论胡适对新诗现代叙事观念的构建
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摘要
胡适认为,以抒情为主要表现手段的中国传统旧体诗,其所表现出来的"内容"不是浮泛就是虚空,与现代人的精神生活以及现代社会的演进严重脱节。为了解决旧体诗思想观念的匮乏问题,胡适把西方近现代文化中的一些先进思想理念,诸如"人的文学""人道主义""个人主义"等引入到了新诗中来,试图通过该策略达到从深层来改造中国诗歌内容根基的目的。胡适这种以思想内容为上的构建思路,决定了新诗草创时期的主要任务之一,就是要探讨如何使用诗歌这种文体来进行叙事与说理。这是中国诗歌史上审美观念的一次重大调整与转换。自此以后,诗歌便由传统的抒情模式转向了现代的说理、叙事模式。
Hu Shi maintains that Chinese classical poetry that deploys lyric as its major literary device is of hollow and void,disjointing itself from the modern spirit and modern society.In order to solve the problem of lack of modern spirit in the classical poetry,Hu Shi introduces the Western progressive ideas such as "human literature","humanism"and"individualism"into the new poetry and therefore,to remold profoundly the basic contents of Chinese poetry.Hu Shi's idea of the above-mentioned remolding thus becomes one of the major tasks at the initial phase of the new poetry.Specifically,the remolding is to explore how to narrate and reason in poetic creation,which is the great adjustment and turn in aesthetic conceptions in the history of Chinese poetry.Since then,Chinese poetic creation turns from the traditional mode of lyric to the modern mode of narrating and reasoning.
Hu Shi maintains that Chinese classical poetry that deploys lyric as its major literary device is of hollow and void,disjointing itself from the modern spirit and modern society.In order to solve the problem of lack of modern spirit in the classical poetry,Hu Shi introduces the Western progressive ideas such as "human literature","humanism"and"individualism"into the new poetry and therefore,to remold profoundly the basic contents of Chinese poetry.Hu Shi's idea of the above-mentioned remolding thus becomes one of the major tasks at the initial phase of the new poetry.Specifically,the remolding is to explore how to narrate and reason in poetic creation,which is the great adjustment and turn in aesthetic conceptions in the history of Chinese poetry.Since then,Chinese poetic creation turns from the traditional mode of lyric to the modern mode of narrating and reasoning.
引文
[1]胡适.五十年来中国之文学[A].姜义华.胡适学术文集[C].北京:中华书局,1998.
[2]胡适.什么是文学[A].姜义华.胡适学术文集[C].北京:中华书局,1998.
[3]胡适.历史的文学观念论[A].姜义华.胡适学术文集[C].北京:中华书局,1998.
[4]胡适.谈新诗[A].姜义华.胡适学术文集[C].北京:中华书局,1998.
[5]胡适.应该[A].尝试集[C].北京:外文出版社有限责任公司,2013.
[6]俞平伯.社会上对于新诗的各种心理观[A].杨匡汉,刘福春.中国现代诗论(上编)[C].广州:花城出版社,1985.
[7]胡适.中国新文学大系(第一集导言)[A].姜义华.胡适学术文集[C].北京:中华书局,1998.
[8]胡适.新文学·新诗·新文字[A].姜义华.胡适学术文集[C].北京:中华书局,1998.
[9]胡适.建设的文学革命论[A].姜义华.胡适学术文集[C].北京:中华书局,1998.
[10]胡适.文学改良刍议[A].姜义华.胡适学术文集[C].北京:中华书局,1998.
[11]胡适.人力车夫[A].张菊香.胡适代表作[C].郑州:河南文艺出版社,1996.
[12]成仿吾.诗之防御战[A].杨匡汉,刘福春.中国现代诗论(上编)[C].广州:花城出版社,1985.
[13]胡适.易卜生主义[A].张菊香.胡适代表作[C].郑州:河南文艺出版社,1996.
[14]王源.中华传统文化的具像化传播:原创性电视节目发展的新路径[J].西南大学学报(社会科学版),2017(6).
[2]胡适.什么是文学[A].姜义华.胡适学术文集[C].北京:中华书局,1998.
[3]胡适.历史的文学观念论[A].姜义华.胡适学术文集[C].北京:中华书局,1998.
[4]胡适.谈新诗[A].姜义华.胡适学术文集[C].北京:中华书局,1998.
[5]胡适.应该[A].尝试集[C].北京:外文出版社有限责任公司,2013.
[6]俞平伯.社会上对于新诗的各种心理观[A].杨匡汉,刘福春.中国现代诗论(上编)[C].广州:花城出版社,1985.
[7]胡适.中国新文学大系(第一集导言)[A].姜义华.胡适学术文集[C].北京:中华书局,1998.
[8]胡适.新文学·新诗·新文字[A].姜义华.胡适学术文集[C].北京:中华书局,1998.
[9]胡适.建设的文学革命论[A].姜义华.胡适学术文集[C].北京:中华书局,1998.
[10]胡适.文学改良刍议[A].姜义华.胡适学术文集[C].北京:中华书局,1998.
[11]胡适.人力车夫[A].张菊香.胡适代表作[C].郑州:河南文艺出版社,1996.
[12]成仿吾.诗之防御战[A].杨匡汉,刘福春.中国现代诗论(上编)[C].广州:花城出版社,1985.
[13]胡适.易卜生主义[A].张菊香.胡适代表作[C].郑州:河南文艺出版社,1996.
[14]王源.中华传统文化的具像化传播:原创性电视节目发展的新路径[J].西南大学学报(社会科学版),2017(6).