explaining the Spatial Organization of Creative Industries: The Case of the U.S.Videogames Industry. The25th Celebration Conference2008on Entrepreneurship and Innovation-Organizations, Institutions, Systems and Regions, Copenhagen, CBS, Denmark,.
Turok, I.(2003). Cities, Clusters and Creative Industries: The Case of Film and TV in Scotland. European PlanningStudies,11,5:549-565.
Waitt, G,&Gibson, C.(2009). Creative Small Cities: Rethinking the Creative Economy in Place. Urban Studies,46,5&6:1223-1246.
Woolcock, M.,&Narayan, D.(2000). Social Capital: Implications for Development Theory, Research, and Policy.World Bank Research Observer,15,2:225-249.
Yusuf, S.,&Nabeshima, K.(2005). Japan's Changing Industrial Landscape. Policy Research Working Paper Series.The World Bank,.
Yusuf, S.,&Nabeshima, K.(2006). Postindustrial East Asian Cities-innovation for growth, Standford UniversityPress.
Zukin, S.(1988). Loft Living Culture and Capital in Urban Change. London: Radius.
[2]各国的统计口径不一样，不具备可比性。资料来源：《创意产业经济估算统计公报》（DCMS，2004）、《美国经济中的版权产业：2004年报告》等。DCMS（Department of Culture, Media&Sport）是指英国的文化媒体和体育部，以下皆适用这一简称。
[3]UNCTAD, UNDP. Creative Economy Report2008。
[4]我国文化产业的统计口径见2004年国家统计局出台的《文化及相关产业分类》，包括核心层、外围层、相关层三个层次数十个中类和若干中类的部分小类。并纳入到2004年第一次全国经济普查。
[5]资料来源：国家统计局《2008年我国文化产业发展情况的报告（摘要）》，2010。
[6]北京的文化创意产业分类国家统计局分类略有不同，包含软件网络计算机等13个统计门类。
[15]资料来源：2011年北京市统计年鉴
[16]资料来源：北京市发改委等，“十二五”期间北京市文化创意产业发展的目标、思路及措施研究，2009.
[17]资料来源：2011年北京市统计年鉴
[48]资料来源：东城区规划局，2003年3月。
[49]资料来源：北京大学城市规划设计中心，《交道口街道胡同区居民状况调查》，2006.
[50]资料来源：北京大学城市设计中心，《<交道口街道社区发展规划（2006-2020）>及<南锣鼓巷保护与发展规划（2006-2020）>近期（2006-2010）评估报告》，2010.
Allen J. Scott,著,汤茂林,译.(2007).创意城市：概念问题和政策审视.现代城市研究,2:66-77.
Edward W. Soja,著,包亚明,编,李钧,等,译.(2006).后大都市：城市与区域的批判性研究.上海:上海教育出版社.
Edward W. Soja,著,包亚明,编,陆扬,等,译.(2005).第三空间去往洛杉矶和其他真实和想象地方的旅程.上海:上海教育出版社，.
Michael J. Dear,包亚明,编,李小科,等,译.(2004).后现代都市状况.上海:上海教育出版社.
艾伦·J·斯科特,著,董树宝,张宁,译.(2010).城市文化经济学.北京:中国人民大学出版社.
爱德华·W.苏贾,王文斌,译,周宪,许均,编.(2004).后现代地理学重申批判社会理论中的空间.北京:商务印书馆.
包亚明.(1997).文化资本与社会炼金术布尔迪厄访谈录.上海:上海人民出版社.
北京大学城市规划设计中心.(2010).《交道口街道社区发展规划（2006-2020）》及《南锣鼓巷保护与发展规划（2006-2020）》近期（2006-2010）评估报告.
北京市发展和改革委员会,北京大学首都发展研究院.(2010).十二五期间北京市文化创意产业发展的目标、思路及措施研究.
波特.(2002).国家竞争优势.北京:华夏出版社.
查尔斯·兰德里,著,杨幼兰,译.(2009).创意城市：如何打造都市创意生活圈.北京:清华大学出版社.
陈家泽.(2006).政府作用与文化产业政策设计.西南交通大学学报（社会科学版）,7,5:86-92.
陈建军,陈国亮.(2009).集聚视角下的服务业发展与区位选择：一个最新研究综述.浙江大学学报（人文社会科学版）,39,5: l29-137.
陈建军，葛宝琴.(2008).文化创意产业的集聚效应及影响因素分析.当代经济管理,9:71-75.
陈柳钦.(2006).新型区域发展理论：产业集群.中国石油大学学报,22,4:19-24．
陈倩倩,王缉慈.(2005).论创意产业及其集群的发展环境——以音乐产业为例.地域研究与开发,24,5:5-8.
陈旭,谭婧.(2009).关于创意城市的研究综述.经济论坛,5:26-29.
陈颖.(2010).创意产业集聚区环境对创意企业竞争优势的作用机制研究.上海:东华大学博士学位论文.
楚波,金凤君.(2007).产业集群辨识方法综述.经济地理,27,5:708-713.
褚劲风,高峰.(2011).上海苏州河沿岸创意活动的地理空间及其集聚研究.经济地理,31,10:1674-1679.
褚劲风.(2009).创意产业集聚空间组织研究.上海:上海人民出版社:95-161.
褚劲风.(2009).上海创意产业空间集聚的影响因素分析.经济地理, l:102-107.
大卫哈维.(2008).新帝国主义.北京：社会科学文献出版社.
代明,王颖贤.(2009).创新型城市研究综述.城市问题,1:94-98.
戴钰.(2011).湖南省文化产业投入产出分析.经济研究导刊,26:66-68.
