王建中钢琴改编曲演奏特色与民族气质研究
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摘要
王建中钢琴改编曲是东西方钢琴音乐融合的典范,吸收了西方最基本的钢琴音乐理论,结合中国的古典民乐、民歌等传统音乐元素,创作出具有民族气质和演奏特色的钢琴作品。王建中钢琴改编曲在和声、旋律、情感表达等方面均有独到之处,有必要针对王建中钢琴改编曲中的演奏特色和民族气质展开研究。
Piano compositions adapted by Wang Jianzhong are viewed as the good example of fusing eastern and western piano music, because he absorbs the most basic piano music theory in western countries, integrates the traditional music elements into China's classical folk music and folk songs, etc, and creates the piano works with characteristic of national temperament and performing features. Piano compositions adapted by Wang Jianzhong have the originality in harmony, melody, emotion expression. In this regard, it is necessary to study their characteristics and national temperament.
Piano compositions adapted by Wang Jianzhong are viewed as the good example of fusing eastern and western piano music, because he absorbs the most basic piano music theory in western countries, integrates the traditional music elements into China's classical folk music and folk songs, etc, and creates the piano works with characteristic of national temperament and performing features. Piano compositions adapted by Wang Jianzhong have the originality in harmony, melody, emotion expression. In this regard, it is necessary to study their characteristics and national temperament.
引文
[1]刘小楠.王建中钢琴改编曲中的器乐模仿和演奏特色研究[D].新乡:河南师范大学硕士论文,2015.
[2]马晓霜.论王建中钢琴音乐创作手法及演奏技巧[D].西安:西安音乐学院硕士论文,2012.
[3]朱倩.王建中钢琴改编曲的民族特色[J].大舞台,2014(5).
[4]张颖韬.中国不同时期钢琴改编曲民族意蕴的比较研究[J].艺术教育,2017(17).
[2]马晓霜.论王建中钢琴音乐创作手法及演奏技巧[D].西安:西安音乐学院硕士论文,2012.
[3]朱倩.王建中钢琴改编曲的民族特色[J].大舞台,2014(5).
[4]张颖韬.中国不同时期钢琴改编曲民族意蕴的比较研究[J].艺术教育,2017(17).