力效视域下花样滑冰接续步的典型肢体动作研究——基于单人滑项目规则
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摘要
依据力效对肢体动作的分析理论,对花样滑冰单人滑项目中接续步部分进行分析。结果显示:接续步具有难度定级构成的连续性、身体动作与转动的节奏性、难度组合转体步的流畅性、上肢动作的艺术性等特征;接续步浮腿与支撑腿典型动作的3种分类与上肢动作结合,组成不同动作影响运动员核心躯干的稳定性。提出:对接续步典型肢体动作的力效样式分析,是提升成套动作艺术价值的重要途径,可通过调控成套动作节奏、呈现成套动作主题的编排手段,达到花样滑冰项目的艺术升华。
Present research suggests that effort can interpret motion patterns,which is an important medium connecting the movements and music at the time level,enabling people to have a quantitative idea of dance rhythm in choreography.The study analyzed the current theories,trying to provide the foundation for the typical limb motion of step sequence effort on figure skating.As a supplementary means for the figure skating choreography,it pointed out the deficiency and future research direction of "effort theory" in figure skating,which may benefit for the application in the choreography of single event of figure skating.
Present research suggests that effort can interpret motion patterns,which is an important medium connecting the movements and music at the time level,enabling people to have a quantitative idea of dance rhythm in choreography.The study analyzed the current theories,trying to provide the foundation for the typical limb motion of step sequence effort on figure skating.As a supplementary means for the figure skating choreography,it pointed out the deficiency and future research direction of "effort theory" in figure skating,which may benefit for the application in the choreography of single event of figure skating.
引文
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[29] 魏驿欢.初探拉班舞谱在表演节奏训练中的应用[J].才智,2012(10):184-184
[30] 陈润兴.浅谈肢体的拆分对舞蹈编导的重要性[J].北方文学,2017(20):144-145
[31] YOUNG J,WOOD L L.A guide figure between dance/movement therapy and drama therapy[J].Arts in Psychotherapy,2018(57):11-19
[32] 威克斯.音乐[M].上海:三联书店,2002:10-11
[33] KAREN S,LAURACOX .Everybody is a Body[J].Dog Ear Published,2013(52):4-5
[34] SHARMA M D,HILDEBRANDT G,NEWMAN,et al.Communicating affect via flight path exploring use of the Laban Effort System for designing affective locomotion paths[J].ACM/IEEE International Conference on Human-Robot,2013(8):293-300
[2] 江口隆哉.舞蹈创作法[M].北京:学苑出版社,2005:41
[3] ISU.Judging system technical panel handbook.2017-2018[EB/OL].[2018-12-10].https://www .isu.org/figure-skating
[4] 孙岩,李野.提高花样滑冰选手艺术表演能力的有效途径[J].冰雪运动,2006(4):33-34
[5] 刘钰,肖宁宁.花样滑冰运动员的体能对艺术表演效果的影响[J].冰雪运动,2002(2):28-28
[6] 许水生,刘钰.如何培养青少年花样滑冰运动员的音乐、舞蹈素养[J].冰雪运动,2000(4):19-19
[7] 曾丹.表现难美性项群教练员审美能力对运动员技术风格的影响[D].成都:成都体育学院,2014:20-21
[8] 卢玫蓁.20世纪拉班舞谱理论的诞生及其在欧美的发展[J].北京舞蹈学院学报,2017(3):8-9
[9] 马翱,李丽娜.拉班“力效”训练在古典舞表演中的运用[J].舞蹈,2016(3):56-58
[10] 周宇,布拉德利,廖彬彬.拉班-芭特妮芙动作研究体系综述[J].北京舞蹈学院学报,2017(3):21-28
[11] 何沁.国际标准舞拉丁舞风格特征的力效分析[D].上海:上海戏剧学院,2012:14-19
[12] 唐怡.浅谈拉班舞谱及其动作分析体系对舞蹈教学的意义[J].北京舞蹈学院学报,2010(4):81-86
[13] 庞蒂.知觉现象学[M].北京:商务印书馆,2001:135-140
[14] RUDOLF L,LAWRENCE F C.Effort[J].Macdonald & Evans Ltd,1974(4):14-15
[15] 冯百跃.从古典芭蕾舞审美观中诠释艺术体操运动的发展[J].体育科学,2007(7):82-83
[16] 朱立人.西方芭蕾史纲[M].上海:上海音乐出版社,2001:34-35
[17] 刘青弋.返回原点:舞蹈身体语言研究文集[G].北京:中国文联出版社,2014:39-41
[18] 张晓梅.拉班动作分析理论在质感显现中的内在机制[J].曲靖师范学院学报,2016(4):100-105
[19] 卢胜平,庹琳燕.浅谈“力效”对舞蹈表意的重要性[J].影剧新作,2015(4):141-148
[20] 胡小明.论体育与艺术的关系[J].体育科学,2008(10):3-8
[21] 王海英,肖灵.舞蹈训练与编创[M].北京:高等教育出版社,2002:144-145
[22] 劳逊.古典芭蕾舞蹈教学[Z].北京:北京舞蹈学院资料室,1979:28-30
[23] 郝秀艳,王珂,陈玲.芭蕾基础训练在花样滑冰训练中的应用[J].冰雪运动,2010(3):23-23
[24] KIKHIA B,GOMEZ M,JIMENEZ L L,et al.Analyzing body movements within the Laban Effort framework using a single accelerometer[J].Sensors,2014(3):5725-5741
[25] 王树本.花样滑冰[M].北京:人民体育出版社,2014:3-11
[26] 纪仲秋,姜桂萍.花样滑冰点冰跳跃动作的运动学研究[J].北京师范大学学报(自然科学版),2009(1):107-108
[27] IOC.Pyeongchang figure-skating videos[EB/OL].[2018-10-03].https://www.olympic.org/videos/pyeongchang-2018/figure-skating
[28] 华章.欧洲文明起源[M].北京:中国电影出版社,2005:91-94
[29] 魏驿欢.初探拉班舞谱在表演节奏训练中的应用[J].才智,2012(10):184-184
[30] 陈润兴.浅谈肢体的拆分对舞蹈编导的重要性[J].北方文学,2017(20):144-145
[31] YOUNG J,WOOD L L.A guide figure between dance/movement therapy and drama therapy[J].Arts in Psychotherapy,2018(57):11-19
[32] 威克斯.音乐[M].上海:三联书店,2002:10-11
[33] KAREN S,LAURACOX .Everybody is a Body[J].Dog Ear Published,2013(52):4-5
[34] SHARMA M D,HILDEBRANDT G,NEWMAN,et al.Communicating affect via flight path exploring use of the Laban Effort System for designing affective locomotion paths[J].ACM/IEEE International Conference on Human-Robot,2013(8):293-300