单世联.(2009).本自同根生相煎何太急——关于“文化产业”与“创意产业”的一点思考.学术探索,10:31-32.
范霞.(2006).上海创意产业及其集聚发展研究.上海:华东师范大学硕士学位论文.
冯艳.(2009).创意产业要素支撑体系研究一一以宁波为例.科技管理研究,7:295-297.
傅钧文.(2003).日本产业竞争力与竞争优势分析.日本学刊,5:55-66.
盖文启,朱华晟.(2002).产业的柔性集聚及其区域竞争力.经济理论与经济管理,10:25-30.
高宏宇.(2007).文化及创意产业与城市发展以上海为例.上海:同济大学博士论文.
耿斌.(2007).上海创意产业集聚区开发特征及规划对策研究.上海:同济大学硕士学位论文.
顾江.(2007).文化产业经济学.南京:南京大学出版社.
顾新,郭耀煌,李久平.(2003).社会资本及其在知识链中的作用.科研管理,24,5:44-48.
郭俊华，郭珉媛.(2006).关于天津经济发展中的创意产业的思考.环渤海经济瞭望,9:7-9.
郭振东.(2010).制度转向下上海市静安区动漫产业空间演变与分异规律.上海:上海师范大学硕士学位论文.
贺灿飞,梁进社,张华.(2005).区域制造业集群的辨识：以北京市制造业为例.地理科学,25,5:521-528.
贺灿飞,刘洋.(2006).产业地理集中研究进展.地理科学进展,2:59-69.
贺灿飞,潘峰华.(2007).产业地理集中、产业集聚与产业集群：测量与辨识.地理科学进展,26,2:1-13.
洪进,余文涛,杨凤丽.(2011).人力资本、创意阶层及其区域空间分布研究.经济学家,9:28-35.
侯艳红.(2008).文化产业投入绩效评价研究.天津:天津工业大学硕士学位论文.
胡晓鹏.(2006).基于资本属性的文化创意产业研究.中国工业经济,12:5-12.
花建,巫志南,郭洁娟,等.(2005).文化魔戒：文化产业竞争力的奥秘.台北:帝国文化.
黄斌.(2010).北京文化创意产业集聚区对城市空间的影响.2010年中国城市规划年会论文集.
黄鹭新,胡天新,杜澍,等.(2007).艺术创意人才空间集聚的初步研究——以北京的艺术家集聚现象为主要研究案例.2007中国城市规划年会论文集：1610-1616.
黄小军,张仁寿,王朋.(2011).从投入产出分析文化产业对经济增长的影响——以广东为例.广州大学学报（社会科学版）,10,7:47-53.
黄永兴,徐鹏.(2011).经济地理、新经济地理、产业政策与文化产业集聚：基于省级空间面板模型的分析.经济经纬,6:47-51.
贾传亮,胡发胜,孙颖.(2006).主成分分析法在产业关联度研究中的应用.运筹与管理,15,2:73-76.
姜曙.(2009).文化产业发展的公共财政扶持政策研究.上海:复旦大学硕士学位论文.
蒋慧.(2009).城市创意产业发展及其空间特征研究以西安为例.西安:西北大学硕士学位论文.
蒋萍,王勇.(2011).全口径中国文化产业投入产出效率研究——基于三阶段DEA模型和超效率DEA模型的分析.数量经济技术经济研究,12:69-81.
蒋三庚,王晓红.(2006).文化创意产业研究.北京:首都经济贸易大学出版社.
蒋三庚,张杰,王晓红.(2010).文化创意产业集群研究.北京:首都经济贸易大学出版社.
蒋三庚.(2009).中央商务区文化创意产业集群发展类型与特点.经济管理与研究,3:83-86.
康小明,向勇.(2005).产业集群与文化产业竞争力的提升.北京大学学报（哲学社会科学版）,2:33-36.
孔建华.(2008).十年来北京文化经济政策的演变.新视野,4:46-49.
孔建华.(2009).文化经济的融合兴起与北京想象——基于北京文化创意产业集聚区发展的再研究.艺术与投资,2:69-79.
兰建平,傅正.(2008).创意产业、文化产业和文化创意产业.浙江经济,4:40-41.
雷宏振,潘龙梅,雷蕾.(2012).中国文化产业空间集聚水平测度及影响因素研究——基于省际面板数据的分析.经济问题探索,2:35-41.
李川.(2009).我国创意产业政策有效性评价研究.成都:成都电子科技大学博士学位论文.
李殿伟,王宏达.(2009).创意产业知识产权保护的内在机理与对策.科技进步与对策,8:54-56.
李广志,李同升,孙文文,等.(2007).产业集群的识别与选择分析——基于陕西省产业集群的研究.人文地理,6:57-60.
李华敏,王花毅.(2010).我国文化产业的关联性研究.西部商学评论,8:128-141.
李江帆.(1990).第三产业经济学.广州:广东人民出版社.
李洁,彭家虹.(2009).动漫创意产业人才培养的探讨.电影评介,14:72.
李来儿.(2000).论知识产业.经济问题,8:7-10.
李蕾蕾,张晓东,胡灵玲.(2005).城市广告业集群分布模式——以深圳为例.地理学报,60,2:257-265.
李文秀,谭力文.(2008).服务业集聚的二维评价模型及实证研究——以美国服务业为例.中国工业经济,4:55-63.
李学鑫,陈世强,薛诺稳.(2010).中国农区文化创意产业集群形成演化的影响因素研究——以河南民权“画虎村”为例.地域研究与开发,29,2:16-21.
李崟,潘瑾.(2008).基于知识溢出的创意产业集群效率影响因素实证研究.江淮论坛,2:13-16,38.
