清溪吟社闺秀诗人之社会形象探析
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摘要
清溪吟社是中国清代文学史上重要的女子诗社。社中的诸位闺秀成员们大多拥有着多样的社会形象,如被期许的贤媛形象、有能力的才女形象和浮世中的其他女性形象等。这重重社会形象的聚合丰盈了吟社诸女的妇女形象,使得吟社诸女完成了才德色之兼,同时,这也推动了她们的吟社创作,促进了清代女性自我意识的初萌和发声,为清代闺秀文学的发展提供了助力。
Qingxi Poets Society is the important female poets society in the literatue history of Qing dynasty. The female members in the poets society mostly had different kinds of social image, such as the image of the expected virtuous woman, the image of the talented woman and the other female image in the float world. Those kinds of social image enriched the female members' image in the poets society, and made them be women who had the talent, virtue and good looks. At the same time, it also promoted the creation of Qingxi Poets Society and the emergence of women's self-consciousness in Qing dynasty. And it was helpful for the development of female literature in Qing dynasty.
Qingxi Poets Society is the important female poets society in the literatue history of Qing dynasty. The female members in the poets society mostly had different kinds of social image, such as the image of the expected virtuous woman, the image of the talented woman and the other female image in the float world. Those kinds of social image enriched the female members' image in the poets society, and made them be women who had the talent, virtue and good looks. At the same time, it also promoted the creation of Qingxi Poets Society and the emergence of women's self-consciousness in Qing dynasty. And it was helpful for the development of female literature in Qing dynasty.
引文
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[3]任兆麟辑,张允滋选.吴中女士诗钞[M].乾隆五十四年刻本.
[4]林稚晖. 明清之际江南闺秀诗人社会形象研究[D].华南理工大学,2013.
[5]许周鹣.明清吴地社会对女子的期望与宽容[J].社会科学,1998(1).
[6]胡晓明,彭国忠.江南女性别集二编·下册[M].黄山书社,2010.
[7]石旻.阻隔的一时双璧——关于《随园诗话》忽略清溪吟社之分析[J].苏州大学学报,2007(5).
[8]费善庆,薛凤昌.松陵女子诗征[M].吴江费氏华萼堂民国七年铅印本.
[9]法式善著,张寅彭,强迪艺编校.梧门诗话合校[M].凤凰出版社,2005.
[10]马清福.文坛佳秀:妇女作家群[M].辽宁人民出版社,1997.
[11]崔琇景.清后期女性的文化生活研究[D].复旦大学,2010.
[12]高彦颐著.李志生译.闺塾师:明末清初江南的才女文化[M].江苏人民出版社,2005.
[13]李小满.清代闺秀词研究[D].陕西师范大学,2010.