基于最低色彩损伤的中国绘画照明白光LED光谱构成研究
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摘要
在博物馆照明中,光辐射会对光敏感度极高的中国传统重彩绘画的色彩造成严重损伤。同时WLED(White Light Emitting Diodes)光谱构成灵活且同色异谱现象明显,易于根据需求调整光源的SPD,因此基于该特点探求组成WLED的主要单色光对绘画影响量化规律,进而对WLED光谱组成及比例进行优化,对开发绘画照明最低损害光源将具有重要意义。本文以组成WLED光谱的四种典型单色光红、黄、绿、蓝作为实验光源,对绘有青、黄、红、白、黑五种典型无机颜料的中国传统重彩绘画试件进行分组照射,并周期性检测CIE XYZ色度数据,并基于实验数据计算主波长、亮度、兴奋纯度三项色彩参数。首先绘制三参数在16个实验周期内随时间的衰变曲线,通过曲线分析得到五种无机颜料在不同单色光照射下的色彩变化规律;其次计算单色光对绘画色彩的影响指标值,得到四种单色光对绘画色彩的影响特点。
引文
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[12]Morris HR,Whitmore PM,Colaluca VG.Preventing discoloration in films of acrylic artists'media by exposure to ambient light[J].Studies in Conservation,2003,48(2):95-102.
[13]Farke M,Binetti M,Hahn O.Light damage to selected organic materials in display cases A study of different light sources[J].Studies in Conservation,2014,59(10):279-288.
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[15]Cuttle C.Light for art's sake,lighting for artworks and museum displays[J].Lighting Research and Technology,2008,40(3):259.
[16]刘舜强.古书画损毁机理初探[J].文物保护与考古科学,2003,15(1):39-42.
[17]Mark S.Rea.Opinion:The future of LED lighting:Greater benefit or just lower cost[J].Lighting Research and Technology,2010,(42):37.
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[20]宋国华,缪建文,姜斌,等.近紫外芯片激发三基色荧光粉制作的白光LED[J].光电子·激光,2011,22(12):1779-1783.
[21]Naoki Kimura,Ken Sakuma,Syunichiro Hirafuneetal.Extra high color rendering whitelight-emitting diode lamps using oxynitride and nitride phosphors excited by blue light-emitting diode[J].Applied physics letters,2007,90(5):051109.
[22]党睿,王立雄,刘刚,等.白光LED对中国传统书画色彩影响研究[J].土木建筑与环境工程,2015,37(1):61-66.
[23]博物馆建筑设计规范:JGJ66-2015[S].北京:中国建筑工业出版社,2015.
[2]Control of Damage to Museum Objects by Optical Radiation:CIE 157:2004.
[3]Recommended Practice on Museum and Art Gallery Lighting:ANSI/IESNA RP-30-1996.
[4]博物馆照明设计规范:GB/T23863-2009[S].北京:中国标准出版社.12009.
[5]武金勇.先秦两汉绘画颜料研究[D].天津:天津大学,2011.
[6]张杰,张伟.“五行说”传统色彩观的传承与发展[J].河北师范大学学报,2010,33(2):166-168.
[7]CIE Div.3 TC3-22,Museum lighting and protection against radiation damage.
[8]JelenaA rmas.Lighting for Museums.International Symposium-Topical Problems in the Field of Electrical and Power Engineering[C].2011.
[9]Saunders D,Kirby J.Wavelength-dependent fading of artist's pigments.Preventive Conservation:Practice,Theory and Research.London:International Institute for Conservation,1994:190-194.
[10]Feller RL.Accelerated Ageing:Photochemical and Thermal Aspects.Los Angeles:J.Paul Getty Trust,1994.
[11]Cuttle C.Damage to museum objects due to light exposure[J].Lighting Research and Technology,1996,28(1):1-10.
[12]Morris HR,Whitmore PM,Colaluca VG.Preventing discoloration in films of acrylic artists'media by exposure to ambient light[J].Studies in Conservation,2003,48(2):95-102.
[13]Farke M,Binetti M,Hahn O.Light damage to selected organic materials in display cases A study of different light sources[J].Studies in Conservation,2014,59(10):279-288.
[14]Nord AG,Billstr?m K,Tronner K,Olausson KB.Lead isotope data for provenancing medieval pigments in Swedish mural paintings[J].Journal of Cultural Heritage,2015,16:856-861.
[15]Cuttle C.Light for art's sake,lighting for artworks and museum displays[J].Lighting Research and Technology,2008,40(3):259.
[16]刘舜强.古书画损毁机理初探[J].文物保护与考古科学,2003,15(1):39-42.
[17]Mark S.Rea.Opinion:The future of LED lighting:Greater benefit or just lower cost[J].Lighting Research and Technology,2010,(42):37.
[18]Method of measuring and specifying colour rendering properties of light sources.CIEPublication No.13-29,1974.
[19]吴海彬,王昌铃,何素梅,等.绿荧光粉的白光LED显色性研究[J].光学学报,2008,28(9):1778-1782.
[20]宋国华,缪建文,姜斌,等.近紫外芯片激发三基色荧光粉制作的白光LED[J].光电子·激光,2011,22(12):1779-1783.
[21]Naoki Kimura,Ken Sakuma,Syunichiro Hirafuneetal.Extra high color rendering whitelight-emitting diode lamps using oxynitride and nitride phosphors excited by blue light-emitting diode[J].Applied physics letters,2007,90(5):051109.
[22]党睿,王立雄,刘刚,等.白光LED对中国传统书画色彩影响研究[J].土木建筑与环境工程,2015,37(1):61-66.
[23]博物馆建筑设计规范:JGJ66-2015[S].北京:中国建筑工业出版社,2015.