厉无畏,于雪梅.(2007).中国和欧洲城市创意产业发展的比较研究.世界经济研究,2:51-56.
厉无畏.(2006).创意产业导论.上海:学林出版社.
栗宪庭,刘淳.(2000).回顾中国前卫艺术.天涯,4:115-120.
梁进社,贺灿飞,张华.(2005).近10年北京经济职能的发展变化.地理学报,60,4:577-586.
梁琦.(2003).中国工业的区位基尼系数——兼论外商直接投资对制造业集聚的影响.统计研究,9:21-25.
林政逸,辛晚教.(2007).创新、能力与文化产业群聚的演化：台北市音乐产业个案研究.地理学报,50:23-45.
零点公司.(2006).北京文化创意产业研究报告.
刘建一.(2006).北京CBD及周边地区发展广告产业分析研究.首都经济贸易大学学报,2:51-54.
刘卷.(2009).基于创意产业的艺术设计专业创新型人才培养研究.艺术与设计(理论),9:193-194.
刘强.(2007).城市更新背景下的大学周边创意产业集群发展研究以同济大学周边设计创意产业集群为例.上海:同济大学博士学位论文.
刘寿吉,戴伟辉,周缨.(2009).创意产业的生态群落模式及专业性公共服务平台研究.科技进步与对策,9:49-53.
刘伟.(2002).经济学导论.北京:中国发展出版社.
刘彦君.(2007).中国戏剧文化产业发展中的转型现象.//陈忱，主编.影响中国文化产业发展的重要报告.北京:群言出版社:149-154.
刘艳红,韩国春,罗晓蓉,等.（2006）.对中国文化产业政策的探讨.云南师范大学学报（哲学社会科学版）,38,5:15-19.
刘展展.(2009).深圳市文化产业空间布局及区位因素研究.特区经济,3:39-41.
刘志高,尹贻梅.(2006).演化经济地理学：当代西方经济地理学发展的新方向.国外社会科学,1:34-39.
马克斯霍克海默,西奥多·阿道尔诺,著,渠敬东,曹卫东,译.(2003).启蒙辩证法：哲学片段.上海:上海人民出版社:134-180.
马敏,傅才武.(2009).新时期深化文化体制改革中的文化政策问题.中国地质大学学报（社会科学版）,9,5:1-6.
马仁峰.(2011).创意产业区演化与大都市空间重构机理研究.上海:华东师范大学博士论文.
马萱,郑世林.(2010).中国区域文化产业效率研究综述与展望.经济学动态,3:83-86.
迈克戴维斯,著,林鹤,译.(2010).水晶之城：窥视洛杉矶的未来.上海:上海人民出版社.
毛磊.(2010).基于生命周期理论的文化创意产业集群演化分析.科技管理研究,20:174-178.
毛丽青.(2007).创意产业区发展的区域创新网络机制研究以上海市泰康路田子坊和莫干山路50号为例.上海:同济大学硕士学位论文.
毛艳华,李华.(2009).区域制造业集群的结构特征与发展策略——基于广东省投入产出数据的实证分析.产业经济评论,8,4:126-138.
苗长虹,崔立华.(2003).产业集聚：地理学与经济学主流观点的对比.人文地理,18,3:42-46.
苗长虹.(2007).欧美经济地理学的三个发展方向.地理科学,27,5:617-623.
倪鹏飞,彼得·卡尔·克拉索.(2008).全球城市竞争力报告（2007-2008）.北京:社会科学文献出版社.
倪卫红,董敏,胡汉辉.(2003).对区域性高新技术产业集聚规律的理论分析.中国软科学,11:140-144.
牛维麟,彭翊.(2009).北京市文化创意产业集聚区发展研究报告.北京:中国人民大学出版社:73-104
潘瑾,陈晓春.(2006).基于价值链分析的创意产业知识产权保护方法与途径探讨.知识产权,2:30-33.
潘小玲.(2008).传媒产业集群发展研究.长沙:湖南大学硕士学位论文.
祁述裕.(2009).文化产业,还是文化创意产业?.学术探索,10:29-30.
钱紫华,闫小培,王爱民.(2007).西方国家文化产业的就业特点.城市问题,9:89-94.
钱紫华,闫小培.(2008).文化/创意产业、创意城市等相关概念辨析.世界地理研究,17,2:95-101.
清华大学建筑学院建筑与城市研究所.(2006).北京文化创意产业发展及空间布局研究.
让-波德里亚,著,刘成富,全志刚,译.(2001).消费社会.南京:南京大学出版社.
任雪飞.(2005).创造阶级的崛起与城市发展的便利性——评理查德·佛罗里达的《创造阶级的兴起》.城市规划学刊,1:99-102.
任英华,邱碧槐.(2010).现代服务业空间集聚特征分析——以湖南省为例.经济地理,30,3:54-59.
日下公人,著,范作申,译.(1989).新文化产业论.北京:东方出版社,7:123.
阮仪三,张松.(2004).产业遗产保护推动都市文化产业发展——上海文化产业区面临的困境与机遇.城市规划汇刊,4:53-57.
阮仪三.(2005).论文化创意产业的城市基础.同济大学学报(社会科学版),16,1:39-41.
盛磊,杜德斌.(2006).创意城市：创意经济时代城市发展的新取向.经济前沿,6:21-25.
施惟达.(2009).从文化产业到创意产业.学术探索,5:25-26.
斯图亚特·坎宁安.(2004).从文化产业到创意产业：理论、产业和政策的涵义//林拓.世界文化产业发展前沿报告（2003-2004）.北京:社会科学文献出版社:134-144.
宋萌萌.(2010).北京文化创意产业集聚发展研究.北京:中国石油大学硕士学位论文.
