可视化图形在家具设计中的应用
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摘要
可视化图形是人们生活中经常见到且随时会用到的一种交流的符号,应用范围非常之广泛。本文以可视化图形在家具设计中的应用为题,首先对家具设计中可视化图形的内涵进行了详细的阐述,可视化图形在我们的日常生活中再常见不过了,与此同时在家具设计中也被广泛应用。其后从家具的结构和木制家具的要求这两个方面来阐述和分析可视化图形与家具设计的关系。最后,总结出可视化图形在家具设计中的应用。可见,可视化图形的所有特点在所有设计领域都很实用并且适用。
The visual graph is a kind of communication symbol that people often see and can use at any time in their life. This paper takes the application of visualized graphics in furniture design as the topic. Firstly, the connotation of visualized graphics in furniture design is elaborated in detail. Visualized graphics are extremely common in our daily life. Subsequently, the relationship between visual graphics and furniture design is expounded and analyzed from the two aspects of furniture structure and wooden furniture requirements. Finally,the application of visual graphics in furniture design is summarized. As you can see, all of the features of visual graphics are useful and applicable in all areas of design.
The visual graph is a kind of communication symbol that people often see and can use at any time in their life. This paper takes the application of visualized graphics in furniture design as the topic. Firstly, the connotation of visualized graphics in furniture design is elaborated in detail. Visualized graphics are extremely common in our daily life. Subsequently, the relationship between visual graphics and furniture design is expounded and analyzed from the two aspects of furniture structure and wooden furniture requirements. Finally,the application of visual graphics in furniture design is summarized. As you can see, all of the features of visual graphics are useful and applicable in all areas of design.
引文
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[10]李然,张云冲,张乘风.造型构成美的设计表现[J].家具与室内装饰,2016,(04):48-49.
[11]马涛.产品设计中的材料质感与肌理辨析[J].家具与室内装饰,2016,(03):20-21.
[12]唐开军.中国家具的内涵与形制探讨[J].家具与室内装饰,2016,(01):20-21.
[13]贺雪梅,曹廷蕾.基于形态原型演化的家具产品设计[J].林产工业,2018,45(9):40-43.
[2]蒋廉雄,朱辉煌.品牌认知模式与品牌效应发生机制:超越认知—属性范式的理论建构.[J]管理世界,2008(07)75-77.
[3]陆瑶,徐立新.专业市场品牌促进纺织产业转型升级的作用机理—以绍兴中国轻纺城为例[J]华东经济管理,2010(12)99-100.
[4]许柏鸣.对当前中国家具业的几个问题的思考[J].家具与室内装饰,2017,(01):15-16.
[5]朱长岭.中国家具业的现状与2017中国家具协会工作重点[J].家具与室内装饰,2017,(01):6-7.
[6]胡俊红,陈厚霖.仿生家具的形缘造型与设计之美[J].家具与室内装饰,2017,(02):22-23.
[7]许柏鸣.当代中国家具设计路在何方[J].家具与室内装饰,2017,(03):11-13.
[8]许美琪.中国传统家具的文化基因[J].家具与室内装饰,2016,(10):11-13.
[9]张昱宏,辛一杰,叶喜.多功能家具万变的本源——折叠[J].家具与室内装饰,2016,(07):18-21.
[10]李然,张云冲,张乘风.造型构成美的设计表现[J].家具与室内装饰,2016,(04):48-49.
[11]马涛.产品设计中的材料质感与肌理辨析[J].家具与室内装饰,2016,(03):20-21.
[12]唐开军.中国家具的内涵与形制探讨[J].家具与室内装饰,2016,(01):20-21.
[13]贺雪梅,曹廷蕾.基于形态原型演化的家具产品设计[J].林产工业,2018,45(9):40-43.