论“永嘉四灵”对厉鹗诗歌的影响
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摘要
作为浙派诗歌的杰出代表和中坚力量的厉鹗,他的诗歌素有"十诗九山水"之称,诗歌成就很高。厉鹗的性格和诗法与南宋"永嘉四灵"有较多相似的地方,受其影响颇深。受"永嘉四灵"诗歌的影响,厉鹗诗歌在题材上,多描写日常生活、山水景物;在思想上,崇尚理趣,寄意遥深;在意境上,标举"清"论,意境清幽;在艺术技巧上,注重炼字,避俗生新。可以说,厉鹗把对"永嘉四灵"诗歌的偏爱巧妙融合在他的诗歌创作中。
As the outstanding representative and the backbone of Zhejiang school poetry, li E, whose poetry is known as "ten poems and nine landscapes", has made great achievements in poetry. There are many similarities between li E's personality and poetic method and the "Four Poets in Yongjia" in the southern song dynasty, and he was deeply influenced by them. Influenced by the poems of "Four Poets in Yongjia", li E's poems are mainly manifested on the subject matter, mainly describing daily life and landscapes; In terms of thought, he advocates the rational interest and the meaning is remote deep;In the artistic conception, he promotes the standard of "Qing" theory and quiet artistic conception; In artistic skills aspect, he pay attention to refining words and avoid vulgar or newwords. It can be said that li E's preference for "Four Poets in Yongjia" poetry is skillfully integrated into his poetic creation.
As the outstanding representative and the backbone of Zhejiang school poetry, li E, whose poetry is known as "ten poems and nine landscapes", has made great achievements in poetry. There are many similarities between li E's personality and poetic method and the "Four Poets in Yongjia" in the southern song dynasty, and he was deeply influenced by them. Influenced by the poems of "Four Poets in Yongjia", li E's poems are mainly manifested on the subject matter, mainly describing daily life and landscapes; In terms of thought, he advocates the rational interest and the meaning is remote deep;In the artistic conception, he promotes the standard of "Qing" theory and quiet artistic conception; In artistic skills aspect, he pay attention to refining words and avoid vulgar or newwords. It can be said that li E's preference for "Four Poets in Yongjia" poetry is skillfully integrated into his poetic creation.
引文
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[9]梁思诗.论“永嘉四灵”诗之“清苦”[J].三明学院学报,2019(1).
[2]王小恒.厉鹗的浙派地位及其诗歌创作论略[J].兰州学刊,2019(1).
[3]厉鹗.厉鹗集[M].罗仲鼎,俞浣萍,点校.杭州:浙江古籍出版社,2016.
[4]徐照,徐玑,翁卷,等.永嘉四灵诗集[M].陈增杰,校点.杭州:浙江古籍出版社,1985
[5]何文焕.历代诗话[M].北京:中华书局,1981.
[6]赵建军.唐代般若与文学意象、意境之美学融摄[J].河北学刊,2018(1).
[7]永瑢.四库全书总目:卷162[M].北京:中华书局,1965.
[8]朱则杰.论厉鹗的诗[J].杭州师范学院学报,1983(3).
[9]梁思诗.论“永嘉四灵”诗之“清苦”[J].三明学院学报,2019(1).