孙福良,张迈英.(2008).中国创意经济比较研究.上海:学林出版社.
孙萌.(2009).后工业时代城市空间的生产：西方后现代马克思主义空间分析方法解读中国城市艺术区发展和规划.国际城市规划,24,6:60-65.
汤培源,顾朝林.(2007).创意城市综述.城市规划学刊,3:14-19.
藤田昌久,保罗·克鲁格曼,安东尼·J·维纳布尔斯,著,梁琦,主译.(2005).空间经济学城市、区域与国际贸易.北京:中国人民大学出版社.
瓦尔特本雅明,著,李伟,郭东,译.(2006).机械复制时代的艺术.重庆:重庆出版社:10.
万陶.(2007).基于复杂性理论的创意产业集群动力研究.北京:北京交通大学硕士学位论文.
汪毅,徐旳,朱喜钢.(2010).南京创意产业集聚区分布特征及空间效应研究.热带地理,30,1:79-83.
王飞鹏.(2009).文化创意产业发展与创意人才开发研究.未来与发展,7:19-22.
王花毅.(2010).文化产业聚集中的产业链关联性研究.西安:陕西师范大学硕士学位论文.
王华,李艾芳,孙颖.(2009).改革开放30年：北京十大文化创意产业集聚区发展模式的演进.北京规划建设,1:60-63.
王缉慈,宋向辉,李光宇.(1996).北京中关村高新技术企业的集聚与扩散.地理学报,51,6:481-488.
王辑慈,等.(2001).创新的空间一一企业集群与区域发展.北京:北京大学出版社.
王家庭，张容.(2009).基于三阶段DEA模型的中国31省市文化产业投入产出效率研究.中国软科学,9:75-82.
王家庭,张容.(2010).我国文化产业发展影响因素及提升路径的区域分析.统计与决策,2:79-81.
王洁.(2007).产业集聚理论与应用的研究创意产业集聚影响因素的研究.上海:同济大学博士学位论文.
王丽君.(2007).创意产业集群的形成因素研究.北京:北京交通大学硕士学位论文.
王茂军,杨雪春.(2011).四川省制造产业关联网络的结构特征分析.地理学报,66,2:212-222.
王书瑶.(1992).无形价值论.北京:东方出版社.
王谡萍.(2010).基于社会资本的创意产业集群治理研究.上海:东华大学硕士学位论文.
王伟年,张平宇.(2006).创意产业与城市再生.城市规划学刊,2:22-27.
王伟年.(2007).城市文化产业区位因素集聚与组织研究.长春:东北师范大学博士论文.
王宇红,张晓玲.(2009).陕西文化创意产业知识产权保护现状、问题和对策研究.科技管理研究,8:555-558.
王玉,吴勇.(2011).浙江省文化产业的投入产出分析.浙江师范大学学报（自然科学版）,34,4:469-473.
王志成,陈继祥,姜晖.(2008).基于特征分析的城市创意经济发展支点研究.财经研究,34,6:4-15.
王子龙,谭清美,许箫迪.(2006).产业集聚水平测度的实证研究.中国软科学,3:109-116.
魏江.(2003).产业集群创新系统与技术学习.北京:科学出版社.
吴缚龙.(2006).中国的城市化与“新”城市主义.城市规划,30,8:19-23.
吴利华,张宗扬,顾金亮.(2011).中国文化产业的特性及产业链研究——基于投入产出模型视角.软科学,12,25:29-32.
吴庆阳.(2010).文化创意产业概念辨析.经济师,8:57-58.
吴晓波,耿帅,徐松屹.(2004).基于共享性资源的集群企业竞争优势分析.研究与发展管理,4: l-7.
伍业锋.(2011).文化产业关联特征的动态分析——基于广东省2002年和2007年的投入产出数据.产经评论,2:5-14.
伍志鹏.(2007).基于涌现性的创意产业集群动力机制研究.北京:北京交通大学硕士学位论文.
徐霖恩.(2007).日本动漫产业运行模式初探.//陈忱,主编.影响中国文化产业发展的重要报告.北京:群言出版社:301-327.
晏智杰.(2001).劳动价值学说新探.北京:北京大学出版社.
杨海梅.(2008).城市创意产业及其集群化分析一一以西安市广告业为例.西安:西北大学硕士学位论文.
杨吉华.(2006).改革开放以来我国文化产业政策实践的回顾与反思.上海行政学院学报,6,7:77-81.
杨吉华.(2007).文化产业政策研究.北京:中共中央党校博士论文.
叶振艳.(2009).关于创意产业人才培养现状的思考.艺海,7:152.
尹宏.(2009).现代城市创意经济发展研究.北京:中国经济出版社.
于雪梅.(2006).在传统与时尚的交融中打造文化创意园区——以前民主德国援华项目北京798厂为例.德国研究,21,1:55-59.
俞孔坚,周年兴,李迪华.(2004).不确定目标的多解规划研究——以北京大环文化产业园的预景规划为例.城市规划,28,3:57-61.
袁海.(2010).中国省域文化产业集聚影响因素实证分析.经济经纬,3:65-67.
约·奈斯比特,帕·阿伯顿妮,著,周学恩,魏得时,童惠敏,等,译.(1990).2000年大趋势九十年代的十个新趋向.北京:东方出版社.
约翰·霍金斯,著,洪庆福,孙薇薇,刘茂玲,译.(2006).创意经济：如何点石头成金.上海:上海三联书店:12.
昝永利.(2006).部门合并对各部门产品价格的影响分析.济南:山东大学硕士学位论文.
詹姆逊.(2003).晚期资本主义的文化逻辑.北京:生活读书新知三联书店:457-489.
张京成,主编.(2010).中国创意产业发展报告（2010）.北京:中国经济出版社.
