苏作家具的文化精神
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摘要
苏作家具以轻巧、俊秀、素雅的造型、饱含的文人气质以及精工细作的制造工艺而著称,是我国家具发展史乃至世界家具发展史上的一颗明珠。无论是材料、造型、装饰还是工艺,都体现了文人对自然的追求,崇尚清雅素静,自然天成的君子之韵,是传统文化"天人合一"思想的完美体现。本文探讨苏作家具的文化精神,指出这是今天新苏作家具传承创新必须要吸收的营养,是具有最高文化价值的部分。
Su-style furniture is famous for its light, delicate, elegant shape, full of literati temperament and elaborate craftsmanship. It is a pearl in the history of furniture development in China and even in the world. Its material, shape, decoration and craftsmanship, are all full of the pursuit of nature by literati. The furniture advocates elegance, quietness and natural gentleman's charm. This is the perfect embodiment of the traditional culture of "harmony between man and nature". This paper discusses the cultural spirit of Su-style furniture, and points out that this is the nutrition that must be absorbed to inherit and innovate the new Su-style furniture today. It is also the part with the highest cultural value.
Su-style furniture is famous for its light, delicate, elegant shape, full of literati temperament and elaborate craftsmanship. It is a pearl in the history of furniture development in China and even in the world. Its material, shape, decoration and craftsmanship, are all full of the pursuit of nature by literati. The furniture advocates elegance, quietness and natural gentleman's charm. This is the perfect embodiment of the traditional culture of "harmony between man and nature". This paper discusses the cultural spirit of Su-style furniture, and points out that this is the nutrition that must be absorbed to inherit and innovate the new Su-style furniture today. It is also the part with the highest cultural value.
引文
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[2]陈从周.品园[M].南京:江苏凤凰文艺出版社出版社,2016.
[3]陶蓓蓓,于娜.中国传统家具木材审美研究[J].家具与室内装饰,2016,(02):26-27.
[4]田家青.与王世襄先生在一起的日子[M].北京:生活.读书.新知三联书店,2014.
[5]孙迟,杨丽橘,张蕾.明式家具发展缘由探析[J].家具与室内装饰,2016,(10):18-19.
[6]储乐.明式家具造型艺术的禅意研究[D].扬州:扬州大学,2010.
[7]李世葵,陈琛.论长物志的家具设计美学及启示[J].家具与室内装饰,2017(06):118-119.
[8]濮安国.明清家具装饰艺术[M].杭州:浙江摄影出版社,2014.
[9]王国轩.大学中庸[M].北京:中华书局,2016.
[10]陈秉公.论中华传统文化和合理念[J].社会科学研究,2019,(01):1-7.
[11]郭颖艳,杨凌云.数字化技术在川西传统木作传承创新中的应用[J].林产工业,2018,45(11):70-73.
[12]余继宏,傅彤,吴翔.家具情感交互设计方法研究[J].包装工程,2019,40(12):49-53.
[13]刘文金.重构中国当代家具文化[J].中南林学院学报,2003(03):63-67.