身份转变:后现代主义小说伦理诉求研究
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摘要
后现代主义小说作为后现代主义思潮在艺术领域不断反叛,超越的产物深刻地表现出后工业化或晚期资本主义社会的特点及其所面临的危机。后现代主义小说自身的变化迎合了时代的要求,体现了后现代社会多元,开放的特点。通过对后现代主义小说的作者身份、人物身份、读者身份以及小说作为文本自身身份问题的研究,梳理后现代主义小说对传统的颠覆与超越,并进一步发掘各种身份转变所体现的后现代主义伦理诉求。
As a result of postmodernism thoughts developed in art field,postmodernism novels have been rebelling against and transcending the traditional ideas.The postmodernism novels profoundly embody the characteristics of post-industrial society and crisis that the late capitalism faces.The changes of postmodernism novels meet the need of the times and reflect the nature of postmodernist society:the pluralism and having no restrictions.These changes spare no efforts to express postmodernism ethical opinions and appeals to the world.This paper summarizes the postmodernism ideas and technique which are rebel and transcendence of the traditional literary works by analyzing the change of authority,and the changes of identities of characters in the novel,the readers and the text,the novel itself.On that basis,the paper explores the postmodernism ethical opinions and appeals of the changes mentioned above.
As a result of postmodernism thoughts developed in art field,postmodernism novels have been rebelling against and transcending the traditional ideas.The postmodernism novels profoundly embody the characteristics of post-industrial society and crisis that the late capitalism faces.The changes of postmodernism novels meet the need of the times and reflect the nature of postmodernist society:the pluralism and having no restrictions.These changes spare no efforts to express postmodernism ethical opinions and appeals to the world.This paper summarizes the postmodernism ideas and technique which are rebel and transcendence of the traditional literary works by analyzing the change of authority,and the changes of identities of characters in the novel,the readers and the text,the novel itself.On that basis,the paper explores the postmodernism ethical opinions and appeals of the changes mentioned above.
引文
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[17]张荣升,丁威.挑战强权观念,追求人性平等尊严---澳大利亚女作家伊丽莎白·乔利小说解读[J].牡丹江师范学院学报:哲学社会科学版,2019(1):72-79.
[18]俞春玲,马海洋.论《小镇奇人异事》的道德史书写及东方呈现[J].牡丹江师范学院学报:哲学社会科学版,2018(6):96-100.
[19]陈栩.迷失的寻根之旅---《罗克珊娜》中的空间政治[J].牡丹江师范学院学报:哲学社会科学版,2019(1):80-87.
[2]刁克利.诗性的回归---现代作者理论研究[M].北京:昆仑出版社,2015:26.
[3]Roland Barthes,"The death of the author"The Norton Anthology of Theory and Criticism[M].Ed.Vincent B.Leitch,B.New York:W.W.Norton&Company Inc,2001:1466.
[4]Jean Francois Lyotar."Answering the Question:What is Postmodernism?"Critical Theory Since Plato[M].Ed.Hazard Adams.3’rd ed.Boston:Thomson Wadsworth,2005:1423.
[5]赫伯特·马尔库塞.单向度的人[M].刘继,译.上海:上海译文出版社,2014:51.
[6]陈世丹.美国后现代主义小说详解[M].天津:南开大学出版社,2010.
[7]Tzvetan Todorov."Reading as Construction"The Reader in the Text Essays on Audience and Interpretation[M].Ed.Susan Rubin Suleiman.Princeton:Princeton University Press,1980:67.
[8]Roland Barthes.Image-Music-Text[M].Trans.Stephen Heath.New York:Hill and Wang,1978:148.
[9]向玉乔.后现代西方伦理学研究[M].北京:中国社会科学出版社,2011:26.
[10]梁中贤.澳大利亚小说《牛奶与蜂蜜》中边缘人物形象分析[J].当代外国文学,2005(2):122-127.
[11]李侦.“反英雄”经典形象与现实社会的碰撞---《麦田里的守望者》主人公霍尔顿的反叛方式及缘由[J].江西社会科学,2011(5):103-106.
[12]王淑芹,夏纪森.道德冲突类型诱因探源[J].伦理学研究,2016(3):19-23.
[13]金元浦.作者中心论的衰落---现代西方文学批评史上的一次重大转折[J].文艺理论研究,1991(4):23-29.
[14]朱立元.当代西方文艺理论[M].上海:华东师范大学出版社,2005:294.
[15]何江胜.后现代主义文学中的语言游戏[J].当代外国文学,2005(4):97-102.
[16]Fredric Jameson.Postmodernism or The Cultural Logic of Late Capitalism[M].Durham:Duke University Press,1991:1.
[17]张荣升,丁威.挑战强权观念,追求人性平等尊严---澳大利亚女作家伊丽莎白·乔利小说解读[J].牡丹江师范学院学报:哲学社会科学版,2019(1):72-79.
[18]俞春玲,马海洋.论《小镇奇人异事》的道德史书写及东方呈现[J].牡丹江师范学院学报:哲学社会科学版,2018(6):96-100.
[19]陈栩.迷失的寻根之旅---《罗克珊娜》中的空间政治[J].牡丹江师范学院学报:哲学社会科学版,2019(1):80-87.