本雅明《拱廊计划》的批判隐喻
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摘要
《拱廊计划》是对19世纪巴黎商业拱廊街的城市景观研究,本雅明在表面上通过蒙太奇手法,碎片化地描绘了以拱廊为代表的巴黎都市的繁华与魔力,实质上是在隐蔽性地展开对商品资本功能的揭示和对资本主义社会的现代性批判。本文通过与福柯的全景敞视主义相比较,对本雅明《拱廊计划》中全景敞视机制和光学系统进行剖析,揭露资本的孔隙渗透和无限普遍性。
"The Arcades Project" is a study of the urban landscape of the commercial arcades of 19th-century Paris.On the surface, through the montage technique, Benjamin depicted the prosperity and magic of the Paris city represented by the arcade in fragments.In essence, he revealed the function of commodity capital and criticized the modernity of capitalist society.By comparing with Foucault's panoramic optometry, this paper analyzes the panoramic optometry mechanism and optical system in the arcade plan of Benjamin, and reveals the pore penetration and infinite universality of capital.
"The Arcades Project" is a study of the urban landscape of the commercial arcades of 19th-century Paris.On the surface, through the montage technique, Benjamin depicted the prosperity and magic of the Paris city represented by the arcade in fragments.In essence, he revealed the function of commodity capital and criticized the modernity of capitalist society.By comparing with Foucault's panoramic optometry, this paper analyzes the panoramic optometry mechanism and optical system in the arcade plan of Benjamin, and reveals the pore penetration and infinite universality of capital.
引文
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[3][德]瓦尔特·本雅明.作为生产者的作者[M].陈永国,郭军,蒋洪生,译.河南:河南大学出版社,2014.
[4][11][13][15][16][18][20][21][25][26][28][29][30][31][32][34][35]Walter Benjamin.The Arcades Project[M].Howard Eiland and Kevin McLaughlin(trans.).Cambridge:Belknap Press-Harvard University Press,1999.
[5][9]吴琼.拱廊街·奇观化·闲逛者--本雅明的拜物教批判[J].河南社会科学,2014,22(4).
[6]蒋雯.拱廊、商品与希望意象[J].上海文化,2016(9).
[7]吴友军,张宇雷.本杰明的现代都市文化批判思想[J].华中科技大学学报(社会科学版),2014,28(5).
[8]孙秀昌.本雅明“巴黎幻境”解读[J].河北师范大学学报(哲学社会科学版),2015,38(2).
[10]谭峥.拱廊及其变体---大众的建筑学[J].新建筑,2014(1).
[12][17][27][法]米歇尔·福柯.规训与惩罚[M].刘北成,杨远婴,译.北京:生活·读书·新知三联书店,2012.
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[23]David Adler.Solid Futures:Office Architecture and the Labour Imaginary[M].Springer International Publishing,2018-07-11.
[24]Jack Wong.Remapping the Constellation of Walter Benjamin’s Allegorical Method[J].American,British and Canadian Studies Journal,2016,25(1).
[33]Ernst van Alphen.Attention for Distraction:Modernity,Modernism and Perception[J].Text Matters,2017,7(7).
[2][14]Ben Moore.Walter Benjamin and The Arcades Project[M].Palgrave Macmillan UK:2016-06-15.
[3][德]瓦尔特·本雅明.作为生产者的作者[M].陈永国,郭军,蒋洪生,译.河南:河南大学出版社,2014.
[4][11][13][15][16][18][20][21][25][26][28][29][30][31][32][34][35]Walter Benjamin.The Arcades Project[M].Howard Eiland and Kevin McLaughlin(trans.).Cambridge:Belknap Press-Harvard University Press,1999.
[5][9]吴琼.拱廊街·奇观化·闲逛者--本雅明的拜物教批判[J].河南社会科学,2014,22(4).
[6]蒋雯.拱廊、商品与希望意象[J].上海文化,2016(9).
[7]吴友军,张宇雷.本杰明的现代都市文化批判思想[J].华中科技大学学报(社会科学版),2014,28(5).
[8]孙秀昌.本雅明“巴黎幻境”解读[J].河北师范大学学报(哲学社会科学版),2015,38(2).
[10]谭峥.拱廊及其变体---大众的建筑学[J].新建筑,2014(1).
[12][17][27][法]米歇尔·福柯.规训与惩罚[M].刘北成,杨远婴,译.北京:生活·读书·新知三联书店,2012.
[19][德]瓦尔特·本雅明.巴黎,19世纪的首都[M].刘北成,译.上海:上海人民出版社,2006.
[22]Caitlin Vandertop.The Colonies in Concrete[J].Interventions,2016,18(5).
[23]David Adler.Solid Futures:Office Architecture and the Labour Imaginary[M].Springer International Publishing,2018-07-11.
[24]Jack Wong.Remapping the Constellation of Walter Benjamin’s Allegorical Method[J].American,British and Canadian Studies Journal,2016,25(1).
[33]Ernst van Alphen.Attention for Distraction:Modernity,Modernism and Perception[J].Text Matters,2017,7(7).