张仁寿,黄小军,王朋.(2011).基于DEA的文化产业绩效评价实证研究：以广东等13个省市2007年投入产出数据为例.中国软科学,2:183-192.
张树槐,李铁生,主编.(2006).走进南锣鼓巷.北京:北京燕山出版社.
张艳辉.(2011).价值链视角下创意产业功能演化研究.上海:华东理工大学出版社.
张一钒.(2010).北京市文化创意产业关联效应分析.北京:北京邮电大学硕士学位论文.
章建刚.(2009).文化产业，抑或创意产业？——概念与政策趋向的差异.学术探索,10:27-29.
赵红红,刘天河,阎瑾.(2008).创意产业园区空间环境设计要素探讨.城市建筑,2:17-19.
赵继敏.(2010).社会文化空间与北京艺术区区位的变迁.城市问题,5:97-102.
赵书华,王华强.(2008).北京文化产业发展影响因素的灰色关联分析.经济论坛,9:15-17.
郑国.(2010).开发区发展与城市空间重构.北京:中国建筑工业出版社.
郑克中.(2003).客观效用价值论重构政治经济学的微观基础.济南:山东人民出版社.
植草益.(1992).微观规制经济学.北京:中国发展出版社.
周福铭.(2006).积极营造推动上海创意产业发展的新环境——上海创意产业集聚区现状调研之三.上海企业,11:30-31.
周灵雁,褚劲风,李萍萍.(2006).上海创意产业空间集聚研究.现代城市研究,12:4-9.
周正兵.(2008).北京市文化创意产业的政策演变与选择——基于文化创意产业集聚区的分析.投资北京,6:91-92.
朱华晟,吴骏毅,魏佳丽,等.(2010).发达地区创意产业网络的驱动机理与创新影响——以上海创意设计业为例.地理学报,65,10:1241-1252.
朱庭逸.(2004).创意空间——开创城市新地理学.台北:典藏出版.
朱晓青.(2006).文化创意产业特点和发展条件探讨.新视野,3:23-25.
诸大建,黄晓芬.(2006).创意城市与大学在城市中的作用.城市规划学刊, l:27-31.
Abrahamson, E.,&Fombru, C. J.(1994). Macrocultures: Determinants and consequences. Academy of ManagementReview,19,4:728-755.
Amin, A.,&Thrift, N.(2002). Cities: Reimaging the Urban. Cambridge: Polity Press.
Anderson, G.(1994). Industry clustering for economic development. Economic Development Review,12:26-32.
Andersson, C., Frenken, K.,&Hellervik, A.(2006). A complex network approach to urban growth. Environmentand Planning A,38,10:1941-1964.
Arthur, W. B.(1989). Competing Technologies, Increasing Returns, and "Lock-in" by Historical Event. EconomicJournal,99:116-131.
Audretsch, D. B.,&Feldman, M. P.(1996). Innovative Clusters and the Industry Life Cycle. Review of IndustrialOrganization,11:253-273.
Bagwell, S.(2008). Creative clusters and city growth. Creative Industries Journal,1:31-46.
Barabasi, A. L.,&Albert, R.(1999). Emergence of scaling in random networks. Science,286,5439:509-512.
Bassett, K., Griffiths, R.,&Smith, I.(2002). Cultural industries, cultural clusters and the city: the example of naturalhistory film-making in Bristol. Geoforum,33:165-177.
Bathelt, H.,&Schamp, E. W.(2001). The Rise of a New Cultural Products Industry Cluster in Germany: The Caseof the Leipzig Media Industry. IWSG Working Papers.
Bell, D.,&Jayne, M.(2006). Conceptualising small cities//Bell, D., Jayne, M.(Eds). Small Cities: UrbanExperience beyond the Metropolis, Abingdon: Routledge:1-18.
Bergman, E. M.(2002). Better or Worse Than Regional Sustainability? Environment and Sustainable Developmentin the New Central Europe: Austria and Its Neighbors Industrial Cluster Sustainability at Austria's AccessionEdge:19-21.
Bianchini, F.,&Parkinson, M.(1993). Cultural Policy and Urban Regeneration: The West European Experience.New York: Martin's Press:123-201.
Bianchini, F.(1999). Cultural Planning for Urban Sustainability.In Nystrom,L.(ed.).City and Culture,CulturalProcesses and Urban Sustainability. Karlskrona Swedish Urban Environment Council.
Blair, H., Grey, S.,&Randle, K.(2001). Working in Film: Employment in a Project Based Industry. PersonnelReview,30,2: l70-185.
Boschma, R. A.,&Frenken, K.(2006a). Applications of Evolutionary Economic Geography. DRUID WorkingPaper:06-26.
Boschma, R. A.,&Frenken, K.(2003). Evolutionary economics and industry location. Review for RegionalResearch,23:183-200.
Boschma, R. A.,&Frenken, K.(2006b). Why is economic geography not an evolutionary science? Towards anevolutionary economic geography. Journal of Economic Geography,6:273-302.
Boschma, R. A.,&Fritsch, M.(2009). Creative Class and Regional Growth: Empirical Evidence from SevenEuropean Countries. Economic Geography,85,4:391-423.
Boschma, R. A.,&Martin, R.(2007). Editorial: Constructing an evolutionary economic geography. Journal ofEconomic Geography,7:537-548.
Brennan-Horley, C.(2004). Work and play: postindustry cultural production in sydney's dance music cuclture.Unpublished BSc thesis, Urniversity of New South Wales, Sydney.
Brown, A., O' Connor, J.,&Cohen, S.(2000). Local music policies within a global music industry: cultural quartersin Manchester and Sheffield. Geoforum,31:437-451.
