古民居建筑文化精神内涵及其对现代建筑设计的影响和启示
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摘要
古民居建筑作为重要的中华民族文化遗产,挖掘其蕴含的文化精神内涵有助于解构古人智慧,古为今用,推动现代建筑设计建设发展,同时能坚定改革发展的传承思路,探索发展矛盾在精神层次的优化思路。古民居建筑在建筑风格、方位布局、装饰摆设上从宏观到微观渗透了敬畏自然、遵从秩序、儒雅仁爱的文化精神。这三方面的古民居建筑文化精神对现代建筑设计的影响深远,并在现代建筑理念和实践中得以传承,形成了"依傍自然,得天独厚""巧妙布局,老少咸宜""精致装饰,热爱生活"的现代设计理念。
Ancient residential architecture, as an important cultural heritage of the Chinese nation, is conducive to deconstructing the wisdom of the ancient people, making use of the ancient for the present, promoting the development of modern architectural design and construction. Meanwhile, it is able to firmly reform and develop the inheritance ideas, and explore the optimization ideas of the development contradictions at the spiritual level. Ancient residential buildings permeate the cultural spirit of nature, order and benevolence from macro to micro in architectural style, orientation layout and decoration. These three aspects of the ancient residential building cultural spirit and modern reform to resolve the insufficient unbalanced development of the inherent demand. On the basis of this, this paper explores the influence and inspiration of ancient residential architecture on modern architectural design one by one based on the cultural spirit of reverence for nature, obedience to order and Confucianism and benevolence.
Ancient residential architecture, as an important cultural heritage of the Chinese nation, is conducive to deconstructing the wisdom of the ancient people, making use of the ancient for the present, promoting the development of modern architectural design and construction. Meanwhile, it is able to firmly reform and develop the inheritance ideas, and explore the optimization ideas of the development contradictions at the spiritual level. Ancient residential buildings permeate the cultural spirit of nature, order and benevolence from macro to micro in architectural style, orientation layout and decoration. These three aspects of the ancient residential building cultural spirit and modern reform to resolve the insufficient unbalanced development of the inherent demand. On the basis of this, this paper explores the influence and inspiration of ancient residential architecture on modern architectural design one by one based on the cultural spirit of reverence for nature, obedience to order and Confucianism and benevolence.
引文
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[10]董静,张伏虎.以用为美的集中体现——陕西陈炉古民居[J].装饰,2008(3):118-119.
[2]杨会勇.徽州古民居建筑文化隐喻研究[D].芜湖:安徽工程大学,2017:15-23.
[3]江金波.围龙屋——最具代表性的客家建筑文化景观[J].岭南文史,2004(s1):25-26.
[4]李小佩.徽州古民居建筑艺术价值研究[D].芜湖:安徽工程大学,2013:21-26.
[5]侯曙芳,李道先.徽派古民居建筑的地域文化特征[J].土木建筑与环境工程,2006,28(6):24.
[6]蒋佳.汲取传统民居营养的居住建筑设计节能初探[D].重庆:重庆大学,2010:20-30.
[7]胡善风,李伟.徽州古建筑的风水文化解析[J].中国矿业大学学报(社会科学版),2002,4(3):155-160.
[8]丁剑.徽州古民居建筑的美学价值[J].淮北师范大学学报(哲学社会科学版),2004,25(4):128.
[9]赵克理.扬州古民居建筑装饰艺术[J].江南大学学报(人文社会科学版),2009,8(6):117-120.
[10]董静,张伏虎.以用为美的集中体现——陕西陈炉古民居[J].装饰,2008(3):118-119.