托尼·本尼特与“文化治理”观念
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摘要
福柯的"治理术"使文化研究领域迈向了文化治理,强调了"治理艺术"与先前统治方式不同的一些特点,有历史性、多层次性、策略性等特征。葛兰西的文化霸权理论对文化治理有重要启示。本尼特继承并发展了福柯的"治理术",以治理的视角对文化进行了重新定义,强调了自我治理、机构治理等一系列问题,形成了属于自己的"文化治理"理念。他谈及了审美理论与文化治理的关联性,形成了独树一帜的思想理念。我国日益加强了对文化的治理,可以吸收福柯、葛兰西文化观念的基础上,在马克思主义历史原则的指导下,合理运用本尼特的文化治理观念,对我国的文化治理发展,从地域差距、文化蕴含差距等方面进行深入研究。
Foucault's "Governance Technique",which has made the cultural research field move towards cultural governance,emphasizes some characteristics of "Governance Art" that are different from the previous ways of governance,with historic,multi-level and strategic characteristics.Gramsci's theory of cultural hegemony has important implications for cultural governance.Bennett inherited and developed Foucault's "Governance Technique",redefined culture from the perspective of governance,emphasized a series of issues such as self-governance,institutional governance, and formed his own "Cultural Governance" concept.Bennett talked about the relationship between the aesthetic theory and cultural governance,and formed a unique ideology.As China is strengthening the governance of culture day by day,on the basis of absorbing Foucault's and Gramsci's cultural concepts and the guidance of Marxist historical principles,we can use Bennett's cultural governance concepts rationally and make a thorough study on the development of China's cultural governance from the aspects of disparities in regions and cultural deposits.
Foucault's "Governance Technique",which has made the cultural research field move towards cultural governance,emphasizes some characteristics of "Governance Art" that are different from the previous ways of governance,with historic,multi-level and strategic characteristics.Gramsci's theory of cultural hegemony has important implications for cultural governance.Bennett inherited and developed Foucault's "Governance Technique",redefined culture from the perspective of governance,emphasized a series of issues such as self-governance,institutional governance, and formed his own "Cultural Governance" concept.Bennett talked about the relationship between the aesthetic theory and cultural governance,and formed a unique ideology.As China is strengthening the governance of culture day by day,on the basis of absorbing Foucault's and Gramsci's cultural concepts and the guidance of Marxist historical principles,we can use Bennett's cultural governance concepts rationally and make a thorough study on the development of China's cultural governance from the aspects of disparities in regions and cultural deposits.
引文
[1] 米歇尔·福柯.性史[M].张廷琛,译.上海:上海科学技术文献出版社,1989.
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[11] 胡慧林.国家文化治理需要让更多公民参与[N].光明日报,2013-11-14.
[12] 吴理财.文化治理的三张面孔[J].华中师范大学学报(人文社会科学版),2014,(1).
[2] 米歇尔·福柯.安全、领土与人口:法兰西学院演讲1977-78[M].上海:上海人民出版社,2010.
[3] 斯蒂夫·琼斯.导读葛兰西[M].相明,译.重庆:重庆大学出版社,2014.
[4] 段吉方.理论与经验:托尼·本尼特与20世纪英国文化研究[J].马克思主义美学研究,2009,(12).
[5] 莱姆克.福柯与马克思[M].陈元,译.上海:华东师范大学出版社,2007.
[6] 托尼·本尼特.本尼特:文化与社会[M].王杰、强东红,译.桂林:广西师范大学出版社,2007.
[7] 王杰.托尼·本尼特的马克思主义美学研究[J].南方文坛,2007,(6).
[8] 托尼·本尼特.文学之外[M].强东红,译.北京:人民出版社,2015.
[9] 徐一超.“文化治理”:文化研究的“新”视域[J].文化艺术研究,2014,(7).
[10] 胡慧林.国家文化治理:发展文化产业的新维度[J].学术月刊,2012,(5).
[11] 胡慧林.国家文化治理需要让更多公民参与[N].光明日报,2013-11-14.
[12] 吴理财.文化治理的三张面孔[J].华中师范大学学报(人文社会科学版),2014,(1).