Brülhart, M.,&Traeger, R.(2005). An Account of Geographic Concentration patterns in Europe. Regional Scienceand Urban Economics,35,6:597-624.
Caves, R.(2004). Creative Industries: Contracts Between Art And Commerce. Harvard University Press.
Cheryl, S. F.(2010). Adapting, renewing, subverting: what place the performing arts in the creative industries? TiraiPanggung: Performing Arts Journal,10:20-45.
Christy, C., Emma, F.,&Philip, G. W.(2010). Beyond the inner city: Real and imagined places in creative placepolicy and practice. The Information Society,26,2:104-112.
Coe, N. M.(2000). The view from out West: embeddedness, inter-personal relations and the development of anindigenous film industry in Vancouver. Geoforum,31:437-451.
Coe, N. M.(2001). A Hybrid Agglomeration? The Development of a Satellite-Marshallian Industrial District inVancouver’s Film Industry. Urban Studies,38,10:1753-1775.
Cole, A.(2008). Distant Neighbours: The New Geography of Animated Film Production in Europe. RegionalStudies,42,6:891-904.
Coleman, J. S.(1988). Social Capital in the Creation of Human Capital. American Journal of Sociology, Supplement:Organizations and Institutions: Sociological and Economic Approaches to the Analysis of Social Structure,94:S95-S120.
CURDS.(2001). Culture Cluster Mapping and Analysis: A Draft Report for ONE North East.
Dear, M.(1994). Postmodern human geography: an assessment. Erdkunde,48：2～13.
Dear, M.,&Flusty, S.(1998). Postmodern Urbanism. Annals of the Association of American Geographers,88,1:50-72.
Drake, G.(2003). This Place Gives Me Space: Place and Creativity in the Creative Industries. Geoforum,34,4:511-524.
Ellison, G.,&Glaeser, E.(1997). Geographic concentration in U.S. manufacturing industries: A dartboard approach.Journal of Political Economy,105:889-927.
Enstor, J.(2001). Fostering Knowledge Management through the Creative Work Environment: A Portable Modelfrom the Advertising Industry. Journalof Information Science,27,3:147-155.
Evans, G.(2009). Creative Cities, Creative Spaces and Urban Policy. Urban Studies,46,5&6:1003-1040.
Florida, R.(2002). The Rise of the Creative Class: and How it is Transforming Working, Leisure, Community andEveryday Life, New York: Basic Books.
Frenken, K., Van Oort, F. G.,&Verburg, T.(2007). Related variety, unrelated variety and regional economicgrowth. Regional Studies,41,5:685-697.
Frost-Kumpf, H. A.(2001). Cultural Districts: Arts Management and Urban Redevelopment: a Thesis inGeography. Pennsylvania State University.
Gertler, M.(2004). Creative Cities: What Are They For, How Do They Work, And How Do We Build Them?.Ottawa: Canadian Policy Research Networks.
Gibson, C.(2002). Rural transformation and cultural industries: Popular music on the New South Wales Far NorthCoast. Australian Geographical Studies,40:336-356.
Gibson, C.,&Connell, J.(2004). Cultural industry production in remote places: indigenous popular music inAustralia//. In Power, D.&Scott, A. J., editors, The cultural industries and the production of culture, Londonand New York: Routledge:243-258.
Gibson, C.,&Klocker, N.(2003). Cultural industries and cultural policy: a critique of recent discourses in regionaleconomic development//. In Gao, J., Le Heron, R.,&Logie, J., editors. Windows on a changing world,Auckland: NZ Geographical Society Conference2003, Series No.22:131-35.
Glaeser, E. L.(2005). Review of Richard Florida's the Rise of the Creative Class. Regional Science and UrbanEconomics,35,5:593-596.
Grabher, C.(2002). Cool Projects, Boring Institutes: Temporary Collaboration in Social Context. Regional Studies,36,3:205-214.
Hall, P. G.(1998). Cities in Civilization. New York: Pantheon Books.
Hannigan, J.(1998). Fantasy city: Pleasure and profit in the postmodern metropolis. London: Routledge:3-4.
Hansen, H. K,&Niedomysl, T.(2009). Migration of the creative class: evidence from Sweden. Journal of EconomicGeography,9:191-206.
Hartley, J.(2007). The evolution of the creative industries-Creative clusters, creative citizens and social networkmarkets. Proceedings Creative Industries Conference, Asia-Pacific Weeks, Berlin.
Harvey, D.(1989). From managerialism to entrepreneurialism: The transformation in urban governance in latecapitalism. Geografiska Annaler Series B,71:3-17.
Henkel, C.(2002). From ‘lifestyle’ to industry clusters: Potential for growth of audiovisual and creative industries inthe Northern Rivers region of New South Wales. Australian and New Zealand Communications AssociationConference in Tweed Heads.
Hospers, G. J.(2003). Creative Cities: Breeding Places in the Knowledge Economy.Knowledge. Technology andpolicy,16,3:143-162.
Hutton, T. A.(2000). Reconstruction Production Landscapes in the Postmodern City: Applied Design and CreativeService in the Metropolitan Core. Urban Geography,21,4:285-317.
Hutton, T. A.(2004). The New Economy of the inner city. Cities,21,2:89-109.
Hutton, T. A.(2006). Spatiality, Built Form and Creative Industry Development in the Inner city. Environment andPlanning,38,10:1819-1841.
Jarvis, H.,&Pratt, A. C.(2006). Bringing it all back home: The extensification and ‘overflowing’ of work-the caseof San Francisco’s new media households. Geoforum,37:331-339.
Jayne, M.(2005). Creative industries: The regional dimension?. Environment and Planning C,23:537-556.
