书画理论教学与高等院校审美教育互动考察
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摘要
研习书画理论对书画专业人士有着重要影响,而高等院校为非书画专业学生开设的书画理论公共课程则以普适的方式传播传统文化、审美观念,对大学生审美与思维的发展具有深远的意义。因而,高校书画理论工作者在做好专业书画理论研究的同时,更应当将书画理论教学进行合理转型,将书画理论课程及相关知识的普及在普通高等教育中逐步展开,促进大学生艺术素质与艺术思维的提升,以此提高全社会的精神文化水平。
Studying the theory of calligraphy and painting has an important influence on the professionals of calligraphy and painting,while the public course of calligraphy and painting theory offered by Non-calligraphy and painting majors on university campuses disseminates traditional culture and aesthetic concepts in a universal way,and plays a far-reaching role in the development of College Students' aesthetic and thinking. Therefore,while doing a good job in the theoretical research of professional calligraphy and painting,the theoretical teaching of calligraphy and painting should be rationally transformed,and the popularization of theoretical courses and related knowledge of calligraphy and painting should be gradually carried out in general higher education,so as to promote the improvement of students' artistic quality and artistic thinking,so as to achieve the goal of the whole society,and improve spiritual and cultural level.
Studying the theory of calligraphy and painting has an important influence on the professionals of calligraphy and painting,while the public course of calligraphy and painting theory offered by Non-calligraphy and painting majors on university campuses disseminates traditional culture and aesthetic concepts in a universal way,and plays a far-reaching role in the development of College Students' aesthetic and thinking. Therefore,while doing a good job in the theoretical research of professional calligraphy and painting,the theoretical teaching of calligraphy and painting should be rationally transformed,and the popularization of theoretical courses and related knowledge of calligraphy and painting should be gradually carried out in general higher education,so as to promote the improvement of students' artistic quality and artistic thinking,so as to achieve the goal of the whole society,and improve spiritual and cultural level.
引文
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[2]陶小军.公众视野下的中国书画[M].南京:南京师范大学出版社,2015.
[3]熊秉明.熊秉明美术随笔[M].北京:人民文学出版社,2008.
[4]王菡薇.艺术与公众[J].新美术,2006,(3).
[5]鲁迅.随感录四十三[J].新青年,1918,(1).
[6]钱乃婧.非艺术类高校书画理论教学可行性研究:以浙江中医药大学为例[J].美术教育研究,2014,(6).
[7]邵军.唐代书画理论及其审美观研究:以李嗣真、张怀瓘、窦氏兄弟三家为中心[D].北京:中央美术学院,2004.
[8]冯兰芳.关于普通高等学校艺术公共选修课程的思考[J].人民音乐,2003,(12).
[9]谢明村.大学通识教育之理论与实际[J].通识教育年刊,2000,(2).
[10]单文经.教学引论[M].上海:上海科技教育出版社,2003.
[11]﹝澳﹞迈克尔·普洛瑟、基思·特里格维尔著,潘红、陈锵明译.理解教育学:高校教学策略[M].北京:北京大学出版社,2007.