论宋代文人“素”审美在宋代家具中的表现研究
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摘要
宋代在中国美学发展过程中是极为重要的转折时期,它促进了"素"审美的形成。"素"也是宋代文人审美的重要特性。"自然"、"简淡"、"雅意"是构成宋代"素"审美的重要内涵。宋文人审美对宋家具的艺术特性形成起着关键性作用,在宋文人"素"审美的影响下,宋家具以其独特的审美文化和艺术特征,成为宋代文人物质生活与精神文化的重要载体。
The Song Dynasty was a very important transitional period in the development of Chinese aesthetics, which promoted the formation of "plain" aesthetics. Plain was also an important aesthetic characteristic of literati in the Song Dynasty. "Nature", "simplicity" and "elegance" are the important connotations of "plain" aesthetics in the Song Dynasty. The aesthetics of literati in the Song Dynasty played a key role in the formation of the artistic characteristics of Song style furniture. Under the influence of the "plain" aesthetics of Song literati, Song style furniture,with its unique aesthetic culture and artistic characteristics, became an important carrier of the material life and spiritual culture of Song literati.
The Song Dynasty was a very important transitional period in the development of Chinese aesthetics, which promoted the formation of "plain" aesthetics. Plain was also an important aesthetic characteristic of literati in the Song Dynasty. "Nature", "simplicity" and "elegance" are the important connotations of "plain" aesthetics in the Song Dynasty. The aesthetics of literati in the Song Dynasty played a key role in the formation of the artistic characteristics of Song style furniture. Under the influence of the "plain" aesthetics of Song literati, Song style furniture,with its unique aesthetic culture and artistic characteristics, became an important carrier of the material life and spiritual culture of Song literati.
引文
[1]邵晓峰.宋代家具材料探析[J].家具与室内装饰,2007(08):15-17.
[2]程艳萍.中国传统家具造物伦理研究[D].南京林业大学,2011.
[3]邵晓峰.宋代家具:明式家具之源[J].艺术百家,2007(05):182-184+94.
[4]柳枝.明式家具设计中的美学思想研究[D].东北林业大学,2010.
[5]郝灵生.中国传统家具的传承与创新[D].天津科技大学,2016.
[6]吴家炜,简家秀,朱云.宋代审美哲学对家具的影响[J].家具与室内装饰,2010(09):20-21.
[7]李林蔓,张华.从高型家具看两宋家具形制的复古创新[J].家具与室内装饰,2018(10):22-23.
[8]高欣,柯清,杨舒英,林琳,姚金雨.探究素生活环境下的素家具特点[J].家具与室内装饰,2016(04):50-51.
[2]程艳萍.中国传统家具造物伦理研究[D].南京林业大学,2011.
[3]邵晓峰.宋代家具:明式家具之源[J].艺术百家,2007(05):182-184+94.
[4]柳枝.明式家具设计中的美学思想研究[D].东北林业大学,2010.
[5]郝灵生.中国传统家具的传承与创新[D].天津科技大学,2016.
[6]吴家炜,简家秀,朱云.宋代审美哲学对家具的影响[J].家具与室内装饰,2010(09):20-21.
[7]李林蔓,张华.从高型家具看两宋家具形制的复古创新[J].家具与室内装饰,2018(10):22-23.
[8]高欣,柯清,杨舒英,林琳,姚金雨.探究素生活环境下的素家具特点[J].家具与室内装饰,2016(04):50-51.