联珠纹在现代包装设计中的应用
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摘要
目的研究联珠纹形式变换的创新方法,探索其与包装设计能够融合且推而广之的应用策略。方法通过研究联珠纹的基本形式和历史演变,结合其在设计领域中的广泛应用,合理演变出联珠纹变换的形式。在对单元形和构成方式进行解构重组的同时,剖析其形态、结构、色彩和文化方面的典型特征,总结联珠纹在现代包装设计中应用的基本策略,挖掘出更利于包装设计的有效途径。结论在联珠纹历史演变的前提下,对其进行有效的变换是新时代背景下纹饰运用的必要条件。联珠纹在包装设计中的应用需遵循典型的形态特征、结合科学的包装结构、借鉴古朴的色彩搭配和彰显深厚的传统文化之整体策略,使具有民族特色和中国风格的联珠纹能够发扬光大,实现传统文化的跨越和发展。
The work aims to research the innovative method of Lianzhu pattern transformation and explore the application strategy which can be combined with and popularized in packaging design. From the study of the basic form, historical evolution and the wide application of Lianzhu pattern in the field of design, the transformation form of Lianzhu pattern could be reasonably developed. The typical characteristics of its form, structure, color and culture were deeply analyzed, while deconstructing and reorganizing the unit shape and composition. The basic strategy for the application of Lianzhu pattern in modern packaging design was summarized, and the effective way that was more advantageous to packaging design was excavated. The effective transformation of the Lianzhu pattern is a necessary condition for the application of the pattern in the background of the new era, under the premise of the historical evolution of Lianzhu pattern.The application of Lianzhu pattern in packaging design should follow the whole strategy inheriting the typical form characteristics, combining with scientific packaging structure, drawing lessons from the plain collocation of color and revealing deep traditional culture, so that the Lianzhu pattern with national characteristics and Chinese style can be carried forward and the leapfrogging and development of traditional culture can be achieved.
The work aims to research the innovative method of Lianzhu pattern transformation and explore the application strategy which can be combined with and popularized in packaging design. From the study of the basic form, historical evolution and the wide application of Lianzhu pattern in the field of design, the transformation form of Lianzhu pattern could be reasonably developed. The typical characteristics of its form, structure, color and culture were deeply analyzed, while deconstructing and reorganizing the unit shape and composition. The basic strategy for the application of Lianzhu pattern in modern packaging design was summarized, and the effective way that was more advantageous to packaging design was excavated. The effective transformation of the Lianzhu pattern is a necessary condition for the application of the pattern in the background of the new era, under the premise of the historical evolution of Lianzhu pattern.The application of Lianzhu pattern in packaging design should follow the whole strategy inheriting the typical form characteristics, combining with scientific packaging structure, drawing lessons from the plain collocation of color and revealing deep traditional culture, so that the Lianzhu pattern with national characteristics and Chinese style can be carried forward and the leapfrogging and development of traditional culture can be achieved.
引文
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[2]闫瑛.北朝联珠纹装饰纹样的组合[J].文物世界,2010(2):21-22.YAN Ying.The Combination of Decorative Patterns of Lianzhu Pattern in Northern Dynasty[J].World of Antiquity,2010(2):21-22.
[3]李娜.中国传统纹样与现代装饰艺术设计[M].天津:百花文艺出版社,2011.LI Na.Chinese Traditional Pattern and Modern Decorative Art Design[M].Tianjin:Baihua Literature and Art Publishing House,2011.
[4]叶黎君.敦煌联珠纹的形态特征与其在视觉传达设计中的应用[J].包装工程,2015,36(10):104-107.YE Li-jun.Application of Morphological Characteristics of Dunhuang Lianzhu Pattern in the Visual Communication Design[J].Packaging Engineering,2015,36(10):104-107.
[5]宗白华.美学散步[M].上海:上海人民出版社,1981.ZONG Bai-hua.Aesthetics Walk[M].Shanghai:Shanghai People Press,1981.
[6]吴巧仂.传承与创新--浅析唐朝“联珠纹”的时代特色与发展[J].艺术与设计(理论),2008(1):187-189.WU Qiao-le.Spread to Accept and Innovation:Brief Analysis Special Features and Developments of"Lianzhuwen"[J].Art and Design(Theory),2008(1):187-189.
[7]宋晓丽.唐代团花及其应用研究[D].苏州:苏州大学,2011.SONG Xiao-li.A Study of the Mission Flower and its application In Tang Dynasty[D].Suzhou:Soochow University,2011.
[8]王通武.现代图形设计中的联珠纹[J].郑州轻工业学院学报(社会科学版),2010(16):28-31.WANG Tong-wu.On Pearl Line in Modern Artistic Design[J].Journal of Zhengzhou Institute of Light Industry(Social Science Edition),2010(16):28-31.
[9]宗白华.美学散步[M].上海:上海人民出版社,1981.ZONG Bai-hua.Aesthetics Walk[M].Shanghai:Shanghai People Press,1981.
[10]吴冰.艺术概论[M].延吉:延边大学出版社,2015.WU Bing.Art Outline[M].Yanji:Yanbian University Press,2015.