外显与潜隐间的犹疑与冲突——论《洼地上的“战役”》《红豆》的创作心理
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摘要
在国家叙事形态的语法框架下,以路翎为代表的已成名作家体现的是一种犹疑心态,他们仍然不肯完全舍弃私人情感的语义表达;宗璞代表的是初登文坛却带有"原罪"的作家群体,她仓促地将爱情与革命设置为尖锐的对立状态,以期完成自己身份的救赎。路翎和宗璞在思想上改造自己的急切和为自己身份正名的焦虑,体现在《洼地上的"战役"》《红豆》中就是先行的时代主题与压抑的个体话语之间的矛盾与冲突。这些写作上的"瑕疵"反映出知识分子在艰难蜕变过程中对个体话语的下意识地坚守,也反映了作家创作心理的矛盾心态。
Abostract:Within the syntactical structure of the national narrative,writers like Ling Lu,who has already won his fame,usually embody an uncertain mentality.They are still reluctant to completely abandon the semantic expression of personal feeling.While Pu Zong represents a group of newcomers who enter the literary world with an "original sin".Zong hastily positioned love and revolution as an opposing pair,so as to accomplish her own identity salvation.Both of the two writers' eagerness to reform the thoughts and the anxiety about their identity justification turned out to be the conflicts between the preceding themes of the time and the suppressed individual narration in "Battle"on the Swales and Red Beans.The "flaws"of these writings reflect intellectuals' subconscious clinging to the individual discourse in times of painful transformation as well as writers' own ambivalence in the course of writing.
Abostract:Within the syntactical structure of the national narrative,writers like Ling Lu,who has already won his fame,usually embody an uncertain mentality.They are still reluctant to completely abandon the semantic expression of personal feeling.While Pu Zong represents a group of newcomers who enter the literary world with an "original sin".Zong hastily positioned love and revolution as an opposing pair,so as to accomplish her own identity salvation.Both of the two writers' eagerness to reform the thoughts and the anxiety about their identity justification turned out to be the conflicts between the preceding themes of the time and the suppressed individual narration in "Battle"on the Swales and Red Beans.The "flaws"of these writings reflect intellectuals' subconscious clinging to the individual discourse in times of painful transformation as well as writers' own ambivalence in the course of writing.
引文
[1]陈企霞.一部明目张胆地为资本家捧场的作品——评路翎的《祖国在前进》[J].文艺报,1952,(6).
[2]宗璞.《红豆》的问题在哪里?一个座谈会记录摘要[J].人民文学,1958,(9).
[3]侯金镜.评路翎的三篇小说[J].文艺报,1954,(12).
[4]陈晓明.中国当代文学主潮[M].北京:北京大学出版社,2009.
[5]路翎.为什么会有这样的批评[J].文艺报,1955,(1—4).
[2]宗璞.《红豆》的问题在哪里?一个座谈会记录摘要[J].人民文学,1958,(9).
[3]侯金镜.评路翎的三篇小说[J].文艺报,1954,(12).
[4]陈晓明.中国当代文学主潮[M].北京:北京大学出版社,2009.
[5]路翎.为什么会有这样的批评[J].文艺报,1955,(1—4).