摘要
"德艺双馨"艺人故事源远流长,可追溯至唐明皇梨园弟子故事。唐五代时期相关故事资料零散,故事以表现宫廷梨园艺人的技艺、节操与命运沉浮为主要内容,德、艺分述,偏重技艺。宋元以来,"娱乐祸国"论抬头,梨园弟子故事明显轻艺重德,"海清殉节"的故事得到重视。明末《磨尘鉴》传奇演绎梨园弟子故事,德、艺合流,塑造了"德艺双馨"的艺人形象。"德艺双馨"的艺人故事,可为现代艺人提供本土文化参照,助其更好地理解与践行"德艺双馨"。
The stories of players with good reputation can be traced back to the legendaries of the players of Tang Minghuang in Liyuan(opera hall in Ancient China) in Tang Dynasty. In Tang and Five Dynasties' works about their performing skills, moral integrity and fate stories, their professional abilities are emphasized. In Song Dynasty, with the influence of "entertainments-kill-the-nation", the stories begin to emphasis on the players' morality such as Haiqing's martyrdom story. Until the late of Ming Dynasty, the players' good reputation of behavior and skills were revealed. Liyuan artists had set an good example for modern artists.
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