June, G.(2009). Innovation and the creative industries cluster: A case study of Singapore's creative industries.Innovation Management Policy Practice,11,2:240-252.
Keane, M.,&Hartley, J.(2001). From Ceremony to CD-ROM Indigenous Creative Industries in Brisbane. ReportPrepared for the Economic Development Branch, Brisbane City Council.
Klepper, S.(2002). The capabilities of new firms and the evolution of the U.S. automobile industry. Industrial andCorporate Change,11,4:645-666.
Knell, J.,&Oakley, K.(2007). London’s Creative Economy: An Accidental Success?(Provocation series vol3no3). London: The Work Foundation:5.
Kunzmann, K. P.(2004). Culture, creativity and spatial planning. TPR,75,4:383-404.
Lambooy, J.(2002). Knowledge and Urban Economic Develepment: An Evolution Perspective. Urban Studies,39,5/6:1019-1035.
Landry, C.(2000). The Creative City. London: Earthscan Publications Ltd.
Lazzeretti, L., Boix, R.,&Capone, F.(2009). Why Do Creative Industries Cluster? An Analysis of the Determinantsof Clustering of Creative Industries. Paper to be presented at the Summer Conference2009.
Lefebvre, H.(1992). The Production of Space. Wiley-Blackwell.
Liao, J.,&Welsch, H.(2005). Roles of Social Capital in Venture Creation: Key Dimensions and ResearchImplications. Journal of Small Business Management,43,4:345-362.
Lin, N.(1999). Social Networks and Status Attainment. Annual Review of Sociology,25:467-487.
Loasby, B.(1998). Industrial districts as knowledge communities.//Bellett, M.,&L’Harmet C (eds). Industry, Spaceand Competition, Cheltenham: Edward Elgar:70-85.
Malecki, E. J.(1987). The R&D Location Decision of the Firm and Creative Regions. Technovation,6:205-222.
Markusen, A.(2006). Urban development and the politics of a creative class: Evidence from a study of artists.Environment and Planning A,38:1921-1940.
Markusen, A.,&Schrock, G.(2006). The Artistic Dividend: Urban Artistic Specialisation and EconomicDevelopment Implications. Urban Studies,43,10:1661-1686.
Martin, R.,&Sunley, P.(2007). Complexity thinking and evolutionary economic geography. Journal of EconomicGeography,7:573–601.
Maskell, P.(2001a). The firm in economic geography. Economic Geography,77,4:329-344.
Maskell, P.(2001b). Towards a knowledge-based theory of the geographical cluster. Industrial and CorporateChange,10:919-941.
Maurel, F.,&Sedillot, B.(1999). A measure of the geographic concentration in French manufacturing industries.Regional Science and Urban Economics,29:575-604.
McFadyen, M. A,&Cannella, A. A. Jr.(2004). Social Capital and Knowledge Creation: Diminishing Returns of theNumber and Strength of Exchange. The Academy of Management Journal,47,5:735-746.
Mommaas, H.(2004). Cultural Clusters and the Post-industrial City: Towards the Remapping of Urban CulturalPolicy. Urban Studies,41,3:507–532．
Montgomery, J.(2004). Cultural Quarters as Mechanisms for Urban Regeneration. Part2: A Review of FourCultural Quarters in the UK, Ireland and Australia. Planning Practice and Research,19,1:3-31.
Nachuma, L.,&Keeble, D.(2003). MNE linkages and localised clusters: foreign and indigenous firms in the mediacluster of Central London. Journal of International Management,9:171-192.
Nahapiet, J.,&Ghoshal, S.(1997). Social Capital, Intellectual Capital, and the Creation of Value in Firms. Academyof Management Proceedings,11,3:35-39.
Nahapiet, J.,&Ghoshal, S.(1998). Social Capital, Intellectual Capital, and the Organizational Advantage. TheAcademy of Management Review,23,2:242-266.
Nixon, S.,&Crewe, B.(2004). Pleasure at work? Gender, consumption and work-based identities in the creativeindustries. Consumption, Markets and Culture,7:129-147.
Norcliffe, G.(2003). New Geographies of Comic Book Production in North America: The New Artisan, Distancing,and the Periodic Social Economy. Economic Geography,79,3:241-263.
O’Connor, J.(2000). The Definition of the “Cultural Industries”. The European Journal of Arts Education,2,3:15-27.
O’Connor, J.(2006). Creative Cities: the Role of Creative Industries in Regeneration. Power Point Presentation,University of Leeds,.
Oakley, K.(2004). Not so cool Britannia: the role of the creative industries in economic development. InternationalJournal of Cultural Studies,7:67-77.
Oakley, K.(2006). Include us out-economic development and social policy in the creative industries. CulturalTrends,15:255-273.
OECD.(2007). Participative Web: User-Created Content. Working Party on the Information Economy.www.oecd.org/dataoecd/57/14/38393115.pdf
Paddison, R.(1993). City marketing, image reconstruction and urban regeneration. Urban Studies,30:339-349.
Paradis, T.(2000). Conceptualising small towns as urban places: The process of downtown redevelopment inGalena, Illinois. Urban Geography,21:61-82.
Patel, P.,&Pavit, K.(1991). Large Firms in the Production of the World's Technology: An Important Case of“non-globalization”. Journal of International Business Studies,22,1:1-21.
Peck, J.(2005). Struggling with the Creative Class. International Journal of Urban and Regional Research，29,4:740-770.
Philo, C.(1992). Foucault's Geography. Environment and Planning D: Society and Space,10,2:137-161.
Pinch, S., Henry, N., Jenkins, M.,&et al.(2003). From ‘Industrial districts’ to ‘knowledge clusters’: A model ofknowledge dissemination and competitive advantage industrial agglomerations. Journal of EconomicGeography,3:373-388.
