摘要
围绕暴力奇观的仪式感营造、主要人物的双面设计、作者个性的戏剧性建构等内容,本次访谈深入分析了刁亦男在《南方车站的聚会》中的剧本创作、视觉设计、表演控制、个性叙事等独特的艺术追求和最终的视听呈现,并结合其以往的学习和创作经历,探讨了其非现实主义风格追求背后的世界观与艺术观。
From the perspective of learning experience and filmmaking experience of the director Diao Yi'nan, his artistic and ideological specificity as an auteur can be observed and analyzed. Through the summary and in-depth discussion of the dramatic analysis, visual design and production methods of the movie Wild Goose Lake, the theme and aesthetics of Wild Goose Lake are explored and analyzed. From the construction of sense of ceremony in the spectacle of violence, the double-sided design of the main characters, and the dramatic construction of the auteur's personality, the director's world view, art view and aesthetic view behind the non-realistic style of the film are examined in detail.
引文