不同时期白居易“池上”空间和境界的变迁
摘要
白居易处于由盛唐向宋朝过渡的中唐时期,政治环境复杂艰险,其在贬官江州之后,开始凿池退隐,透过他不同时期凿池意向诗的演变历程,可以看到白居易从踌躇满志到独善其身到享受闲适生活、悠然自在的"池上"境界变迁之路,也可以管窥豹地看到唐代文人园林变迁及其心态变化。本文通过分析白居易不同人生阶段开挖池塘的心境,对比研究池上空间(形态、要素、色彩)、池上活动(个人、家庭、社会)和池上境界(季节、时间、心境)三个方面的变化,总结他不同阶段的池塘景观营造和"池上"境界的变迁及共性。
Bai Juyi is in the middle period of Tang Dynasty, which is the period of the transition from glorious age of Tang Dynasty to the Song Dynasty, when the political environment is complex and dangerous. Bai Juyi was demoted in Jiangzhou, after which Bai began to retire from political life and construct a series of small ponds. Through the evolution of his state of poetry about the ponds in different periods, Bai has shiftted his focus from his country to his own life with leisureliness and carefreeness. This also reflects the transition of style of gardens and people's mind in Tang Dynasty. Based on the different stages of his life with different ponds, three aspects of the pond space(i.e., morphology, elements, color), activities by pond(i.e., individual, family and society) and the prospect of pond(i.e., season, time, mood) will be compared. Finally the commonness and changes through Bai's lifetime will also be summarized.
Bai Juyi is in the middle period of Tang Dynasty, which is the period of the transition from glorious age of Tang Dynasty to the Song Dynasty, when the political environment is complex and dangerous. Bai Juyi was demoted in Jiangzhou, after which Bai began to retire from political life and construct a series of small ponds. Through the evolution of his state of poetry about the ponds in different periods, Bai has shiftted his focus from his country to his own life with leisureliness and carefreeness. This also reflects the transition of style of gardens and people's mind in Tang Dynasty. Based on the different stages of his life with different ponds, three aspects of the pond space(i.e., morphology, elements, color), activities by pond(i.e., individual, family and society) and the prospect of pond(i.e., season, time, mood) will be compared. Finally the commonness and changes through Bai's lifetime will also be summarized.
引文
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[2]李航.宋代诗歌中的“池”意象研究[D].广西师范学院,2016.
[3]张再林.白居易的“池上”境界及文学史意义[J].求索,2016(09):149-155.
[4]崔晶.白居易“小池诗”的思想蕴含[J].昆明冶金高等专科学校学报, 2013(02):70-73+77.
[5]冯丽娟.论白居易退居渭上后的思想转变[J].现代语文(学术综合版), 2016(11):6-9.
[6]赵二彩.白居易诗歌池塘意象研究[D].山东大学, 2013.
[7]刘园园.竹窗小池,曲径通幽:白居易诗歌中“造园”思想之初探[J].黑龙江生态工程职业学院学报, 2016(06):22-23.
[8]埋田重夫,李寅生.白居易《池上篇》考[J].河池师专学报(社会科学版), 2002(03):53-60.
[9]焦尤杰.白居易造园中的水景设计[J].四川戏剧, 2016(06):64-67.
[10]陈琛.园由造化物呈心历意象天成——读白居易《庐山草堂记》和《池上篇并序》谈园林意象[J].华中建筑,2006(08):166-167.
[11]吴美霞,廖嵘.从庐山草堂与履道坊宅园的建造看白居易的造园理念[J].广东园林, 2008(03):12-14.