Pine, J. P. II,&Gilmore, J H.(1999). The Experience Economy: Work is Theatre&Every Business a Stage. Boston,MA: Harvard Business School Press.
Porter, M. E.(2000). Location, Competition, and Economic Development: Local Clusters in a Global Economy.Economic Development Quarterly,14,1:15-34.
Portes, A.,&Landolt, P.(2000). Social Capital: Promise and Pitfalls of its Role in Development. Journal of LatinAmerican Studies,32:529-547.
Potts, J., Cunningham, S., Hartley, J.,&et al.(2008). Social network markets: A new definition of the creativeindustries. Journal of Cultural Economics,32,3:167-185.
Pratt, A. C.(1997). The cultural industries production system: a case study of employment change in Britain,1984-91. Environment and planning A,29,11:1953-1974.
Pratt, A. C.(2002). Hot jobs in cool places: The material cultures of new media product spaces: The case of theSouth of the Market, San Francisco. Information, Communication and Society,5,1:27-50.
Pratt, A. C.(2004). Creative Clusters: Towards the governance of the creative industries production system?[A].Media International Australia:50-66.
Pratt, A. C.(2008). Creative cities: the cultural industries and the creative class. Geografiska annaler: Series B-Human geography,90,2:107-117.
Pratt, A. C.(2009). Urban Regeneration: From the Arts “Feel Good” Factor to the Cultural Economy: A Case Studyof Hoxton, London. Urban Studies,46,5&6:1041-1061.
Rantisi, N. M.(2004). The Designer in the City and the City in the Designer.//Power, D.,&Scott, A. J. CulturalIndustries and the Production of Culture, London: Routledge:91-109.
Reimer, S.(2008). Geographies of production II: fashion, creativity and fragmented labour. Progress in HumanGeography,7:1-9.
Romer, P. M.(1986). Increasing Returns and Long-Run Growth. Journal of Political Economy,94,5:1002-1037.
Sassen, S.(1994). Cities in a World Economy. Pine Forge Press.
Scott, A. J.(1984). Territorial reproduction and transformation in a local labor market: The animated film workers ofLos Angeles. Environment and Planning D:Society and Space,2,3:277-307.
Scott, A. J.(1996). The craft, fashion, and cultral products industries of Los Angeles: competitive dynamics andpolicy dilemmas in a multisectoral image-producing complex. Annals of the Association of AmericanGeographers,86,2:306-323.
Scott, A. J.(1997). The Cultural Economy of Cities. International Journal of Urban and Regional Research,21,2:323-339.
Scott, A. J.(2000). The Creative Field and The Logic of Innovation in Imageproducing Complexes//. In Allen, J.Scott. The Cultural Economy of Cities. London: SAGE Publications:30-39.
Scott, A. J.(2001). Capitalism, Cities and the Production of Symbolic Forms. Transaction of the Institute of BritishGeographers,26,1:11-23.
Scott, A. J.(2002). A new map of Hollywood: the production and distribution of American motion pictures.Regional Studies,36:957-75.
Scott, A. J.(2004). Cultural-products Industries and Urban Economic Development: Prospect for Growth andMarket Contestation in Global Context. Urban Affairs Review,39,4:461-490.
Scott, A. J.(2006a). Entrepreneurship, Innovation and Industrial Development: Geography and the Creative FieldRevisited. Small Business Economics,26:1-24.
Scott, A. J.(2006b). Creative cities: Conceptual issues and policy questions. Journal of Urban Affairs,28,1:1-17.
Solomon, S., Gerard, W., de Arcangelis, L.,&et al.(2000). Social percolation models. Physica A,277:239-247.
Storper, M.,&Venables, A. J.(2004). Buzz: Face-to-face contact and the urban economy. Journal of EconomicGeography,4:351-370.
Storper, M.(1997). The Regional World: Territorial Development in a Global Economy. New York: Guilford.
Sydow, J.,&Staber, U.(2002). The Institutional Embeddedness of Project Networks: The Case of ContentProduction in German Television. Regional Studies,36,3:215-227.
Teece, D., Pisano, G.,&Shuen, A.(1997). Dynamic capabilities and strategic management. Strategic ManagementJournal,18,7:509-533.
Throsby, D.(2001). Economics and Culture. Cambridge University Press.
Tsai, W.,&Ghoshal, S.(1998). Social Capital and Value Creation: The Role of Intrafirm Networks. The Academy ofManagement Journal,41,4:464-476.
Tschang, F. T.,&Vang, J.(2008). Explaining the Spatial Organization of Creative Industries: The Case of the U.S.Videogames Industry. The25th Celebration Conference2008on Entrepreneurship and Innovation-Organizations, Institutions, Systems and Regions, Copenhagen, CBS, Denmark,.
Turok, I.(2003). Cities, Clusters and Creative Industries: The Case of Film and TV in Scotland. European PlanningStudies,11,5:549-565.
Waitt, G,&Gibson, C.(2009). Creative Small Cities: Rethinking the Creative Economy in Place. Urban Studies,46,5&6:1223-1246.
Woolcock, M.,&Narayan, D.(2000). Social Capital: Implications for Development Theory, Research, and Policy.World Bank Research Observer,15,2:225-249.
Yusuf, S.,&Nabeshima, K.(2005). Japan's Changing Industrial Landscape. Policy Research Working Paper Series.The World Bank,.
Yusuf, S.,&Nabeshima, K.(2006). Postindustrial East Asian Cities-innovation for growth, Standford UniversityPress.
Zukin, S.(1988). Loft Living Culture and Capital in Urban Change. London: Radius.